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A Documentary about basic film terms, applied through a short film.

DocumentaThis film focuses on the historic 1971 Attica prison rebellion in upstate New York. It targets the conditions that caused prisoners to take drastic steps toward securing their basic rights. The film questions the reactions of prison warden Oswald, New York governor Nelson Rockefeller and President Nixon, as well as the death of 31 inmates and prison guards from bullets fired by the National Guard. Through on-site footage taken during and following the rebellion, and follow-up interviews with inmates, this film relates a powerful message concerning prisoner's rights and provides an important historical document. A Third World Newsreel production.ry about the 1971 rebellion at Attica State Prison.

“Shot at a Bohemian crematorium outside Chicago, this self-viewing at work makes metaphoric reference to the location and process of cremation. Still photos, drawing, bleach, inks & silver tape were used to ‘move heaven and hell’, all from the vantage point of a devout atheist.” (J.B.)

In 1950s Harlem a vicious Italian gangster (Frank deKova) tries to muscle in on a black racketeer's (Paul Harris) numbers game.

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Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.

"This film is about depression, although it's not that depressing. I suppose it has a message of faith and hope in it ... it does for me .... But then again my interest may not match yours. It was shot in San Francisco and in Central Oklahoma with a cast of one man and four women. Crushing emotions are indulged in against a massive meteorological background that brings inspiration and terror to the characters involved."

Hear the inside story of Huey Newton and the Black Panthers with this documentary that examines their efforts to promote the rights of African Americans as well as the organization's violent tactics, including the killing of a police officer. The film features a rare jailhouse interview with Newton discussing the role of revolution and civil disobedience, plus footage of several Panthers' bullet-riddled homes following police raids.

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

Learn about bicycle safety with host Bill Cosby.

This film describes the 1960s drug culture. Addicts discuss their experiences in the United States and in Vietnam. Dr. Stanley Yolles, director of the National Institute of Mental Health (NIMH), talks about the drug culture and the NIMH role in prevention and treatment. The tape describes growth in the use of marijuana and heroin. In 1966, the Narcotic Addict Rehabilitation Act is the first law to give the addict a choice of treatment or jail. Synanon in California is a private, self-help, residential community that helps people deal with their addictions. New York's Daytop Village works not only with addicts on addictions, but on developing a new lifestyle. Methadone, though still experimental, has proved to be an effective treatment for heroin addiction.

The film was planned under the title CONNEC-TICUT and was to consist of two parts. The negative of the first part, shot in Hamburg in May 1973, was lost in the post. As a result, the project was rewritten as the present film.

Rayday Film was shown projected in several 100-foot length parts from multiple projectors. The friends and family who featured in costume and character within - like Motler, the Word Killer who reflects Keens preference for action over thinking - performed similar actions in front of the screen. After a final performance in 1976, Keen spliced the parts together so it could be shown according to normal cinematic convention.

Documentary film of a British yachtsman John Ridgway's 57-foot ketch, English Rose VI, in the 1977-78 Whitbread Round the World Race. It captures the lives and growing tensions between several of the sailing boat's crewmen.

A fast-paced collage of Ontario life. Highlights include a rollercoaster ride, a hair-raising speedboat skim along Ottawa's Rideau Canal, a downhill ski run through the trees on a Thunder Bay trail, and the sleek beauty of a small fleet of ice boats whistling over a gleaming lake.

Women's bodies are presented as ambiguous erotic landscapes, sometimes classically baroque, sometimes cubistic visions in a distorted reflection, depending on the camera angle and shot size. Finally the female flesh frees itself to the accompaniment of electronic smacking noises and, ignoring all gender borderlines, unites with itself in Cronenbergesque growths.

Three screen piece. "I was looking for a pure image, an image which was intrinsic to the medium of film. This film is not an abstract film; the subject is the projector gate, the plane where the film frame is arrested in the projected light beam, and the frame whose edges contain and divide the projected illusion from the blacked-out present of the movie theatre. W.R."

Uncle Sam has been living peacefully in the American southwest, running a gas station. But when terrorists kidnap the Statue of Liberty, Uncle Sam teams up with an eagle to go rescue her. Preserved by the Academy Film Archive in 2007.

Portrays the life of Sykes, a proud, blind pensioner who lives in Chicago, capturing his life style in a positive statement.

A portrait: of Saul Levine, filmmaker and one-time Italian Ice Vendor./of the film surface & depth/so by the choice of image./ of the inside & outside light in the summer and the shower. –M. K.

The slimy underbelly of psychiatry is revealed in this nasty exploitation drama that centers on a female psychiatrist who talks about her tawdriest cases, examples of which, including incest, masochism, impotency and prostitution, are illustrated. When not talking, the doctor and her daughter get involved in a few wild adventures of their own including an orgy and a campus riot.

"Oblique mattes, instead of blocking the vision, accentuate our ability to see and appreciate details, narrowing and expanding the focus of our attention, rendering symmetry and simplicity simply unbalanced. Through repetition of this approach, the movement and the framing become a sensual force —and the objects appear in all their voluptuousness. Gerson has employed this technique repeatedly. In his Translucent Appearances (1975), thirty-five different shots of Niagara Falls are blocked by horizontal, monochromatic mattes. The object is shaped —water flowing seeking a form that will suffice. These are films that disclose gradually, changing revealed and unrevealed layers of visual information." Mónica Savirón

The frat brothers of I Phelta Thi go into business as streakers-for-hire in order to replenish their college fraternity's depleted funds.

Directed by Yigal Burstein.

More than two dozen men and women of various backgrounds, ages, and races talk to the camera about being gay or lesbian. Their stories are arranged in loose chronology: early years, fitting in (which for some meant marriage), coming out, establishing adult identities, and reflecting on how things have changed and how things should be.

A Luno the White Stallion cartoon.

Tv pilot of the show The Runaways. A friend of McKay’s who is a cop asks for his help when his daughter is missing. It turns out she has split personalities.

This chilling and provocative faux home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Bicât and scriptwriter Howard Brenton explore the consequences and co-option of political violence with hard, grubby directness and a pre-punk, semi-nihilistic attack on bourgeois values.

This experimental short consists of eight unedited rolls of super-8 film, each of which profiles an individual woman in real time. The women engage in everyday behaviour, such as playing pinball or reading a letter aloud.

Influences from bad company turn Tahir into a hooligan and a gangster, whilst his childhood girlfriend succeeds life and acquires the best education. Tahir is subsequently arrested for murder and then sentenced to death but his childhood friend, Tahirah, who happens to be Inspector Rosley's fiancée, discovers a secret about Tahir.

This 14-minute film is designed to create an atmosphere in which people can speak seriously and openly about their thoughts and feelings concerning sexual behavior. The film concerns the conflict a young couple faces because of their different attitudes toward sex.

Cardboard cut-outs explode, twirl, disintegrate and form shapes in a delightful, airy film that describes the journey through life, its inevitable ups and downs, and the final triumph of the person.

Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.

Four brides are murdered on their wedding nights. The culprit is a vampire, who thrives on virgin blood. One of the girls comes back to life, only to marry our blood-sucking "hero." Now we have two vampires to contend with.

Archive film showing possibly the first example of digital rendering, made by Pixar co-founders Ed Catmull and Fred Parke in 1972, was stumbled upon by the son of Robert B Ingebretsen, who also set up the world-famous U.S. studio. A six minute version shows additional CGI animation of an artificial heart valve, and human heads.

"This film traces the 1968 presidential election, from the earliest primary campaigning in New Hampshire to President-Elect Nixon's morning-after victory speech. The film touches on important election events and issues, and adheres to the main theme of Americans' personal involvement in choosing political leaders" (US National Archives).

Guy, an ordinary person, commits his life to Christ. Just as everything is making sense to him, his fiancee begins to alienate herself from him, and he must make difficult career decisions.

Documentary about the atomic testing done in the desert of Nevada, the health risks it posed to closely involved military personnel, and the lack of transparency from US administrations about its effects on the public at large.

Lawrence Jordan's portrait of the reclusive artist Joseph Cornell.

Two couples – Mike and Jeri, Daniel and Kim – go out to a hunting lodge that Mike inherited from his father and find the locals a little less than welcoming….

An interview with a young Toni Morrison. The video also shows Toni Morrison going shopping, at a party, and at work. Her commentary provides an incisive look behind her written words, and at the vision, technique, and lifestyle of this award-winning author. She reads from The Bluest Eye, Sula, and Song of Solomon.

The original short film that served as the inspiration for the 1978 feature film.

In Reel 1, Wegman creates deadpan one-liners and ironic sight gags from materials that include his own body, everyday objects such as balls and dolls, and his dog Man Ray. The humor derives from the wild incongruity of expected and actual behavior or events. Inanimate objects are personified; extended actions lead to absurd anticlimaxes. In Stomach Song, Wegman sits in a chair, his bare torso facing the camera. As he gruffly hums a song, his torso becomes a face, with nipples as eyes, navel as mouth. Raising his arms, the "facial" features change gender and he hums in falsetto. Other segments find him blowing a feather from his nose and creating pendulous female "breasts" by folding his elbows to his body. The ever-obliging Man Ray drags a microphone in his mouth, laps up milk that Wegman has drooled onto the floor, and, in an oddly poetic exercise, runs through a darkened room with a flashlight in his mouth.

A film in three acts, each act prefaced by a short circus act. Act 1 – Cutting liver, Act II – Ironing, Act III – Plucking Eyebrows. Three potentially violent domestic activities performed by a woman. Jayne Parker discovered film as a medium when she was a sculpture student at Canterbury College of Art (1977-80). In early works, objects, performance and gesture were combined by the camera to explore space, duration and the physical body. The images in these early films were both literal and metaphoric, depicting exact events but also creating physical and personal associations for the viewer. Ideas are evoked in images rather than words; ordinary actions are also enigmas.

Like the three "Hands" films by Richard Serra (1968), the subject of "Color Aid" are fingers as actors of real time activity. Monochrome colour cards lying on top of each other and filling the whole screen are being pulled away individually with a swishing sound by a single finger, each time bringing a new colour into view.

A documentation of one of Acconci's most notorious performances, Claim Excerpts is a highly confrontational work, an exercise in self-induced, heightened behavioral states, and an aggressive psychological exploration of the artist/viewer relationship. During the three-hour performance, Acconci sat in the basement of 93 Grand Street in New York, blindfolded, armed with metal pipes and a crowbar. His image was seen on a video monitor in the upstairs gallery space. Staking claim to his territory, he tries to hypnotize himself through language into an obsessive state of possessiveness.

The kids decide to earn money by making jam from damaged apples, but disaster occurs.

Quasi, a duck, spends the day at a bizarre amusement park with fellow duck Anita and a robot named Rollo, but his rude and annoying behavior soon becomes impossible for his companions to tolerate.

BBC 1975. Jack Point and his sweetheart Elsie come to the Tower to earn money with which to buy medicine for her sick mother. Elsie is persuaded to become the secret bride of Fairfax 'to be beheaded in an hour,' but then he escapes.

A police lieutenant’s routine Sunday afternoon is interrupted by the deaths of a hoodlum and a socialite.

Interview with French director Jacques Tati, focusing on his on-screen persona, Monsieur Hulot. Produced for the British television series "Omnibus".

In an associative montage statues of saints in rigid and rapt poses are cross cut with those of real actors until the two can no longer be told apart. Gradually the real bodies break away from the constraints of their wooden models through increasingly improvised dance. A successful act of liberation from (Catholic) convention, which the material celebrates in an acstasy of multiple exposures and psychedelic colors.

Documentary short on cartoonist Otto Messmer, co-creator of Felix the Cat

Film by Michael J. Murphy. Considered lost.

Behind the scenes look at 'Magnum Force'.

A super-8mm short by Vito Acconci