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Reimon

This film is a political and poetic portrait of the daily life of a low class woman who plays the part of a cleaning lady. Ramona lives in the suburbs of Buenos Aires. Every day she travels four hours and a half to reach her job and to get back home. She divides her working time between two upper middle-class homes where she receives the name of Réimon, a sound that evokes the English language, a Buenos Aires upper class snobbish custom. It´s fiction and it´s not. It´s also a film about the labour conditions of a worker, about the time this worker uses for working and the efforts that implies working. It´s also about the absurdity of cleaning someone else´s house, the absurdity of modern life and the differences between social classes.

Reimon

6.5 2014
The Swabian Maiden

The Swabian journeyman watchmaker Christoph Bühler is in love with Lorle, the daughter of his boss. One day, the factory owner Ferdinand Hausegger woos Bühler away, whereupon the young man seems to forget the Swabian girl. Only after four years does he propose to her, but the marriage is not under a good star. While Christoph, who has long since moved away from the Swabian province with his wife, makes a career for himself, he neglects his Lorle more and more and soon seems ashamed of her simple origins. Feeling unloved and misunderstood, Lorle finally leaves him and returns to her familiar home in the Black Forest. Only now does Christoph realize what he has in his wife. He is transferred and becomes the manager of a Hausegger branch in the Black Forest. Now nothing stands in the way of reconciliation.

The Swabian Maiden

7.0 1919
Ploey 2 – The Legend of the Winds

According to a legend, Plovers are the couriers of spring and without them summer won’t come to the northern hemisphere. When the world is threatened with an endless winter a young idealistic plover gathers a company of feathered misfits to foil the plans of the evil Ice Queen. Ploveria abandons her boyfriend and their comfortable life in the south to head north in the fellowship with her new friends to take on the Ice Queen and her fearsome army of ravens, with the aim of securing the arrival of spring and to fulfil an ancient legend.

Ploey 2 – The Legend of the Winds

NR N/A
The General Case

In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.

The General Case

6.5 2016
The Desert Song

When the famous singer Grace Collins got off the plane that had flown her a remote place in Northen Africa little did she know she would meet love and adventure there. If she came there, it was to visit Sir Collins, her stepfather. Falling in love was not on the agenda but how could she resist the charm of Nic Brenten, an alluring and idealistic Dutch engineer? Butcan devotion and generosity really compete with the greed of someone like Sir Collins, a cynical financier who wants to dispossess the locals of the copper mine Brenten helps them to develop ?...

The Desert Song

5.6 1939
Neu in unserer Familie – Zwei Eltern zu viel

Jonas (Benno Fürmann) and Marit (Maja Schöne) lead an unconventional relationship. They moved from Cologne to Berlin because Marit got a lucrative job there. This makes Jonas temporarily unemployed - but one has to take care of children and household.Talking together, being open and honest and making music together is the basis of this family, where everyone can make their own thing and feel at home at the same time, a family where parents see themselves as life-long companions of their children. This modern family code is put to the test when the couple meets a pioneering agreement after 14 years of relationship -both of them do not want to miss family as it is now , but they do not want to give up their sexual needs completely for the sake of domestic peace.

Neu in unserer Familie – Zwei Eltern zu viel

3.9 2016
Menschen

Martin Berger’s 'Menschen' serves as a harrowing socio-cinematic autopsy of the human spirit, adrift in the wreckage of a post-war landscape. Far from the escapist fantasies that often dominated early Weimar screens, this 1921 opus delves into the penumbral existence of the disenfranchised. The narrative follows a fatalistic trajectory, where the characters—portrayed with a raw, almost primitive intensity—grapple with the crushing weight of systemic indifference and personal moral decay.

Menschen

9.0 1920
Crazy Partners

"Your colleague has more testosterone than Mike Tyson," Kozack is told and - even worse - has to admit that his interlocutor is right. He was always the alpha male on the beat! But since the BKA officer Mia von Weitersdorf and the Berlin police officer were welded together to form a team against their will, she shows him where the hammer hangs. Kozack had blown up an undercover operation for which Mia was responsible. A colleague was killed, a suitcase full of money and the designer drug "Green Devil" went missing. Mia and Kozack are put on leave - and continue their investigation together. After some initial friction, they realize that they complement each other very well: Kozack knows his way around the Berlin scene and Mia has a quick wit and excellent contacts "at the top". Kozack has to realize that Mia is an equal partner - a hard blow for the macho man.

Crazy Partners

5.0 2005
Egomania: Island Without Hope

Egomania is a visually stunning end-of-the-world melodrama about lust, jealousy and murder set amidst solar eclipses, orchestral chants and the distant thunder of the boiling sea. The film’s characters – riddled with unconscious desires – find themselves imprisoned on an island. Drawing parallels to the work of British filmmaker Derek Jarman and staring Jarman’s actress-muse Tilda Swinton, Schlingensief’s raw and almost mythological film stands in contrast to his more offensive efforts.

Egomania: Island Without Hope

5.3 1987