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Leningrad. Stimmen einer belagerten Stadt

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

Leningrad. Stimmen einer belagerten Stadt

7.8 2024
Eine Liebe später

Physiotherapist Julika is young, attractive, mother of two cute children - and widow. Two years ago her husband Michi died in an accident. Julika still misses him sorely, even speaks regularly to his mailbox. Nevertheless, she embarks on an affair head over heels with the easy-going bicycle city guide Konstantin. For her loving, but sometimes encroaching parents-in-law Georg and Christa, the case is clear: the affair with Konstantin can only be a temporary aberration. After Michi's death, both of them stood by the mourning young woman and the children. The family is very close and even lives on the same piece of ground. With Konstantin, this whole well-established family structure falls into disarray. But is that what it feels like? Can there be a second great love for Julika?

Eine Liebe später

5.8 2021
Alone

Maria is a student at the university of Essen, Germany, living and working in a gray, unpleasant, and anonymous environment. While she has little problem finding someone for a one night stand, she rebuffs her lovers in such a rude way that they actually don't know what's going on. But what seems to be a negative attitude at first glance is in fact much worse: Maria is suffering from borderline syndrome, a serious psychotic disease that makes her fail to develop a continuous, reliable personality, from her own perspective as well as from the perspective of those she meets. Then one day, she bumps into Jan, a student who falls in love with her without delay. He's awaiting a hard time when he has to learn how hard it is to stay loyal and faithful to a person who, in her own words, "has a different world inside of her head" and who feels that "there is something inside of me that eats me up."

Alone

6.2 2004
Kuhle Wampe or Who Owns the World?

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

Kuhle Wampe or Who Owns the World?

6.9 1932
Sing, Cowboy, Sing

Joe and Benny are two cowboys on tour in the Wild West as a singing duo, usually without a penny in their pockets to spare. Joe is a talented rodeo-rider, which fascinates the little girl Susanne and gives her the wish to have him as a father. Her mother Maria, however, is to marry the evil, rich farmer Dave. Susanne wants to stop the wedding, so she sneaks aboard Joe and Benny's wagon to persuade them to intervene. Dave brands them as kidnappers, forcing them to flee as outlaws to one of the families tyrannized by Dave. Together, they strike back at Dave, at which point Maria sees that he's the wrong man for her.

Sing, Cowboy, Sing

5.5 1981
Call Me Helen

Is. This. My. Son? No matter how often Tobias Wilke poses this question, there's always only one answer: Yes! Tobias, can't believe his eyes when he comes to the airport to pick up his 17-year-old son Finn – and learns that Finn is now calling herself Helen and wearing girls' clothes. Finn/Helen reveals that she's always was a girl, and that she used her year abroad in San Francisco to pass the "everyday life" test. This is required by law for everyone preparing for the sex reassignment surgery they will undergo upon reaching majority. Reactions from Helen's friends, acquaintances and schoolmates cover the entire gamut from derision to solidarity. Especially Helen's father, a well-known chef, finds it difficult to accept a situation he cannot understand. But Helen nearly always finds the right words - and humor - to counterbalance the ignorance and jeers of those around her. It is the beginning of a long, winding road towards the sexual identity she is convinced is hers.

Call Me Helen

5.7 2015
Mein Freund, der Mörder

Long-term portrait of the burglar and bank robber Bernhard Kimmel, who became known in the 1960s as "Al Capone of the Palatinate", cracking up to three safes in one night with his gang. Director Peter Fleischmann met Kimmel in 1970, when he had just completed his first, almost ten-year prison sentence. He interviewed him and became friends with him. Kimmel resumed his criminal career until 1982, when he shot a policeman after robbing a savings bank and injured another so badly that the latter was left paraplegic - a tough test for the friendship between the director and the robber turned murderer. Kimmel was sentenced to life imprisonment, but was released on parole after 22 years - and Fleischmann completed his portrait.

Mein Freund, der Mörder

NR 2006