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William Yang Blood Links

Renowned Australian artist William Yang traces the labyrinthine web of his family history in this adaptation of his iconic live performance piece. William was born and raised in North Queensland, his grandparents having migrated from China to the Top End during the 1880s gold rush. Yet it was not until mid-life that he claimed his Chinese heritage, which had hitherto been lost to him by his complete assimilation into the Australian way of life. William's transatlantic exploration of his genealogy unites him with scores of relatives from all walks of life, some rich, but most ordinary folk with menial jobs, and most cannot speak a word of Chinese. A visual feast, Blood Links examines how the Chinese diaspora establish roots in foreign soil, and how over the generations, through intermarriage, blood is mixed; yet the intricate bonds of family remain.

William Yang Blood Links

7.0 2014
A Frontier Conversation

This film documents a unique collaboration between Indigenous and white historians from Australia and North America. In September 2004, a diverse group travelled through the Top End of Australia meeting representatives of the traditional landowners, and engaging in a dialogue about Indigenous history. The themes that emerged raised more questions than answers - from cultural appropriation and copyright, to land rights, the role of language and art, and what history means to Indigenous communities in the current climate of cultural reclamation and survival.

A Frontier Conversation

NR 2006
Lane Violation

The film explores Bogut's storied career, from his time growing up in Melbourne, his rise through the University of Utah, and the ups and downs of an NBA career that featured everything from a championship to career-defining injuries. It all culminates in the next phase of Bogut's basketball journey, which will be his first stint on the sidelines, as an assistant coach with the Sydney Kings. What's unique, though, is that it's a documentary driven by Longley. Bogut visits Longley's large but minimalist, reception-less sanctuary in Denmark, Western Australia -- about a five-hour drive south of Perth -- giving the audience the opportunity to see two of the country's most successful sporting exports in as stripped back an environment that exists in Australia.

Lane Violation

NR 2025
The House That Eye Live In

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

The House That Eye Live In

4.0 2014
Blast

The footage for this film was shot in London during our research into the Vorticist movement. It is a montage of images from the Vorticist magazine Blast, including Vorticist drawings and texts from the manifestos. A screen made from a collage of photographic enlargements from the magazine was prepared for the screening of this film. The soundtrack evokes the sounds of World War I, which were, in a way, the climax of the Vorticist movement in England. During the Expanded Cinema presentations, excerpts from Blast were read during the film screening. (Arthur Cantrill & Corinne Cantrill)

Blast

NR 1971
You Should Have Been Here Yesterday

You Should Have Been Here Yesterday combines hundreds of hours of lovingly restored 16mm footage with a salt-infused soundscape by Headland. This cinematic poem tells the story of a wild community who took off up the coast and discovered a whole new way to live. Going back to the never-before-seen camera reels to ask the question – what do we keep and what do we leave behind? Featuring Tim Winton, Wayne Lynch, Bob McTavish, Albe Falzon, Evelyn Rich, Maurice Cole and many more. Inspired by Moonage Daydream and Jen Peedom’s Mountain.

You Should Have Been Here Yesterday

NR 2024
Felicity Ward - Textbook Idiot

TEXTBOOK: noun, a book used as a standard work for the study of a particular subject IDIOT: noun (informal), a stupid person This is Felicity Ward. Award winning stand up comedian and 1992 Walk-A-Thon Participant, Felicity Ward, shines a floodlight on the thoughts that should have stayed in her diary; about growing up in a small coastal town, having a Mother named Trevalyn and a pan toilet until she was 11; about BETA Videos, cat hatred, sweat moustaches and peri-peri chilli charts… but mostly, it’s a show about Felicity discovering she’s the last person to realise she’s a Textbook Idiot. As seen on The Ronnie Johns Half Hour, Thank God You're Here, Good News Week and Spicks and Specks.

Felicity Ward - Textbook Idiot

NR 2011
Strong Men Of Nguiu

The problems that confront the remote communities on the Tiwi Islands of the Torres Strait are similar to those that confront young people everywhere – but isolation and a lack of things to do make the young people of these communities particularly vulnerable to crime and substance abuse. The "strong men" of the community is a group determined to solve the problem themselves, by offering positive role models and beneficial activities to the young people. In this documentary, we see these leaders take young people away from the township to experience traditional hunting and living, and to hear the stories of their elders.

Strong Men Of Nguiu

NR 2007
The Medium is the Masseuse: A Balinese Massage with Jero Tapakan

Unlike many spirit mediums, Jero Tapakan practices as a masseuse once every three days, when possession is not auspicious. This film focuses on Jero's treatment of Ida Bagus, a member of the nobility from a neighboring town. Jero has been treating her client for sterility and seizures. She begins work this day with religious preparations and the assembling of traditional medicines. Treatment includes a thorough massage, administration of eyedrops, an infusion, and a special paste for the chest. The dialogue, which is subtitled, includes a detailed discussion between anthropologist Linda Connor, Ida Bagus, and Jero, about the nature and treatment of the illness, as well as informal banter between Jero, her other patients, and people in her houseyard. In an interview, Ida Bagus and his wife speak about the ten-year history of his illness and a variety of diagnoses

The Medium is the Masseuse: A Balinese Massage with Jero Tapakan

NR 1983
Requiem No. 1

“I was in Germany again because my father had died, and I was at his grave. Flashes of terror struck me for fractions of a second, which I immediately tried to forger. I wanted to film my state of mind, my thoughts, my relationship with my father now that he lay below. I wanted to live. Once I conceived the treatment, I shot the film in two days. I wanted the camera to go very loose...off the tripod...I was zooming rapidly and running around the cemetery. I wanted the gravestones to disappear and dance...and I wanted to stay out of there, myself. I began to understand that if you want to interpret feelings you have to look for and create filmic images beyond simple photographing. I used the sounds of the graveyard and sometimes no sound.” (Paul Winkler)

Requiem No. 1

NR 1969
Backyard

“This was my first film using the matte-box. Using images of my own backyard, I found that I could create a kind of mysterious story, an almost supernatural effect. The mystery is never revealed, but there is something there. By photographing tiny vertical slivers through different mattes and lenses, carefully rewinding the film in the camera, then exposing bit by bit, I achieved this ‘corrugated’ effect. All of a sudden you get motion in something where there is no motion.” (Paul Winkler)

Backyard

NR 1976
Firekeepers of Kakadu

A documentary following the oldest continuous culture on the planet, the indigenous people of Australia. In this film we learn how they continue to live sustainably and care for their country, harnessing the deadliest bushfires on the planet. With climate change rapidly warming and drying the planet and destructive bush fires ever increasing around the globe we look to the ancient wisdom Indigenous Australians have held for centuries to help save wildlife, homes and lives.

Firekeepers of Kakadu

NR 2019