Discover Movies

11,352 Matches Found

The Bushman Goes Home

This is the story of a bushman's confusion when together with his old dog he visits the big city. He tells the story of the cattle country which he knows and loves best. With him we see where some of the finest beef cattle in Australia are raised - on stations like Edinglassie at Muswellbrook, New South Wales. The film moves to the cattle land around the Gulf of Carpentaria where stock men and drovers handle mobs of cattle with skilled ease. This is the real life of the bushman from the cattle country.

The Bushman Goes Home

NR 1948
Backyard

“This was my first film using the matte-box. Using images of my own backyard, I found that I could create a kind of mysterious story, an almost supernatural effect. The mystery is never revealed, but there is something there. By photographing tiny vertical slivers through different mattes and lenses, carefully rewinding the film in the camera, then exposing bit by bit, I achieved this ‘corrugated’ effect. All of a sudden you get motion in something where there is no motion.” (Paul Winkler)

Backyard

NR 1976
Red & Green

“By this time we had a Filmmakers' Cinema here in Sydney. I made the film on the spur of the moment...to go over a band. Red and green leader was very cheap—you got it for a cent a foot or something. Scratching and 'injuring' the flat colour of the leader . . . I interspliced it with old 16mm footage, breaking up and creating tension between the shots...you know, a native in Papua New Guinea was shooting an arrow, and just as the arrow leaves, the film cuts back into red and green 'travelling' lines (the scratching on the leader). For quite some time this line is running, then the next minute it stops and you see the arrow actually hitting a target. So it gives the impression the arrow is travelling for a long time, on red leader toward the target. The film was shown with different bands, and each time the film looked different.” (Paul Winkler)

Red & Green

NR 1968
The House That Eye Live In

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

The House That Eye Live In

4.0 2014
Canberra Confidential

A journey through the dark, chilling and frequently unbelievable tales of power-broking and deceit from inside the nation's capital. Australian political journalist and commentator Annabel Crabb goes in search of Canberra's secrets over the past century, exploring the passionate interplay of sex, secrets and subterfuge that has long been carried out in the shadows of the national stage. How have our secrets changed over the past century and what does this reveal about us as a society? This is the history that Canberra has tried to hide.

Canberra Confidential

NR 2013
Signatures of Earth

Signatures of Earth is an experiment in repositioning documentary narrative hierarchies in the space age. The film aggregates fragmentary encounters from varying points of view, encountering cuttlefish and quasars, and much else in between, happened upon during a transcontinental journey to film the shadow of the moon. Challenging, in the tradition of Brechtian distanciation, the film is also poetic, ethereal, roving, contemplative, richly cinematic and empathetically engaged. Signatures of Earth presents a fractured vision of the cognitive and sensory muddle that is an antipodean road trip through the Anthropocene. It all makes sense as long as you don’t want it too.

Signatures of Earth

NR 2025
Isla's Way

Formidable grandmother Isla Roberts is adamant. She insists that although she’s not a lesbian, her girlfriend Susan is. In this tender, richly humorous portrait of an 87-year-old horse carriage driving champion, we learn what makes an ordinary life extraordinary. Straight-shooting Isla’s lived experience of rural Australia, raising a family in severe economic hardship, and finally coming out later in life, all make for a poignant documentary of a woman who’s well ahead of her time and refuses to be put in a box. Director Marion Pilowsky tracks Isla for an eventful, cathartic year with empathy and incisiveness.

Isla's Way

NR 2023
The Age of Reason

In this fifth and final film in the Doon School quintet, MacDougall focuses on the life of one student whom he discovers at the school. The film was made in parallel with 'The New Boys' and intersects with it at several points. However, instead of looking at the group, it explores the thoughts and feelings of Abhishek, a 12-year-old from Nepal, during his first days and weeks as a Doon student. This is at once the story of the encounter between a filmmaker and his subject and a glimpse of the mind of a child at “the age of reason”. This is the most intimate and interactive film of the series.

The Age of Reason

NR 2004
Red Church

“I wanted to make a sequel to Chants…the gold against black, but I wasn’t quite sure how. One day I went to St Mary’s Cathedral here in Sydney. After looking at the stained glass windows for some time, on the way out I noticed that they were selling slides of the interior…and whoever photographed the stained glass had used a red filter. This was the image I was after…red against black. By simply photographing and rephotographing the slide (up to 200 times, in some cases)…and varying the exposure by changing the distance between the light source and the slide, I was able to give the feeling of looking up…which is what you do in a church…from the knave up to the stained glass up to the ceiling…up to heaven in this red light. The upward motion was layered without visible edits by superimposing strips of the varyingly exposed film, in the lab.” (Paul Winkler)

Red Church

NR 1976
Lessons from the Night

As dusk approaches and workers stream out of the city, thousands of individuals are about the begins their day’s work. They shuffle through subterranean car parks, sprawling shopping centers and soaring office towers, leaving behind a trail of gleaming floors and emptied waste paper baskets. They are the cleaners – an invisible and underpaid army whose necessary work goes unnoticed.In Lessons From The Night we spend a night with Maia, who reflects on life, work and toilet bowls as we follow her nightly cleaning round through silent empty spaces. As she works, she reveals some of the secrets of the city – the traces of human presence that we leave behind each day – and of her former life in Bulgaria. Lessons From The Night is both a homage to the menial worker and an existential film about cleaning.

Lessons from the Night

NR 2009
Guilty Until Proven Innocent

Documentary about innocent people confined to prison on remand. John Pilger reports that more than half of the 500,000 people remanded in custody by magistrates each year are eventually found not guilty, fined or, as in the case of “Helen”, given a conditional discharge. Helen, charged with stealing a pair of slippers but with no previous convictions, recalls her day in Holloway Prison, London, which started at 7am when she joined 96 other prisoners in a rush to use four toilets whose conditions were “disgusting”. Between then and lunchtime, all prisoners were locked up, with just half-an-hour’s walk round a large yard for exercise. Lunch was eaten in cells, with tea at 3.30pm, before they were locked up until the following morning.

Guilty Until Proven Innocent

NR 1974
Exile in Sarajevo

This feature length documentary is a personal account of the siege of Sarajevo from the point of view of a Bosnian Australian, Tahir Cambis, who spent the last six months of the war filming the conflict and its effects on the civilian population. The two main subjects in the film are a Sarajevo family whose young daughter is killed a day after she is filmed in a dance competition; and an 8 year old girl, Amira, whose eye witness account of murder and rape becomes a diary of catharsis.

Exile in Sarajevo

8.0 1997
Motonomad

Two motorcycle racers, Adam Riemann and Mark Portbury endure a 7000km mission across Europe, in hope of reaching the Pyramids of Egypt. Avoiding Syria, the find a way across the Mediterranean and venture into the aftermath of the recent Cairo massacre. Despite military confrontation, they defy the odds and make it inside the ancient compound of the Pyramids, but triumph turns to treachery as they must continue into one of the Middle East's most lawless regions... the Sinai Peninsula. Putting their lives further at risk, the boys wander into the Sinai only to stumble upon one of religion's most sacred landmarks. Motonomad isn't just a motorcycle adventure - it's a story of discovery, friendship and the undeniable power of chance.

Motonomad

6.0 2014