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Mothers

Kurokawa Yoshimasa, Daidoji Masashi, Masunaga Toshiaki, and Arai Mariko, all members of the East Asian Anti-Japanese Armed Front " Scorpion, " were incarcerated for instigating the bombing of the Marunouchi offices of Mitsubishi Heavy Industries. This film was conceived of and directed by Kurokawa whilst in prison. During the making of this film, he and his fellow members were under sentences of death or life imprisonment. As testimony to Kurokawa's idea that " the emperor system is not only an incarnation of the patriarchal principle but also the embodiment of the female principle, " the film aims " to critically examine the essence of the Japanese maternal image. "

Mothers

NR 1987
The Recognition Construction №XIII, Variation’85

This U-matic video incorporates a number of frequent images from Wada's oeuvre: a camera advancing down a colonnaded pedestrian walkway beneath an elevated train line, the figure of a woman with her back to the camera retreating down a street toward a vanishing point by walking or running, and various seascapes. These scenes are spliced together in seemingly random order, sometimes inserted into each other or reshot through close-ups of video monitors. At times the footage is so heavily mediated and re-mediated that images blur into shadow and light, disappear into CRT phosphor dots, or shift hues and patterns from oversaturation and noise. A soundtrack by Hideki Yoshida accompanies the entire sequence, featuring echoing electronic patterns and long tones interspersed with ambient sounds of traffic and beachfront waves. This work was first screened at the Worldwide Video Festival in the Kunstmuseum Den Haag, the Netherlands, in 1986.

The Recognition Construction №XIII, Variation’85

NR 1985