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Raphael: The Young Prodigy

Raphael: The Young Prodigy tells the story of the artist from Urbino, beginning with his extraordinary early portraits of women - the Mother, the Friend, the Secret Lover and the Client. Delve into Raphael’s uncanny ability to capture celestial beauty, and to focus his gaze beyond the physicality and into the psychology of his subjects (some real, some imaginary) so that their personalities explosively emerge from his canvas. With fascinating contributions from internationally renowned experts, this documentary will uncover the most significant people and places and inspirations in the life and times of Raphael – a Renaissance leader and one of the most spectacular painters in history.

Raphael: The Young Prodigy

7.5 2021
Fellini of the Spirits

2020 marks 100 years since the birth of Federico Fellini, the most prominent Italian director and one of the symbols of the insuperable cinematic heyday of mid-20th century. Fellini had always been a mysterious director, not only in his cryptic symbolism but also in his idiosyncratic, excessive mixture of psychoanalysis, Catholicism and faith in the mysterious. In this documentary, his relationship with the paranormal, luck and fate, alongside the coexistence of organized discourse and transcendence to the imaginary, is examined via friends, collaborators and distinguished fans (Friedkin, Gilliam, Chazelle). A great testimony to why rationalists and ideologists have a hard time with his work, ‘Fellini and the Spirits’ is an appropriate yet unexpected tribute.

Fellini of the Spirits

6.6 2020
The Interval

A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a way to rekindle those adolescent dreams and ideas put aside too soon.

The Interval

6.9 2012
Balancing Act

Giulio suddenly finds himself having to change his life when his wife, after discovering his betrayal, asks for a separation and, suddenly, the reality around him is no longer the same. Forty years old and father of two children, Giulio is forced by circumstances to say goodbye to family and economic well-being and to study new solutions in order to stay afloat and not drown in a new poverty made of double rents and double bills to pay, solitary lunches in fourth-rate restaurants, children's wishes not to be ignored and creditors to hide from.

Balancing Act

6.7 2013
The Den

In the summer of his nineteenth year, Giulio has decided not to go away: he will spend his vacation at home, helping his parents with their work in the vegetable garden. In the house next door, empty for some time, arrives Lia, a twenty-year-old girl. Giulio would like to get to know her, but she is sullen and introverted. One day Giulio is swimming in the lake and Lia plays at drowning him. Giulio is a regular guy, sensitive and polite to a fault. Attracted to her, he starts thinking about her day and night. Lia initiates him into strange and increasingly dangerous "games." The girl won't talk about herself though. She has told him she came alone to spend her vacation in the old family home, where she hadn't been since she was a child. But Lia has secrets to keep and won't let anyone set foot in the old and abandoned house.

The Den

5.3 2022
Gole Ruggenti

In the run-up to a song festival, all kinds of intrigues and pressures are unleashed behind the scenes: the script must be continually adapted depending on who momentarily prevails in the backroom maneuvers, with record companies, politicians and schemers of various calibers intent on fighting each other without holds barred to grab victory in advance. In the meantime, the organization is falling apart. Having recruited the almost complete Bagaglino cast, under the parody of Sanremo we see yet another rehash of "Champagne" or "Bucce di banana".

Gole Ruggenti

5.1 1992