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Set in Hong Kong, the narcotics documentary Opium: The White Powder Opera (1976-77) was commissioned by a British television station. Yung, its associate producer and cinematographer, joined the surveillance team of the Narcotics Bureau to acquaint himself with the workings of the drug trade. This paved the way for The System. In addition to the cat-and-mouse game between the cops and the druglord, a fascinating thread traces the relationship among dealers, junkies and mules in Sai Ying Pun. The title hails from Brecht’s The Threepenny Opera, another tragedy concerned with a capitalist society’s oppressed and exploited nobodies.

30 years after 1989, how do witnesses to the June 4th Tiananmen massacre come to terms with their own memories, and how do their memories affect their lives today? At the same time, Hong Kong gradually confronts the explosion of the Anti-Extradition Law Amendment Bill Movement.

China's biggest and bloodiest battle comes to the screen in it's epic glory! The year is 1645, and the Chinese patriots are fighting for their very existence. Traitors are everywhere, so they can only trust one thing: their Martial Art Skills. Carter Wong and Polly Shan Kwan, the cast of the epic 18 Bronzemen series reunite in a major motion picture that dwarfs the rest! They fight in the thousands and die by the hundreds. Based on historical fact, Iron Phoenix takes heroism to new heights, and action to a new level!

Drama from Hong Kong directed by Mok Hong-See.

Those Who Do Not Remember The Past Are Condemned To Repeat It (2020) is an experimental documentary investigating the intersection of People’s Temple (Jonestown) with the first-person survival horror game Outlast 2 developed by Red Barrel. Departing as the digital study of the game, this project attempts to recontextualize the relationship between the mass suicide of People’s Temple in 1978 and the game’s narrative. Composed by the archival materials from FBI and machinima made with the game, this work conveys uncanny audio and visual journey in the understanding the self-destruction, the religious utopia, the binary between capitalism and socialism.

Inspired by the untold personal story of the 19th-century Chinese poet and revolutionary Qiu Jin, Wu Tsang brings to life, subverts, and re-enacts the lesser-known romance and friendship with calligrapher Wu Zhiying. Set in contemporary Hong Kong, the film shifts between time and space, past and present, fact and fiction through Tsang's continued exploration of language and misinterpretation.

Folding together a mediated memory of a Hong Kong thoroughfare, missives to an imprisoned acquaintance, and an artist’s subversive street art, Chan Hau Chun’s Map of Traces is at once precise and slippery in its exploration of presence and absence.

Hong Kong movie

A Chinese screen opera

In March 1972, Rebecca Pan self-financed the production of the first ever Mandarin musical, Pai Niang Niang and performed for 60 times at Princess Theatre, Tsim Sha Tsui. This is not only a piece of history of Hong Kong art and culture, but also the most important milestone of Rebecca’s oeuvre. This work used the Broadway musical model to adapt the famous Chinese myth Legend of the White Snake. Bringing together Eastern and Western theatrical styles, the production combined Chinese traditional music, dance, costume and stage design with modern Western concepts. Despite this bold attempt, the resulting work was ahead of its time and was not a commercial success. Also, it was thought to have not been captured on film and faded into obscurity. In April 2023, however, a partial film record of the performance was miraculously discovered. The restored surviving footage has become the finale of this documentary, Pai Niang Niang: The Last Osmanthus Blossom.

The Tragic Story of Liang Shanbo and Zhu Yingtai

The Opera Boat at Star Island 星 島 紅 船 (Xingdao hongchuan) (1955) aka The Opera Boat in Singapore is a Hong Kong film in the Cantonese language of the comedy and musical genre, directed by Ku Wen-Chung and produced by Shaw Brothers Studio.

Miriam Yeung lit up the stage of the Hong Kong Coliseum from January 24 to 31, 2015 for her Let's Begin concert series. Besides her most recent songs "Finally Found Love" and "The Best Debt," the diva performed many of her most classic songs from the last 20 years including "Wolf Is Coming," "Big Story in a Small City," "Maiden's Prayer," "Too Bad I'm an Aquarius," "Wild Child," "Sisters," "I Will Lift My Head" and "Hot-Blooded Youth."

1955 / Elephant Girl (Gadis Liar) / – / Eddy Infante / Shaws, Malay Film Productions

Mok Ming moves into Po Tak-yan’s old mansion. Po's mistress, the songstress Tsi Law-heung, has died in it. Her spirit haunts the mansion as she is unburied. Mok sees her ghost and notes that she resembles his late wife Kit-ching. Mok dreams that his wife has possessed Tsi's body in return. Mok asks Uncle Tak to take him to the coffin. Tsi resurrects as Kit-ching. Mok accepts that his wife has returned from death, but he is suspicious. He brings her to a nightclub, where they chance upon Po and his mistress, Chan Mei-chu. Po is suspicious. Mok explained that his wife has returned through Tsi's body. Two reporters are there and the news is reported in the papers. To resolve his suspicions, Po goes to the old mansion. He meets Mok, his “wife,” and Uncle Tak. The wife denies that she is Tsi. Po retrieves a pistol and goes to confront the woman. Mok intervenes. In the struggle, Po falls down the railing to his death, but Tsi is shot. Now it is time for her to tell Mok of her past.

This was the inaugural film by Tianyi Movie Company aka Unique (HK).

The town of Zhili accounts for 80 percent of China's output of children's clothes. 15 Hours was shot in August 2016. Zhili, part of the city of Huzhou in the province of Zhejiang, is home to around 18,000 small factories for children's clothing, manned throughout the year by over 200,000 migrant workers. In the 1980s, Zhejiang saw the emergence of a private capital-based garment industry open to any and all operators prepared to invest in flexible business models based on mutual credit or leasing. This film documents one day in the lives of the workers of 68 Xisheng Road in Zhili.

Hong Kong horror movie from 1951.

Electrifying performances of hook-heavy rock and pop funk music.

Costa Rica, New Zealand, Hong Kong,Hawaii. Through the testimonies of 12 women, the issues of marriage, traditional conventions, being attracted to women and having children are addressed. How to break with traditional patterns, how to accept one's feelings of love when they are are directed towards a person of the same sex? So many serious subjects approached here with lightness. The documentary walks us and takes us towards these women who inevitably speak a little about about us.

A documentary about writer and novelist Liu Yichang.

The Heroic Lovers from the Tomb was a martial arts movie produced by Hsin Hwa Motion Picture Company in Hong Kong and shot in Taiwan. It tells the story of a gang and two teams of warriors seeking revenge for the murder of their parents. In comparison with The Return of the Condor Heroes written by Jin Yong and published in 1959, it is easy to see the influence of the novel on the film, including the similarities that the disciples are asked to be abstinent, the romance between the hero and the heroine and the Blade-Dance of the Two Lovers.

Who lost their memory? Why did you forget your story? Where is my hometown? Home Kong is an 8-minute short film comprising only 3 drone shots. A tale of 2 cities. A co-production between Hong Kong and Taiwan.

That spring, there was _____ in the sky of H-ville. What is _____? No one can tell. The sudden “unknown” caused absurd and strange phenomena. The real nightmare was not the natural disaster, but the man-made one. The regime used this to implement the “state of exception”. The system continued to operate. How much human value would be left? As Giorgio Agamben stated at the beginning of the pandemic, “The epidemic has caused to appear with clarity that the state of exception, to which governments have habituated us for some time, has truly become the normal condition.”

The third episode of the Hong Kong reclaimed “Social Worker” series (1976), which showed the ecology of marginalized teenagers and their interaction with social workers.

Two contract killers target a human trafficking gang in Hong Kong. When their mission spills into the streets a young girl becomes drawn into a brutal and bloody battle that changes the path of her fate.

Probably an international version of the Rudy Fernandez movie Bilang na ang oras mo

Master Szeto is back and, with his mostly fearless crew in tow, he traipses across Asia in search of the supernatural. What he finds will either amuse or insult you, or perhaps both. But will it entertain you? That indeed is a mystery for us all. To find out how this reviewer fared, read on…if you dare.

hong kong film

The Horrified Dream

Hong Kong horror drama movie from 1956.

A time and space that get mixed up, A brother and a sister, One who loves starting fire, Whereas the other loves extinguishing it, An unusual relationship.

On the small isle of Tap Mun, the ocean breeze gently lifts up strands of grey hair on Lai Lin-shau’s head. He quietly sings in the characteristic tones of the fisherman’s ballads. Seemingly without rules, the pitch and tones alternate and repeat themselves as if they were synchronising with the ocean waves. Lai is one of the few people alive who knows the fisherman’s ballads intimately. None of his children experienced the harsh and unforgiving life at sea. They are not even aware of his priceless knowledge of the ballads. As the fishing community shrinks, old fishermen found new ways of life on land. One performs and teaches the ballads to young children; another uses the ballads to spread her Christian faith. The ballads have become a spiritual harbour for these landed fishermen. But deaths come brutally. Lai loses his listeners and his memory of the ballads. A precious part of him is dying.

Drama from Hong Kong directed by Wong Toi.

We cannot escape from bureaucracy in life as well as in death. Quickie promises his grandma to handle the forced removal of his great-grand aunt’s niche. But without the ancestor’s identity documents, Quickie cannot apply for public columbarium niches. On the other hand, grandma refuses to have the evicted ashes brought home for fear of bad luck. As he struggles with bureaucratic red tape, Quickie thinks of one inventive solution after another to find a temporary home for the ashes. The story is a biting commentary on ridiculous public policies rendered in vibrant, energetic colours and groan-inducing jokes to highlight the absurdity of the situation.

Memory of My Country

A Shaw and Sons production.

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

A vivid portrait of a generation of Hong Kongers committed to creating a new more democratic Hong Kong. Schoolboy Joshua Wong dedicates himself to stopping the introduction of National Education. Whilst former classmate Ma Jai fights against political oppression on the streets and in the courts. Catapulting the viewer on to the streets of Hong Kong and into the heart of the action. The viewer is confronted with Hong Kong's oppressive heat, stifling humidity and air thick with dissent. Filmed over 18 months this is a kaleidoscopic, visceral experience of their epic struggle.

Based on a short story found in Strange Tales from a Chinese Studio by Pu Songling (1640–1715)

Following Asia's best young musicians as they learn to work together, this film explores the higher ideals that music inspires.

This is a story about facing the challenges of a changing era. In a world where martial arts have lost their value due to the arrival of alien technology, martial artists become marginalized. The protagonist, Blacky, a black cat with a mechanical arm, seeks revenge for his slain master. Determined to confront enemies equipped with alien tech, Blacky uses traditional martial arts. Amidst challenges and obstacles, he strives to find his own worth and redefine the meaning of martial arts in a transforming society.

The feature directorial debut of Jiang Wenjie, cinematographer and editor of Keep Rolling, explores the inner lives of three female Hong Kong writers: Hon Lai-chu, Lee Wai-yi, and Human Ip. Though their styles and thematic concerns differ considerably, the film shows that their literary works are all informed by their immediate surroundings, whether that be a childhood home, the streets of Sham Shui Po, or the cattle and woods near Lai Chi Wo village. Time may inevitably erode everything in this city, but these writers continue to tell their hometown's stories in their own unique ways.

A man is forced to face the childhood traumas that still haunts him in this atmospheric gothic drama. Fung returns to his rural home to attend his mother's funeral. In line with local customs, Fung has to carry his mother's corpse back to the scene of her death, deep inside a forest where he spent his childhood. During his journey, memories of his broken relationship with his single mother and his childhood encounter with violent wolves that was rumored to be inhibiting the forest all resurface in Fung's mind.

The true story of an American doctor in China during the Communist takeover

Tsai Chin returned to grace the Hong Kong Coliseum's stage in 2010. The set list this time features a large selection of classic Mandarin oldies from the 1960s, including the concert theme song "A Wonderful Night on the Sea". The veteran Taiwan singer with a voice like velvet also treated her audience to her fan-favorite numbers, including "Your Eyes", "The Forgotten Time", "One Last Night", and "Just Like Your Tenderness" for a total of over 30 songs.

baby lets take it slow. enjoy a 24hrs sex.

Reverberation is an experimental film that centres on Yau Ma Tei—a district in Hong Kong that was home to various independent art and cultural spaces in the 2010s and was also where the filmmaker began her practice. By overlapping new and archival images, the film delves into layers of memories to capture complex emotions about this district as well as the city as a whole.

Ling (Li Tziang), a young woman forced to work as a nightclub hostess to support her ailing parents and young siblings, hides the truth about her job from her family. She meets a sailor (Ping Fan) at the club, and the two quickly fall in love. However, just as he is about to propose, a drunken night causes him to miss their appointment, shattering their plans. Heartbroken, Ling faces another tragedy when her mother falls critically ill. Despite her efforts to raise money for treatment, her mother passes away. Her father, now aware of her real occupation, is ashamed yet sorrowful, unable to change Ling’s situation as the family remains burdened by debt and dependent on her income.

Hui-man has the body of a beast. As a former social worker, he still wishes to help others, especially his loved one Ning, a headstrong beauty who resists the world and who lives in the ruins after leaving her wealthy family. Both fight for survival and face their own needs and fears. Reunited despite obstacles, they only wish for a simple candlelight dinner without fanfare.

A Shaw and Sons production.

Hong Kong movie