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Melbourne filmmaker Brian McKenzie spent 5 years working on this engrossing study of a not-so-typical Brunswick household. It's a laconic, observational documentary similar to the director's I'll Be Home For Christmas (MFF '85), in which McKenzie plays a central part, camera in tow, as he documents the lifestyle of Graham (a youth in his 20s), his family and friends. After having spent so long with the family, McKenzie becomes part of the furniture - a situation which enables him to dig deep into the subject's lives.

As Papa Guessopy (Will Jessop) struggles to keep a hold of his power and authority as a mafia boss in 60s New York City, news of a hit being put on him leads to him distrusting those around him, including the members of his gang, Guido Mariato (Charlie Longmore), Giovanni Campoli (Riley Nolan), & Joey De Rocchi (Luke Heptonstall), and the intimidating Don Cassini (Ryan Poursoltan).

Dykes on Bikes Sydney is Australia’s longest-running female-identified motorcycle club, and one of the country’s oldest LGBTQIA+ community groups. With chapters all over the world, these days, the club is about having a good time with friends and giving back to the community. But things weren't always so recreational. Dykes on Bikes® Sydney emerged in response to gay hate crimes in the 1980s. The group met on weekend evenings to patrol the streets of Sydney and break up the attacks that were happening. From protectors of the streets to Sydney Mardi Gras icons, this project dives into present-day member accounts of their history, why they continue to ride today and continuing their legacy for future generations. A hybrid of a documentary and visual poem, this is a love letter to the Dykes on Bikes® Sydney.

A boy runs barefoot across a beach into a broken bottle. A woman suffers a panic attack on the street. The mundane life of a fireman is overlaid by the fragmented remnants of a burnt-out house. A deformed man's face fluctuates between broken and unbroken as a traffic accident occurs behind him. Electrical currents run through a boy's burnt legs. Something scurries through multi-coloured woods to the accompaniment of explosions. This is the world of British public information films, remixed and edited to create something new and experimental.

Join James and Albany, along with their faithful companions 'Onyx' and 'Rocco', on an awe-inspiring kayaking journey along Australia's longest river - the Murray.

A family drama short about a transgender man's relationship with his grandfather as he succumbs to dementia.

Back in 1977, Dillon filmed Hillary and crew (including son Peter Hillary) as they jet boated from the mouth of the Ganges to the base of the Himalayas, then set out to climb peak Akash Parbat. Dillon has remastered existing and unseen footage, and interviewed crew members about Hillary's last big expedition.

Fed up with having no money and jealous of those around him who flaunt it, Ibby takes the fast road to money by selling drugs. His best friend Stuzz and his mom try to dissuade him, until he's finally convinced he should get out - but will he get out in time....

Will Spoor is a Dutch performer, working in the abstract side of movement and mime. He has considerable knowledge of the potential of film and his intention was to extend his work into realms that were impossible for live theatre. We used a combination of animation and in-camera superimpositions to create structures of body movement. Our work on sound composition came to a head in this film with organically and electronically complex sounds. It was the most valuable collaboration we had done with another artist since Larry Sitsky; an intense concentration of our energies and skills and of his energies and skills. (Arthur Cantrill & Corinne Cantrill)

36 years after the world lost the incomparable icon, Bruce Lee, his early friend and martial arts training partner, William Cheung, recorded his thoughts and fond reflections on the man he knew as 'Little Dragon'. Born in the same year as Bruce, by 1958 Grandmaster Cheung was spending his weekends training with and coaching Bruce Lee in preparation for his upcoming bouts in Western boxing. Today, Grandmaster Cheung teaches thousands of kung fu students in the same art that Bruce Lee began. This is his story of Bruce Lee.

The potential dangers of nuclear weapons and the planned new breed of plutonium-fuelled reactors are the subject of An Unjustifiable Risk, made in 1977. John Pilger begins by explaining that just a speck of plutonium, the main component of an atomic bomb, can cause cancer, but there is no absolutely safe way of storing, protecting or transporting it. Although the government is planning to build the first commercial nuclear power station fuelled by plutonium – a so-called fast-breeder reactor intended to solve the country’s energy problems – an independent royal commission has declared the process dangerous.

Images of gold in nature and art are repeated in a fugal structure from one screen to the next. The extra potential for image structuring provided by the multi-screen form interested us from the moment we saw a reconstruction of the final sequence of Abel Gance's Napoleon in London in 1968. (Arthur Cantrill & Corinne Cantrill).

MYRTEZA BLUE is the intimate portrait of Graeme Myrteza — a once multi-generational farmer, now recognized Australian landscape artist. Filmmaker Eren Besiroglu chronicles Myrteza through his meditations on artistic exploration, evoking Myrteza to ask the question: ‘Why did I start painting at 60?

On a full moon's night Charlie asks her best friend Max to protect her from a beastly transformation as she thinks she's a werewolf. What they'll both learn is their reality is far stranger and the truth comes out in the full moon's light.

In 1976, Ian Dunlop was invited by Dundiwuy Wanambi, a leader of the Marrakulu clan, to Gurka’wuy on Trial Bay in the Gulf of Carpentaria. He wanted Film Australia to record the first major Marrakulu ceremony to be held at Gurka’wuy since its recent establishment as a clan settlement. While they were there, a baby boy died. The Madarrpa men, including the child’s father and Dundiwuy, asked for the funeral to be filmed.Mortuary rites of the Yolngu are extremely complex. Despite some practical modifications to traditional ceremonies as a result of life on mission stations, ritual remains extremely strong.

A portrait of Warlpiri Elder and Lawman, Francis Jupurrurla Kelly – a pioneer of Indigenous filmmaking in central Australia.

Lawrence Mooney, winner of Melbourne Fringe Best Comedy Award 2011, invites you to come along on a journey of hilarious Sub-urbanity. Lawrence of Suburbia is a metaphorical camel ride through the spiritual tundra of the suburbs, shining a comic light on where we’ve come from and where we’re headed. It asks the vital question, “What the hell is going on out there?

A short experimental animation that collapses boundaries between visual and performing art. Employing a body language that sits between choreography and pedestrian movement, we question if the dancer is drawing or if the drawing is dancing.

Two investigators watch surveillance footage of a runner. As the film progresses, it becomes clear a crime has taken place, culminating in a tense finale.

Every day thousands of police patrol the streets carrying state of the art firearms. Most go through their careers without firing a shot while on duty. Those who do, change their lives forever. The 1980’s saw Australian police embroiled in a bloody war with armed criminals that led to reprisal killings, as fear and violence took control on both sides. Trigger Point has been given unprecedented access inside the police brotherhood, in search of answers to the tragic chain of events set in motion when officers use firearms against citizens they are sworn to protect. Featuring never-before-seen footage and raw, first-hand testimony from police who made the split-second decision to shoot - and have never before spoken publicly. Trigger Point offers a rare and engrossing insight into the consequences of carrying a gun as part of your daily routine.

On a rescue mission to save the piano, a passionate piano tuner meets a diverse mix of owners and their pianos – revealing their stories and relationship with the instrument.

An experimental short film which couples transient imagery with multi-lingual voice-over to explore various life events through the lens of physical and mental decay.

Cremation rites are the most elaborate rites of passage performed by Balinese householders. Poor families may wait years before accumulating enough resources to cremate their dead, who are buried in the meantime. In 1978 many more cremations than usual were carried out because of the great purification cermony, Eka Dasa Rudra, held at Bali's main temple, Besakih, in 1979. Religious officials recommended that all Balinese cleanse the island by cremating their dead, as part of the preparations for the great Besakih ceremony. Villagers of limited means pooled their resources to perform group cremations which greatly reduced the cost for each family. This film is about a group of villagers in Central Bali who cooperated to carry out a group cremation.

A comedic look into the life and struggles of an artist during the COVID pandemic. This film was made possible by a generous grant from Regional Arts Victoria.

A profile of the Australian poet Les Murray. Shot on location in Northern New South Wales. Featuring dramatisations of his poems and evocative footage of the most unusual landscape. He talks illuminatingly about his life and work.

This experimental documentary about two young Paddington dress-makers was banned for nudity, but was screened widely in Australia without complaint.

A young filmmaker struggles with her mental illness as she makes a documentary with the author Fiona Wright, and challenges her to express her experience with anorexia by preforming of one of her poems.

An exploration of the fractured identity of a teenage boy dealing with chronic illness as he is forced to reconcile with himself and deal with the loss of the person he could've been.

Different encounters as experienced by the indigenous population of Australia’s Northern Territory frame the narrative, enriched by the collective’s approach to filmic ‘world-making’.

The sun shines brightly at the Hamilton family's Christmas lunch, the only time of year when everyone gets together, now that their four children have grown up and won the world. The grandchildren, who were running around the room and the garden, did not notice the moment when all that apparent harmony was broken, when Michael, 33, mentions that his father Jack, 62, never devoted his time to him when he was a child. . The statement fell like a bomb in his father's lap, turning lunch into a battlefield. Accusations and memories put father and son face to face. The discussion is heated. Cornered, Jack gives in to family pressure and leaves with his son for a trip they should have taken twenty years ago. Together, crossing the vastness of Australian deserts and savannas, they discover how little they know about each other. However, both are sure that something happened between them on the day Neil Armstrong stepped on the moon.

With a party at seven and one last delivery, Kara burns both rubber and bridges to make both ends meet.

Channel Seven and former AFL player and football film maker Rob Dickson present an amazing all access look into our unique Australian Game. Hosted and narrated by Nathan Buckley, the Essence of the Game were allowed into the dressing rooms during the entire 2008 season to take a behind the scenes look at what makes football clubs tick, including Hawthorn and Geelong on Grand Final day. The documentary also celebrates the breadth of the game to everything from kids to international teams and what footy means to them. Commissioned by the AFL and Seven to capture the essence of football, this documentary tracks a range of football stories from the elite to the grassroots.

A wormhole is a laceration in the fabric of space-time. Our urban landscape is littered with such holes. It is just a matter of knowing where and how to look for them.

Humans, is a trashy, Australian horror-comedy, which depicts the reckless stupidity of modern-day humans and our ever growing destructive addiction to technology.

1976. A candid look at the highs and lows of Australian society.

Woven Threads is dedicated to telling stories through which our shared humanity compels us to recognize and, perhaps, identify with the universality of the refugee experience.

A shimmering 10 minute audiovisual experience crafted from footage taken on May 10, 2025.

During a rainy day of the Late Cretaceous, we follow a variety of Hateg island animals such as Hatzegopteryx, Tethyshadros, Paludititan, Sabresuchus, Balaur bondoc, an enantiornithine, and many more.

An experimental short film exploring fragile masculinity, small town mentality and cultural confusion, following a young Australian man on a spirit quest for significance and identity.

Experimental film using fireworks, often superimposed and in soft focus, printed in negative form with a black image on a white background. Plucked piano strings reversed xylophone and cymbal with an electronic vibrato effect form the background sound effects.

Two of cricket's greatest players, sporting icons from different corners of the world. This documentary compares their early lives, stellar careers and dreams, uncovering striking similarities and never-before-shared details.

When Park Ranger Anthony discovers critical levels of toxic air pollution in his national park, he must rally public attention and challenge a powerful industry to protect the environment and public health.

In December 2012, Muzafar Ali and his wife Nagina escaped the Taliban in Afghanistan. They found themselves living in Indonesia as refugees when Australia ‘stopped the boats’. Determined to do something, they started a small two room school, which soon became the hub of a community and the most successful refugee-led initiative in the world.

Travis spends all his time rotting in his bed. he feels like he has no purpose until he comes across an advertisement for a photography competition.

In Memory of Laura is a shocking blend of psychological horror and sexual obsession. When a man loses his one true love his depression soon turns to insanity. His fractured mind leads him on a relentless hunt through sordid lonely streets for a replacement for Laura, dead or alive. This unnerving, squalid short is truly unsettling to watch.

Shots inside and outside a house.

A document of Australia's nuclear industrial history, from uranium mining and its toxic legacy to the nuclear weapons tests conducted at Maralinga in South Australia.

On the 28th of April, 1996, the picturesque, historical tourist site of Port Arthur, Tasmania, became the scene of one of the worst mass shooting sprees in world history, when a gunman opened fire with high powered assault rifles, killing thirty five men, women and children and injuring twenty seven more. Twenty two years later, forty eight year old Martin Bryant, the man convicted of the crime, rots away in prison, never to be released. But many unanswered questions remain surrounding the massacre. Did he act alone? Was justice really served and was he guilty beyond reasonable doubt? WASP will rip away the silence that surrounds that black day in Australia's history, delving into the people, the places and the crime that changed a nation forever.

A lonely man, bereft of family, looks for a way to connect with others.

“I made this film in the heyday of the ‘80s... a lot of people spending and making a lot of money in a kind of mad frenzy... advertisements, everywhere, interest rates up to 15%, 17%. Everything was for sale, one way or another... high pressure selling, lending. I figured ‘Good grief, this is all water off a duck's back.’ I used a lot of advertisements cut out of newspapers, and juxtaposed ‘important’ images (the Queen, Jesus, warships) and hectic activity with ducks, swimming around serenely in their ponds... things overwhelmingly important to some, totally unimportant to others. Ducks carry a lot of associations in the English language... ‘ducking for cover’, ‘sitting duck’ and so on.” (Paul Winkler)

Dede Chackelis (Uncle Chatzkel) portrays the patient triumph of one man's dignity and intellect over genocide, oppression and personal adversity.

A harvester processes grain in the middle of a field.

A young girl clings to the virtual safe haven inside of her computer screen; in an attempt to connect with her sister, she escapes the realities of the troubled household she must face without her.

An artist loses himself in parallel dimensions after he suffers a mental breakdown when his wife leaves him for another man.

Both Sides Of The Pole tells the story of ambitious individuals earning their place in competitive dance and the bonds that form the community that drives it

Great Ocean Love is part documentary, part road trippin’ surf flick that follows Belinda Baggs, Linley Hurrell and Lilly Pollard on a journey of discovery from the teachings of Gunditjmara whale dreamer Yaraan Bundle. Along the way they meet saltwater women of the deep south who share their love for the rugged coastline that they call home.

Filmed over 10 years, Constance on the Edge is an unflinchingly honest portrayal of one refugee family’s resettlement story in Australia.

Nearly Really Me follows the story of Karla, a 35 year old professional who knows her life is fine, and yet feels that fine isn't good enough, she wants to feel alive. Trouble is, she has no real idea how to go about it. So she outsources her existential crisis to an internationally respected medium for direction and soon finds herself embarking on a trip to Vietnam for their 5 day spiritual conference, where participants gain knowledge, wisdom and insights delivered unlike any other in the world.

Sidney Nolan is one of Australia's greatest artists. His iconic images are treasures of the Australian visual language. This film explores the artist and the man from his early years to his extraordinary international career.