Discover Movies

13,855 Matches Found

881

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.

881

5.9 2007
Alumni Association

The final chapter of director Mukai Hiroshi's trilogy on the theme of aging, in which "Going West" raised the issue of human memory and "Hometown" addressed the issue of the physical strength of the elderly. "Class Reunion" depicts the "gathering" that fills the feeling of loneliness in daily life. A man who left Japan for a foreign country during the chaos of the post-war period returns home for the first time in 60 years to spend the rest of his life in Japan, embarking on a journey with his former best friend to recapture the days of his youth.

Alumni Association

NR 2004
Jiang Jie

Jiang Jie is famous throughout China: the “Chinese Joan of Arc,” in the words of director Zhang Yuan, a communist heroine executed by the Kuomintang in 1949, on the eve of the revolution. Zhang Yuan’s film, a passionately engaged tribute to the 1964 “revolutionary opera” based on Jiang Jie’s life, follows the original closely...The Revolutionary melodrama plot, not that different from Verdi’s 19th century versions, has of course a completely different resonance today. The Cultural Revolution (1966-1976) enshrined this kind of “revolutionary opera” — based on traditional Beijing opera, but with substantial stylistic and formal revisions — as the epitome of Maoist propaganda art. In the past ten years, Chinese and Western experts have begun to re-evaluate the art behind the propaganda, to find creativity, and even shocking beauty under the layers of kitsch and repellent politics the works have sometimes embodied. —Shelly Kraicer

Jiang Jie

NR 2002
Woman on the Ferry, Live Voyeur

Fu-yan, also known as Fujikawa, runs a business producing underground videos that are secretly sold by electronics store owner Umeda and his wife Makiko. One day, he receives a request from Umeda to make a new video. The lecherous old man Kikuchi wants him to make an underground video with him as the main character. Lured by the high fee, Fu-yan boards a ferry with Makiko's stepdaughter, Megumi. On the ferry, Fu-yan saves a woman named Yumeko who is about to jump into the sea. Having failed in life and about to commit suicide, Fu-yan takes Yumeko to Kikuchi in order to make her the queen of underground videos. Filming begins according to the script written by Kikuchi, and with Fu-yan's calming, Yumeko completes the film to the end. Before long, a good relationship develops between Fu-yan and Yumeko, but...

Woman on the Ferry, Live Voyeur

2.0 2001
My Korean Cinema

A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)

My Korean Cinema

8.0 2002
Betelnut

Ali and Xiao Yu are two teenage rebels idling away their days along the banks of a river in Jishou, a quiet town in Hunan province. They steal motorbikes, bully and rob kids, sing karaoke and get into fist fights outside the local internet bar. But their rough exterior belies a deeper romanticism, and a tenderness unfolds between them and their teenage loves. As one day bleeds into the next in this impoverished rural setting, it becomes apparent that these sun-baked days of misspent youth will be the wildest, freest time of their lives

Betelnut

6.5 2006
Dream Cuisine

Japanese filmmaker Li Ying directs the documentary Aji (Dream Cuisine), a portrait of master chef Hatsue Sato. In her late seventies, Hatsue is one of the last chefs who honor the traditional cooking style of China's Shandong province. She and her husband, Koroku, run a restaurant in Tokyo, but she really wants to move back to China where she was born. The filmmakers follow her to Shandong, where she does a television interview and meets culinary college president Liu Gwangwei. When the modern chef can't seem follow her old-fashioned recipes right, she decides to stay in China and cook them herself. However, husband Koroku doesn't want to change his location.

Dream Cuisine

7.0 2003
Nōpan wakazuma – omocha de shisshin

Satsuki (Tsubaki Nakagawara), who is poor at cooking, collapses after eating nothing but instant food while her husband is away. Regaining her energy by drinking vegetable juice at a greengrocer introduced to her by her friend Naoko (Hotaru Hazuki), Satsuki recovers. The next day, the greengrocer is closed, but when she peeks in from the back entrance, Naoko and the shop owner, Tanaka, are entangled with each other. When Tanaka’s eyes meet Satsuki’s, he gives a suggestive smile…

Nōpan wakazuma – omocha de shisshin

NR 2002
「Chō」Kowai Hanashi Fikushonzu Hiramatsu Yumeaki no Gankyū Yūen II Ramuzu Kuwaddo

Episode II "Rum's Squad" (Part 1 & 2) As a result of a childhood cock-up, Naoko has the ability to hear the voice of a man who hates this world directly in her head. With an amulet provided by a friend, that voice became inaudible one day... Naoko grew up and became a female detective in the Jonan Police Department, investigating random bizarre murders. The moment she learns from her mother's phone call that the amulet is broken, a man's voice rings in her head again. The voice leads Naoko to the scene of one murder after another. Is it the voice of Onuki (Kanji Tsuda), who has been committing indiscriminate murders...?

「Chō」Kowai Hanashi Fikushonzu Hiramatsu Yumeaki no Gankyū Yūen II Ramuzu Kuwaddo

NR 2009