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The Last Harvest

Set within the ravaged world of Pathologic Classic HD, The Last Harvest unfolds across a landscape marked by disease, exhaustion, and slow attrition. Cocco works through the game as an atmospheric field saturated with depletion, where every sound, surface, and bodily trace carries the weight of a world wearing down. Barren streets and exposed figures accumulate with quiet insistence. Falling leaves, distant cattle, the tolling of a bell, and the persistent signals of the game interface acquire unusual pressure, no longer incidental details but elements in a visual rhetoric of fragility. What the film records is a condition of survival stripped of heroism and reward. The Last Harvest stays with what endures after renewal has withdrawn, when the world continues in a diminished state, poised between persistence and abandonment.

The Last Harvest

NR 2026
KIRAC 29: Whore Dialectics

While Ben Lunato awaits his day in court, we embark with him on a journey through the world of whores. We traverse bizarre mental landscapes and arrive in Los Angeles, where we meet our friend, the art dealer Stefan Simchowitz, and, of course, whores. Endlessly many whores. In Los Angeles, walking through the warehouses that store Stefan Simchowitz’s vast collection of contemporary African art, a promising discovery emerges concerning whores and fetishized Africans. In this film these figures appear to merge into an affirmative horizon, beyond woke ideology and politics, toward a new art, reaching back to reestablish a link with modernist symbolism as represented by Picasso’s Demoiselles d’Avignon.

KIRAC 29: Whore Dialectics

10.0 2026