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Lost in Lebanon

As the Syrian war continues to leave entire generations without education, health care, or a state, Lost in Lebanon closely follows four Syrians during their relocation process. The resilience of this Syrian community, which currently makes up one fifth of the population in Lebanon, is astoundingly clear as its members work hard to collaborate, share resources, and advocate for themselves in a new land. With the Syrian conflict continuing to push across borders, lives are becoming increasingly desperate due to the devastating consequences of new visa laws that the Lebanese government has implemented, leaving families at risk of arrest, detention, and deportation. Despite these obstacles, the film encourages us to look beyond the staggering statistics of displaced refugees and focus on the individuals themselves.

Lost in Lebanon

8.0 2017
Commensal

A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.

Commensal

NR 2017
Amos' World

In the world of self-regarding architect Amos, there’s really only one thing that matters—Amos. There he is, sensibly chic in a black roll-neck sweater and neat gray trousers: “I want to build something important. I want to change the world. I want to express myself.” Amos is Cécile B. Evans’s amalgam of the twentieth-century starchitects who shaped the post-war built environment. Conceived as a mock TV series set in a Brutalist housing estate, her exhibition at Glasgow’s Tramway comprises three separate videos (or “episodes”). Made between 2017 and 2018 and collectively titled “Amos’ World,” each is screened concurrently in accompanying installations with soundtracks played on headphones. Dotted around the space are props and sets used on screen: scale-model shelves of colored binders, a miniature forest. As “Amos’ World” suggests, the egoistic visionaries Amos parodies were not ultimately in control of their designs. Evans emphasizes this point by rendering Amos as a jerky puppet.

Amos' World

NR 2017
British Museum Presents: Hokusai

This fascinating new cinema event, British Museum presents: Hokusai, is a groundbreaking documentary and exclusive private view of the forthcoming British Museum exhibition Hokusai: beyond the Great Wave. Filmed in Japan, the US and the UK, the film focuses on Hokusai’s work, life and times in the great, bustling metropolis of Edo, modern Tokyo. Introduced by arts presenter Andrew Graham-Dixon, and featuring artists David Hockney, Grayson Perry and Maggi Hambling, this is the first UK biography of Japan’s greatest artist. Using extraordinary close-ups and pioneering 8K Ultra HD video technology, Hokusai’s paintings and prints are examined by world experts who are at the forefront of digital art history.

British Museum Presents: Hokusai

8.9 2017
Winter's Watch

Located ten miles off the coast of mainland New England, the Oceanic Hotel is the grand, yet far-from-modern home to the thousands of guests who brave the choppy seas to visit during the warmer spring and summer months. Off-season, the hotel and the 43-acre Star Island on which it sits is home to one woman - its winter caretaker who braves the colder, darker months of inclement weather by embracing the solitude and finding inspiration, and life, in what would otherwise be considered the 'bones' of winter.

Winter's Watch

NR 2017
Cloud of Petals

Petals cannot digitize themselves. Human hands must individually open the flower, pick the petal, place it under the lens, press the shutter, and upload the image to the cloud. Then again, and again, and again. Computers document the signals generated by humans. When computers were human, they were often women. In August, 10,000 roses were placed in the atrium of Bell Works. The work of photographing the individual petals and turning them into a dataset was performed by sixteen men. The photographs, a sequence of petals, reenact the rose. Beauty compels the act of replication.

Cloud of Petals

NR 2017
Images d'Orient

The film, based on Robert Schumann's Pictures from the East, shows in an unusual perspective the work of Nizar Ali Badr, a Syrian sculptor whose unique language of stone sculptures radiates happiness and love in the face of war, destruction, migration, poverty and injustice. The animated sculptures made of pebbles present us with short stories. The soundtrack of the animation - original arrangements of melodies from Karlheinz Stockhausen's "Music Boxes" - is performed by Gidon Kremer and the musicians of his orchestra Kremerata Baltika.

Images d'Orient

NR 2017