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Freight Flow

Traces the development of the Freightliner services and introduces customers with differing freight problems, who describe the advantages the system has for them over other forms of transport. The story of the Ford Company train which daily links factories at Liverpool and Genk, in Belgium, and examples of the growing influence of the Freightliner system and the company train in the export field. Produced for Freightliners Limited and British Rail Shipping & International Services Division.

Freight Flow

NR 1969
Scotch Tape

Shot in 1959, Scotch Tape is Jack Smith's first film -- a joyous, three-minute romp, in color, using Peter Duchin's rhumba "Carinhoso" for its soundtrack. Three young men merrily bop through the wreckage of razed buildings at the site of what would become Lincoln Center. Apparently, Scotch Tape was never edited and, instead, was cut in the camera by Smith, combining long shots and close-ups while filming mostly from overhead. The title comes from a small strip of scotch tape that was accidentally stuck on the camera and so is visible in the lower-right corner of the frame throughout the film.

Scotch Tape

4.4 1962
The Liberation of the Mannique Mechanique

Although best known for his photography, Steven Arnold also wrote, designed, and directed several groundbreaking visionary films, The Liberation of Mannique Mechanique being the first. Stuart Comer of the Tate Modern (London) said of Mannique: “a macabre, decadent work presenting mannequins and models that travel through strange universes toward possible self-discovery.” Brooklyn-based artist and writer Kate Wadkins in a recent online article observed: “Arnold’s films are dream-like visions of androgynous beings. Their narratives are modern-day fairy tales and reveries about gender — all through the lens of an acid trip.”

The Liberation of the Mannique Mechanique

5.2 1967
Clarence

A poetic montage of the 'sculpture garden house' of 67 year old hermit-builder Clarence Schmidt of Woodstock, New York, appraised as 'a really great work of folk art' by curators Lawrence Alloway and Henry Geldzahler. The film includes some of the only footage taken of Clarence living within the seven-story mountain interior of his creation, which was tragically gutted by fire in the winter of 1967-68. A homage to Clarence and his more than forty years of devotion to the transmutation of cast-off objects into an environment or beauty and love.

Clarence

NR 1968
Towards Tomorrow: Robot

Documentary from 1967 on how robotics could shape human society. Your future is being created now - for better or for worse? How close are we to constructing the robot of the future? Will there be one in every house? How human will It look? These are some of the questions this programme tries to answer. Isaac Asimov, science fiction writer and prophet of the robot age, introduces the programme and predicts a future in which man and robots form a combined culture. A culture in which, to use his own words, 'mankind may want robots not only as helpers and servants but also as friends, as something with which they can identify'. Towards Tomorrow explores laboratories in England and America to discover how near scientists and engineers are to turning Asimov's science fiction into science fact.

Towards Tomorrow: Robot

NR 1967
Carolyn and Me: Part Two

David and Carolyn Brooks and friends. Walking in woods, at picnic, in VW bus, etc. "Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn't do it. Chickened out. Didn't want to get something between us. (Carolyn, what's come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create 'well-known symetry' and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder." - David Brooks

Carolyn and Me: Part Two

6.0 1969