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Birthday for Peter

It's Peter's birthday and Mum wakes him with cards and presents. After breakfast he goes off to school, with his toy locomotive, but fails to return at 4 o'clock. While she searches around the neighbourhood, Dad arrives home to an empty house. We see Peter in the grip of a sinister man and struggling to get away. His parents keep searching and finally call the police but it doesn't look good. Suddenly, we see Mum wake up and dash into Peter's room. He's quite safe. It was all a dream!

Birthday for Peter

NR 1958
Michel de Ghelderode

After Perséphone, his first film which he describes as “an experimental, mythological poem” and shoots under the pseudonym Luc Zangrie, he makes a portrait of playwright Michel de Ghelderode together with his friend Jean Raine. It introduces us to the world of a creator obsessed with and fascinated by death. If biographic references are present, they are only there in order to place the writer in the right setting: nostalgia for Bruges and Flanders, solitary wanders through a backward-looking, legendary Brussels. Ghelderode’s gravelly voice is the leitmotiv of the film, which focuses on rehearsals of his plays at the Théâtre de Poche and with the puppets of the Théâtre Royal de Toone. We accompany him into his study, a place of dreams and fantasy, full of baroque objects that define his world.

Michel de Ghelderode

8.5 1957
The Deep Calleth to the Deep

A sermon recorded Thursday, June 24, 1954, at the Constitution Hall in Washington DC, U.S.A., where Brother William Marrion Branham delivered a message entitled "The Deep Calleth To The Deep". Branham (1909 - 1965) was an American Christian minister and faith healer who initiated the post-World War II healing revival, and claimed to be a prophet with the anointing of Elijah, who had come to prelude Christ's second coming; some of his followers have been labeled a "doomsday cult".

The Deep Calleth to the Deep

NR 1954
A Visit with Debbie Reynolds

The New England Variety Club and the Boston Red Sox present this in-theater appeal for contributions to Boston's Jimmy Fund, for child cancer treatment and research. Debbie Reynolds addresses the audience as a mother whose daily prayer is for the health and happiness of her two children. Yet cancer claims the lives of thousands of children annually. Health professionals treat children in 532 beds in Boston while researchers look for a cure -- all funded by contributions to the Jimmy Fund. We see the children and the researchers. "Help speed THE END of cancer in children," reads a closing title card.

A Visit with Debbie Reynolds

6.5 1959
Eye to Eye

Eye to Eye, by Tullio Pellegrini, is an instructive and hilarious romp through the insect world, as seen via extension tubes and as scenarized with a sharply satiric sense of humor. Mr. Pellegrini has managed to poke just the right amount of fun at both insects and insect hunters (particularly movie makers) to tickle the most crusty rib in the audience. Among the more madcap moments are a parody of Dragnet, in which a spider lures his hapless victims to their deaths, and a sequence of "Bug-o-Phony" sound, in which (audio-wise) caterpillars make like locomotives and ladybugs like taxicabs.

Eye to Eye

NR 1954