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Project Grizzly

Documentary about the lifelong project of Troy Hurtubise, a man who has been obsessed with researching the Canadian grizzly bear up close, ever since surviving an early encounter with such a bear. The film documents Hurtubise's diligent work to improve his homemade "grizzly-proof" suit of armour, his efforts to test its resilience, and his forays into the Rockies to track down the grizzlies he dreams of meeting. The film manages to capture the humor of the project as well as its sincerity.

Project Grizzly

5.7 1997
Pocket Desert: Confessions of a Snake Killer

This personal documentary is the story of Teresa Marshall, who grew up on a British Columbia ranch. Every child needs a demon, and Teresa took battle against rattlesnakes. In the dry interior of B.C., the south Okanagan and Similkameen valleys form the bio-region known as Canada's "pocket desert." As settlers' dreams of creating an agricultural Eden erase fragile desert lands that support a breathtaking array of wild species, the narrator and her snake-hunting neighbours are forced to examine their environmental attitudes.

Pocket Desert: Confessions of a Snake Killer

9.0 1999
Suburban Bliss

Catherine, a rebellious pre-teen who has been deeply affected by her parents’ divorce, plays a game which involves crossing a dangerous road with her eyes closed. She becomes friends with the girl next door, the quiet Ariane, to the consternation of Ariane’s father, David. Although he appears to be a model father, David is in fact obsessed by the need to protect his daughter. As such, he tries – unsuccessfully – to prevent Ariane from coming under Catherine’s bad influence. Ariane takes up smoking, starts telling lies, and begins to explore her sexuality. While Catherine’s mother attempts to seduce the handsome, and single, David, he sets a trap for Catherine. For Catherine, living dangerously is no longer a game, and she has to summon all her strengths in order to survive.

Suburban Bliss

4.5 2002
Next of Kin

Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a therapist videotapes them. After Peter watches his tape, he views the tape of a troubled Armenian family, who gave their only son away for adoption when they arrived in Canada. Peter decides to visit this family, and he pretends to be their son, Bedros Deryan. The Deryan family welcomes him with open arms, and Peter tries to patch up the poor relationship between George Deryan and his daughter Azah.

Next of Kin

5.8 1984
Teta, Opi & Me

Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an inter-generational dialogue that explores themes of family, love, and the intermingling of cultures.

Teta, Opi & Me

NR 2018
The Rowdyman

Will Cole is a charismatic 35 year old paper mill laborer who seems to celebrate a life of bad choices. He lives and behaves as if he was still 18, womanizing and drinking and rejecting responsibility because he sees no reason to take life seriously. Surprisingly enough, despite his devil-may-care attitude, he has several important people in his life. He maintains a special relationship with Stan, an old mentor who lives in a nursing home, and Ruth, the only woman he truly cares about. Andrew is his best friend but grows tired of Will's antics, and he is soon to be married and moving on. Will constantly has something up his sleeve but his pranks inevitably bring pain and tragedy to those closest to him, forcing him to reevaluate his life and make some difficult decisions.

The Rowdyman

4.0 1972
Bayo

Sharon and her ten year old son Bayo live in Tickle Cove on the shores of Bonavista Bay, Newfoundland like generations of their family have before them. Sharon hates her life there. She dreams of moving to Toronto - where her now deceased mother was from - to eke out a better life for her and Bayo. She even leaves her big black packed trunk in the middle of the foyer as a symbolic gesture that that move will soon be happening. She equally hates her fisher father, Phillip Longlan, for subjecting her and her mother to life there. Phillip, who spends most of his time on a commercial fishing boat, only provides Sharon enough money to survive but not to achieve that dream of leaving. Bayo, however, doesn't want to leave, especially leave his grandfather behind. He wants to live and die by the sea, much like his deceased father, who he never knew.

Bayo

8.0 1985
In the Labyrinth

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.

In the Labyrinth

8.5 1967
La vie avec mon père

Quebec writer François Agira, despite only writing one novel, achieved almost legendary status. Living off his royalties, he indulged in a hedonistic lifestyle. However, as he approached his sixties, the novelist began to face challenges with impotence and financial difficulties. Returning to his two sons, Paul and Patrick, Agira found himself in a stark contrast. Paul, a laid-back individual, followed in his father’s footsteps and was working on his first novel. In contrast, Patrick, a rigid senior executive at a pharmaceutical company, embodied the opposite. Agira moved into the dilapidated family home with Paul and his girlfriend, Sylvie, a waitress. Despite continuing to party, his life took a dramatic turn when he discovered he had cancer.

La vie avec mon père

7.8 2005