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Brenna, whose life depends on a valuable watch, resorts to a risky and obscure method to prevent it from breaking and bringing irreversible consequences.

Janaína is an actress in crisis as she witnesses the collapse of a country. There seems to be no way out, but there's still something to be done.

A young man who, as a child, had a strong relationship with his grandmother, goes to the big city and distances himself from his ancestry. When he returns to his community, he no longer identifies with that culture, but he is soon caught up in a dream when he remembers a distinct language in which he used to communicate with his grandmother as a child, reviving a strong relationship with his identity.

Andressa faces turbulent memories when returning to a country house accompanied by your friends.

Obstinate Daniel’s grumpiness is evident. He really doesn’t want to accompany his mother to an oncology conference. However, an unexpected meeting makes it an interesting weekend after all. Shot on grainy film stock, with camera work as uncompromising as Daniel is.

Three cousins ​​were set in a magical location in southern Brazil, known as Cerro Jarau. They grew up under the influence of the legend of a princess imprisoned in a cave, known as Teiniaguá. Among the three cousins​​, the girl is the bravest and who had the courage to challenge this legend. But all grew and she was helping her husband in the sale of a club. When the new owner of the site refuses to pay what you owe, your husband is pressed for a criminal to salute a debt, and it ends up practicing a robbery. His wife, betrayed and humiliated, decides to take the money and run to Cerro Jarau again, which will once again rediscover the ancient legends of the region.

Luiz Mario, a São Paulo night-club impresario and a classic "bon vivant", is also an avid collector of love affairs. He is surrounded by all types of women, with whom he has torrid flings, but he is never able to emotionally involve himself. Until one day, while passing by Rio de Janeiro, he falls head-over-heels for the carioca Malu, who practically runs him over on her bike while riding down Leblon's beach bike path. The couple's fervent romance is abruptly thrown into disarray when an enigmatic love letter is discovered. From then on, the story between the two lovers is turned upside-down. Luiz Mario is consumed by jealousy and his emotions slowly seep into his relationship, destroying everything.

TGIF! There is forro all over the city. Tiao, a professional dancer, works in ballrooms around the city. While Reginaldo and Cida hit the dance floor waiting for the night to bring a little something extra.

Sônia believes that not being young was the predominant factor for her husband's infidelity. In her solitude, she begins a search for self-esteem and self-awareness. For the first time, she allows herself pleasure and confronts internal taboos that had never been awakened before.

Inside a socio-educational detention unit, five youths in conflict with the law plan their own film as a way to find meaning in their time behind bars. Through a hybrid process that blends documentary and fiction, TWENTY TWENTY FOUR dissolves the reality of juvenile crime and confinement into a sensory experience—exploring rebellion, boredom, and traces of tenderness within a space defined by abandonment.

Recorded in 1973, this TV show brings Elis Regina in an 'ensaio' (improvisation). The programme aired by TV Cultura rescues the living memory of the greatest MPB star through her testimonials on composers and performers. The images are black and white and with camera close-ups, it denounces the restless, strong-willed hands of Elis.

Angel works in a wedding dress store. Ulisses, her boyfriend, works as personal trainer. They are swallowed for the television and, to leave, need to discover how to use the Ulisses' ring.

A man dies and in heaven receives the mission of helping his former boss love life.

The widower João declares his loneliness on a radio program and meets Maria, a recently separated woman who yearns for a new life together.

In July 2014 the police of Pernambuco used extreme violence against the Movement Occupy Estelita. Without trying to open any channel of dialogue, the riot squad, GATI and other troops used a disproportionate amount of force for the repossession of an area from José Estelita pier, in the city of Recife. It got clear during the day that the police were there not only to carry out a lawsuit, but to try to repress a legitimate movement of civilians.

When she arrives in a new world, Isabela is tasked with discovering her true essence. Watched by Shadow, the guardian of this ghostly place, Isabela meets other travelers and reevaluates her memories, relationships and emotions.

A boy despairs when he finishes his coffee.

Fred is a blind boy who lives alone with his mother. Out of his dull routine, in which nothing ever changes, he speculates continually about the color of things and claims to prefer the color white, which represents for him everything that is unattainable.

MAYA is a mystical thriller, telling the story of the presumed relationship between Icaro and Adriana, since the moment they met until the day when she disappears and cease existing.

A man arrives in Tocantins river, looking for fortune.

On April 26, 2014 Douglas Pereira, a dancer, was killed by the police. The film documents the protests following his death.

Hermanoteu is a young shepherd boy who, enlightened by the "Divine Light", travels to the land of Godah to free the people from the oppressive hands of cruel tyrants. A comedy based on the hugely successful play "Hermanoteu in the Land of Godah" by the Brazilian theater company "The Best of the World".

Poet, singer, writer, producer, Arnaldo Antunes turns sixty and re-records classics of a unique career.

Brazilian politician João Ernesto surrenders to justice and is arrested for corruption, before attempting to overturn with sincerity and real proposals.

A young woman, victim of violence, takes refuge with an old sailor.

The surprising story of the love between the pink river dolphin and the young daughter of a fisherman. On the banks of the Amazon rivers, tales are told of a mysterious young man who appears at night during festivities and dances to win the hearts of young women.

The world ends and Emanuel needs to guide João to the portal that takes the deserving to eternity. Emanuel is desperate to ascend, but João will challenge the master's right to paradise. A queer-Christian adaptation of the Apocalypse: Book of Revelations.

Two friends hit the road to Buenos Aires aboard an orange Opala 72, with a mission: be with as many women as possible. This is all a plan to wash the honor of "Caco", a man who found his girlfriend in bed with an Argentine.

In this adaptation of Joseph Arnone's monologue, a serial killer is struggling to kill his next victim, there is something special about her.

Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.

A middle-class family living in a house filled with superfluous electronic appliances see the arrival of a new item, a 29" TV-set.

After years spent apart from her mother, Gênesis feels lonelier than ever in the big city. She decides to rekindle this complicated relationship through a phone call that will change her life forever

Since the 70’s, Cyro Matoso is making films without any kind of sponsorship and a highly limited budget. He has enjoyed many years working with culture, developing his creativity and, above all, creating his art.

Hugo, a rich and wild young man, joins Julio, his close friend and party companion, and after a night of adventure and alcoholic libations, the two awaken, still thirsty for adventure. They head to the Livestock Exhibition, then in full swing. There, they part ways, and Hugo goes to meet the beautiful Geni, the young daughter of Colonel França, a wealthy rancher from southern Minas Gerais and one of the main exhibitors at the important event. Hugo, upon seeing this beautiful young woman with such sweet eyes, is attracted to her, begins to fall in love with her. And, seizing a lucky opportunity, he invites her to dinner together at a restaurant located on the Exhibition grounds. Just then, a daring man appears and tries to flirt with his young companion.

A paradise for the eyes, the phrase defines the character's destination place, A Terra Sem Males. After walking through forests and ruins, she realizes that that territory was built on the blood of many peoples. This knowledge could paralyze her, create fear, but they inspire acts of courage.

A young man decides to leave his troubled farming village for the city. Desperate, the girl who loves him will do anything to solve the town's problems and convince him to stay, even give herself to another man.

Apiyemiyekî? addresses the genocide of the Waimiri-Atroari people in 1970s, when during the Brazilian dictatorship indigenous lands in the mid-west were invaded for the construction of the national road BR-174 and the installation of a mining company. Illustrations about the period, created by the indigenous population, including children, reveal a traumatic history, referring us to the present day.

A documentary about child gestures.

An avant-garde film crafted from archival footage of Brazilian writer Monteiro Lobato.

Leaving Belem and crossing much of the Para State Amazon region, its towns and riverside villages, Amazônia Groove reveals artists and their traditions, faith and mysticism, music and life that pound in the northern region of Brazil. (

SATELLITES is a documentary about the passion for soccer told through the points-of-view of characters who were following somehow the final match of the Brazilian Soccer Cup. The film moves the focus from the game to the field's margins, to the fans, to outside the stadium. The movie intends to capture the tension, atmosphere and charm of a final match. SATELLITES translates, based on images captured during that game, the sensation of being at the stadium watching the game with no images of the game itself.