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The artwork presents three scenes: the Paju factory where the books are made, a French professor reading in a lecture room, and a forest landscape. These images are projected simultaneously on three screens arranged in a triangle, allowing viewers to move around and experience the installation from different angles.

Luna, a university student making pocket money from babysitting, escape her routine while enjoying electronic music. Then one day, she is faced with an unexpected pregnancy. Carrying on with her daily life calmly, Luna must deal with the problem.

Middle-aged women encounter a new hero who gives them a purpose in life and alleviates their boredom. They are now ready to open the door and go to another world.

Su-yeon lived by forcibly fitting herself into the goal set by others. One day, her best friend Min-jun suggests seeing the supermoon together, chasing the source of the rumour floating around.

When I accidentally found out that my grandmother had two names, Oksoon and Chunja, I was fascinated by the countless stories she told me. The distant and the not-so-distant stories, were sometimes trivial, sometimes overwhelming. During the filming, meeting Chunja, whom I had not known, and Oksoon, my maternal grandmother, repeated. I recorded the daily labor of Oksoon, who had lived as a woman and an ordinary citizen through the Japanese colonial days.

Daegu, year 2009, three students each prepare to attend the first solo concert of Girl's Generation.

Jiho wants to quit the skipping rope class.

Ji-won, she is from Goryeo, has another name, Yuliya. To call him, they must choose a name for convenience: Ha-pyung chooses Ji-won, and Sun-woo chooses Yuliya. They are just two words, two names, with the same weight. The world draws a line between them and calls them different names, but Ji-won and Yuliya, along with their friend Ha-neung, cross the borders of their Korean village, between Ji-won and Yuliya.

On weekdays at 8am, Solidarity Against Disability Discrimination (SADD) protests at the subway platforms in Seoul. The protest demands policy and budget for disabled people living in the community. SADD’s year-long subway action, which began in December 2021, delays subway trains during rush hour, greets incoming trains at the platform, to call out to the public. On a busy commute, on a subway that doesn't move, some are silent, some cheer, and some swear. SADD claims, "We want to move around together, to be educated together, to work together, and to live in the community together." Their repeated protests and actions on subway platforms have started to draw reaction from the government, the politicians, the media, and the citizens.

Fear of the stage becomes a young violinist's struggle. She falls into a world without music. Will she find her melody again?

A South Korean LGBTQIA+ short film that explores the story of two women nearing the end of their relationship. The film unfolds through the introspective narrative of a young woman reflecting on her past connection with her lover. Through a visual metaphor, the film draws parallels between jellyfish and their emotional turmoil. Like jellyfish drifting in the currents, the two women find themselves gradually pulled apart, overwhelmed by the relentless waves of societal expectations and prejudices surrounding same-sex relationships in Korea.

While images are forgotten and returned to memory in a spinning motility, the empty point of view returns to the viewer and repetition returns to the uninterpretable dimension.

When the Chitwan National Park was established to protect wildlife, the Tharu people who lived in the area were forced to move out. They were forced to settle in villages on the outskirts of the park. Meanwhile, rhino horn, which became more valuable than gold, led to ruthless poaching, and the rhinos were driven to near extinction. The Nepalese government mobilized the army to protect the rhinos, and it was successful in doing so. However, the national parks provided limited habitat for the growing rhino population. In search of scarce food, rhinos began to cross boundaries and enter the nearest villages. It was inevitable that the first human-animal conflict would occur in the Tharu settlement, the closest village to the national park, the so-called ‘buffer zone.’ Rhinos are disappearing because of human greed, farmers are being forced to leave their villages because of rhinos, while jungle guides are surviving on rhinos. Conflicting desires. Can they coexist in the buffer zone?

​The piano arrived in Korea in 1900, about 200 years after its invention. The first people who saw the piano people who first saw the piano were said to have heard an unintelligible sound coming from inside the barrel and called it 'ghost barrel'. 'Ghost Barrel' is a music documentary that retraces the footsteps of the piano in Korea over the past 120 years. The journey 'Ghost Tong' follows pianists Won Jae-yeon and Kim Jae-won, musicologist Heo Ji-yeon, piano tuner Yang Hyung-joo, carrier Cho Hyung-chun, Kim Ki-seon, and Kim Sung-jong, a piano tuner, repairer, and distributor. past, present, and future of the piano.

When the rectangular screen freezes, people begin to rise one by one and walk out of the frame. It's the spacetime that occurs between departing bodies and growing plants. Riding on the sound of feedback, you and I collide, and you finally escape from this place.

Du-yeong, just back from serving in the military, is suffering from an acute case of “sad nipple syndrome.” If anything so much as grazes his nipples, Du-yeong falls deep into a depression. This negatively affects his ability to make friends and has left him a loner at school. Even when at home, Du-yeong wears a brazier to shield his nipples. In-a, a friend from school Du-yeong has a crush on, runs into him wearing a brazier when Du-yeong opens his door to pick up some delivery food, at which point he makes up his mind to have his nipples surgically removed.

Oh Young-won, a travel PR writer who has never been on a trip. I dream of becoming a real writer who travels for real someday, writing briskly in my room, which is vulnerable to soundproofing. Ah-reum Han, who prepares for a job while working part-time, moves into the house above him. Eternal travel is the only consolation in the harsh reality of Areum. However, they do not know each other's faces or names, and gradually become concerned about the everyday sounds created by the opposite lifestyles. Eventually, the two even receive expert advice. Young-won puts a note on the house above him complaining about the noise. Areum pretends to be a man with a secret past, fearing that she will be harmed if she lives alone. Lies are quickly exposed, and we spend days without wind, eternity and beauty, where the relationship is properly separated... “There is only a fifteen-centimeter wall between you and me, and my room is right next to you.” can you survive?

The film was made for my grandmother, who was Love for me. Love is a very important value in our life. It will remind value of love in our society.

A man holding a heavy watering can walks along a path that feels almost too long and somehow strange. Passing through a place where there are kisses yet also sighs, the camera finds the beings that offer a kind of consolation to humans who have no strength before life and death.

Jay works as a staff at a guest house and trades virtual currency at night. He proposes a plan to deliberately lower the coin price and raise it again on the promised day. A long-term guest at the guest house, Bandal, invests in his plan. But the movement of the chart is unusual.

Some things should not exist from now on. Three people are trying to break them down. It happened one summer in Hong Kong. The 1980 uprising in Gwangju and one summer in Hong Kong are intersected.

The news of cancer came to three families who were living happily. Someone's husband, wife, and someone's parents, the three mothers are more worried about the rest of the family than the fear of death. Stage 4 cancer patients at the crossroads of life and death. The final journey is captured on camera.

Celestial spheres morph into a drizzle of flowers and leaves: translucent, buoyant and dreamlike. With an inquisitive, meditative score by Kim Kwangsoek of sparse folk and lingering tolling of bells, Flower Rain is a photochemical, X-ray journey through the compositions and cosmic gateways of bloom.

Fascinated by leaven’s ability to turn grain into alcohol without causing it to rot, I visited a brewery in Ulju where I met the women who make leaven and heard what it means to them in their busy farming lives. When the day of making leaven finally arrived, a day that had been postponed, everyone gathered at the brewery. Perhaps, due to my nervousness, I ended up making a big mistake.

During a brief summer holiday, I embark on a quiet hike along a remote mountain trail. There, I encounter a massive anthill for the first time and am struck by the wonder of nature. The moment lingers with me even after I return to everyday life. As an artist, I decide to create a new work inspired by the anthill, only to realize that my sole visual reference is a short, hastily recorded video taken on site. In an attempt to reconstruct that vivid memory, I begin searching online for images of anthills...

The mother, who has just been appointed as a nutritionist, wants to send her daughter with atopic dermatitis to a "healing camp".

An old man walks through the past in a place filled with memories with his wife.

Displaced people from the Philippines and Mokdong gather to remember where they used to live, and create a place to live again. Their memory becomes the body and the body becomes the house. While making a movie there, they realize that someone is there.

A boy sneaks out of school before the teacher’s dismissal. He arrives at an underwear store, enters and buys a woman's underwear, then runs.

A silly question asked, to the people I met at the small mountain in the neighborhood: "Do you believe in the spirits of the mountain?" The answers revealed different ideas on myths, religion, and the village. Local artists have started performing rituals for the mountain spirit...

Min-hee, a high school teacher, expects joyful days as she is congratulated by people for her pregnancy. One day, when the child in Min-hee's stomach was diagnosed as a disabled child, Joo-hwan, Min-hee's younger brother, with Down syndrome, disappears.

Before the first performance, Hamlet insists on switching Ophelia played by Ji-yeon, to be without lines, thinking that he doesn’t stand out enough. Ji-yeon doesn't want to be the Ophelia they want.

Doyoon is a 15-year-old talented kendo player. Her mother is hospitalized due to carbon monoxide poisoning. She suspects her younger brother, Jihoo, of causing the tear in the fan duct and wants to flee from him. However, her father insists that she regularly disinfects the cut in her young brother’s right hand.

An uncertain look into the boundary between non-human and human relationships, between technological advancements and the human body.

The first meeting between Gaobian Jina and Samjaebian Yuna began as a self-manchu (natural encounter). But it turns out that Jin-ah wants to meet her in her sleep, and Yuna is just unfamiliar with her...

A mother, Soon-hee, and her son, Hae-seok, lived in a village for a long time. One day, they are told that sea levels have risen and that they have to leave the village. They begin to learn how to swim together to stay in the village. Meanwhile, Soon-hee's friend Bok-young gives Soon-hee something to help her swim...

Surely it's a fantasy, like a mirage.