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Duel of the Tough

During the Ching Dynasty, a Buddhist priest named Hung must take a journey to spread the word of Buddha. He takes the holy Scriptures along on his journey to southern China. During Hung's trip one of Dai-kiang's henchmen (Wah-sang), attacks him and steals the sacred documents. Luckily Priest Hung is able to escape from the attackers and meets a fellow northerner, Huang, who swears to aid the holy man. Hung and Huang return to the temple to regroup, where Huang is taught the deadly technique called, Magic Kicks! Armed with this new fighting style Huang embarks on a mission to retrieve the documents. He'll need more then just skill to take on Dai-kiangs army of misfits, but will he find the help he needs?

Duel of the Tough

7.0 1979
The Miserable Girl

Haunted by her past, an ailing young woman who recently lost her mother and the roof over her head is reluctant to accept the generosity of an older man who fell out with his own daughter whose affair with his boss's son cost him his job; her reasons are revealed only after her death and when the past is dredged up. Based on Fyodor Dostoyevsky’s Humiliated and Insulted, the film was filmed and distributed in Taiwan however was not released in Hong Kong. It is Ho Fan’s first attempt to fulfil his vision for an art house production in mainstream cinema which breaks the mould by mixing the nuance of art films with popular culture in a confrontation between the old and the new. It was selected in the 1980s by Hsu Li-Kong, director of then Film Library of the Motion Picture Development Foundation (now Taiwan Film and Audiovisual Institute), as part of its permanent collection. (By Reel to Reel Institute)

The Miserable Girl

NR 1975
Thief of Thieves

Boss Chai (Wang Sha) serves as the leader of a group of thieves and skilled pickpockets. One fateful night, his most prized possessions fall into the hands of his senior disciple, Hsiao Hsiang Kung (Ye Feng), a renowned master thief among thieves. The two embark on a series of escapades marked by intense rivalry, crafty betrayals, and occasional partnerships. Amid their adventures, Hsiao Hsiang Kung demonstrates that he is not just a thief but also a compassionate man, assisting the less fortunate and coming to the rescue of distressed damsels.

Thief of Thieves

6.0 1975
Cold Blade

Chor Yuen was Gu Long before he started filming Gu Long. The director's first wuxia film, made at Shaws' rival Cathay, finds him relishing in a mode of expression that would later become the signature style of the 'martial-arts suspense thriller' mini-genre. Chor grafts the quasi-psychological stylishness of his Cantonese melodrama onto this actioner, laying on thick the atmosphere by dialling up the fog machine and unleashing the colours from his camera's palette. He also stages his fights in modern dance-like choreography, with moves that are more graceful than ferocious and paused poses that are longer on expressive narcissism than continuity of action. Cold Blade is the quiet beginning of an aesthetic.

Cold Blade

NR 1970
The Comet Strikes

There was a civil strife in the court. In order to protect the king, some loyal ministers and the king hid in an old house. This old house was known as a haunted house; whoever lived in the house shall die for sure. Mr. and Mrs. Tse went to the haunted house but died in it. Their son Tse Tin Jun wanted to find out the truth of his parents’ death, so he went to the house. At the mean time, another minister knew the king's hiding in the house. He sent out a military force to kill the king. Actually Mr. and Mrs. Tse pretended to die to deceive the public. Tin Jun stood with his parents and the loyal ministers to fight against the rebels. After the blood battle, they eventually annihilated the rebels...

The Comet Strikes

8.0 1971