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Under the roofs

Under the roofs (Bajotecho) is a miniseries that tells, in an autofictional way and using resources from both nonfiction and fiction films, the testimonies of three people who have suffered, in one way or another, problems with their housing. It is three separate chapters, which tell the story of Isabel, who lived in a foster home run by the Catholic Church; Josefi, Juan and Chari, who have suffered from abusive mortgage clauses and evictions; and Marc, a young squatter who lives in a self-managed squatter social center located in a building owned by a private bank. These stories converge at the end, where the boundaries between reality and fiction are blurred.

Under the roofs

NR 2025
A Silent Bleat

High above the Yesa reservoir lies what was once a village, now nothing more than memories: Tiermas. There, where families and dreams once thrived, wild vegetation now reigns, along with a silence that embraces the passage of time. Yet, if we look closely at what were once streets, houses, and churches, we can sense the whispers of the lives and memories of a community forced to flee its very essence. Tiermas is a limbo between oblivion and nostalgia, where the water has advanced and the trees have grown, but the stories refuse to fade away.

A Silent Bleat

NR 2025
Instantànies

Four friends spend a summer weekend together in a rural house. One of them, Júlia, has returned from a solo trip, and it’s the first time they have reunited. One afternoon, drinking and playing games, Júlia kisses Marta. This kiss awakens a desire in Marta, who thought until that moment that Júlia didn’t like women. Could it be that during the trip, Júlia has reconsidered her sexuality? Will Marta dare to find out if there’s something more than friendship between them?

Instantànies

NR 2025
The Writer: Almudena Grandes

In her own words, over the years, Almudena Grandes shared her way of seeing the world, understanding life, and approaching writing. But Almudena is no longer here. The aim of this film is to keep her memory alive: to celebrate her life and work without forgetting the painful void left by her passing. Luis García Montero, her husband, steps into that void and, in doing so, completes the intimate portrait of a writer who, like few others, has been able to tell the story of our lives.

The Writer: Almudena Grandes

7.7 2025