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Die Schule auf dem Zauberberg

They are the future elite: the offspring of the world's richest families. But what these young adults lack is success of their own. Attending the world's most exclusive boarding school—the school on the Magic Mountain—is supposed to change that. Here, they are to be trained as global leaders. Absolute pressure to perform is included. Among the daughters of billionaires and sons of oligarchs is Berk. Berk is an only child and a loner who secretly longs for his friends and a quiet life in his hometown of Istanbul. But he hasn't reckoned with his father, who has already planned his life in detail. However, when Berk's grades are poor, his father cuts off his funding. Is there enough time to graduate from school? And how do you actually find out what makes you happy? Money is no guarantee of that...

Die Schule auf dem Zauberberg

6.0 2019
Elfie Semotan, Photographer

Since the 1980s, Elfie Semotan, born in Upper Austria, has been one of the most sought-after and also idiosyncratic fashion photographers in the world. For more than half a century the now 77-year-old Semotan has been successful at the intersection between art, fashion and commercial photography, with many of her sophisticated arrangements having become legendary. Semotan's sometimes controversial oeuvre is characterized by her strong personality and a continuous opposition to anything mainstream. Elfie Semotan, Photographer is an hommage not only to a great artist but also to the passion of photography itself.

Elfie Semotan, Photographer

NR 2019
The Golan Swimmingpool

WWII is over, the director’s family goes separate ways: Her great aunt moves to Israel and joins the Kibbuz movement. Her grandmother returns to East Germany to help build a Socialist society. Only after the German reunification young Esther finds out about her Jewish relatives and spends carefree days in Israel. The Golan Swimmingpool lovingly explores the Jewish identity of a family living in two political systems. The film investigates their ideals and worlds and questions how much of it is left in today’s generation.

The Golan Swimmingpool

0.5 2019
What Remains - An Obituary on Wilhelmine and Bernard

The director’s grandparents Wilhelmine, an Austrian Catholic, and Bernard, a Jewish Czechoslovakian communist, have always been part of her life, although she never met them in person. Her uncle Hermann lives in what was once their house, with their furniture, Marx and Lenin busts, Hanukkah lamp, countless photos, letters and oil paintings. Through the film Judith Schein asks whether it is possible for a house and its interiors to narrate History.

What Remains - An Obituary on Wilhelmine and Bernard

NR 2019
Magical Iceland: Living on the World's Largest Volcanic Island

In Iceland, volcanoes line up like pearls on a string. In the mountains and valleys the ground boils. It smokes, hisses and bubbles. Although rising from the sea as a bare lava island, life thrives on Iceland's volcanic slopes. Whether in icy heights or abysmal crevasses that tell of the fact that the earth is tearing apart here, between the North American and Eurasian tectonic plates - Iceland is a natural paradise. Magical Iceland: Living on the World's Largest Volcanic Island is a testament to the island's unexpected biodiversity and spectacular landscapes, both above and below the water.

Magical Iceland: Living on the World's Largest Volcanic Island

9.7 2019
The Instant

Depicting the events of Mardin-İdil in the late 1980's, the film deals with international migration of Assyrians in the context of "leaving" and "staying", based on the story of an ordinary group. Today, among the 18 people who are narrated, nine live in Germany, seven live in Switzerland and only two people stayed in Turkey. This documentary, while combining the instants, on the other hand explores the memories of the past and today through the present atmosphere and aims to answer these questions: "Is it hard to go? To stay? Or to be together again?"

The Instant

NR 2019
A Postcard from Pyongyang

"A Postcard from Pyongyang" is a journey into a deeply enigmatic and completely isolated country that keeps the world in suspense: North Korea. Friends Gregor Möller, Philip Kist and Anne Lewald visit in 2013 and 2017 and do what is strictly forbidden and for which they might have ended up in a forced labor camp: even though accompanied by state watchers, they secretly film their travels, accompanied by state watchdogs. We get an extraordinary insight into one of the most closed societies in the world and experience the 'beautiful new world' as the state propaganda machinery displays it.

A Postcard from Pyongyang

5.5 2019
John Neumeier - Unterwegs

John Neumeier is always on the ballet-related path, dance is his life and ballet is his world. He is the senior ballet director of the Hamburg Ballet, has a workshop in the ballet center for his choreographies and creations, including training for young talents by the ballet boarding school. Neumeier has achieved a lot and yet has always remained a seeker, has never stopped, on the way permanently. The portrait of John Neumeier unites the choreographer's presence, with a look back at the essential creations and formative choreographies, including dancers.

John Neumeier - Unterwegs

NR 2019
Germany's Wild Wolves - As They Really Are

Wolves – some see in them predatory beasts, others romanticize them as mythical creatures. But does their fabled competitive hierarchy also exist in the wild? Over a period of three years, our filmmaker obtained unique footage of a family of wild wolves as has never been seen before in Europe. This is the first documentary about wild wolves in Germany shot exclusively in the wild; it shows how similar the social structures of humans and wolves are and dispels myths about a fascinating wild animal.

Germany's Wild Wolves - As They Really Are

8.0 2019
Night upon Kepler 452b

Cold times, people are looking for a place to sleep. A car rambles through the night, to bring out of the dark, what could get lost in there. The film tries to grasp the perception of people who are constantly on the run, who can't remember the last time they've slept in a real bed. The things we witness are turning into inner landscapes. Fragments of conversations become collective thoughts and somewhere in the distance, Kepler 452b is orbiting a sun that is warmer than ours.

Night upon Kepler 452b

NR 2019
Wellen aus Licht

Twelve-year-old Frida is almost blind; she can only make out contours, shadows and colors. At the same time, she can "see" much more than other people. She believes that with the energy we all have within us, we can achieve things that we thought were impossible. In Dear Darkness, we see how she puts this into practice. Frida is lovingly encouraged by her parents, whom we see in the background as they invite her to experience a sculpture or go swimming with her. Frida has an entirely unique view of the world, from which she occasionally takes a distance so she can listen, feel and think. To do so she seeks out complete darkness, because only if there are no visual stimuli can she find peace. In this way, she hardly differs from her sighted peers-and this is why part of the film takes place in the dark.

Wellen aus Licht

NR 2019
Does all this make any sense? And if so - why does it take so long?

For a quarter of a century, Frank Castorf has created a microcosm in the Volksbühne that many considered to be an identity-forming fortress and a renegade island in the increasingly chic and monotonous centre of the capital. The marathon productions for which he was responsible were true orgies of association that demanded everything from the audience. The film accompanies Castorf's final season and is there when the theatre people get together once more to start a last fireworks display in the face of an uncertain future. (weltfilm GmbH)

Does all this make any sense? And if so - why does it take so long?

NR 2019