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My Grandmother

In 2012, after my grandfather passed away, my grandmother left the deserted village where she had lived for nearly half a century and moved to a strange county town. The next year, she was shocked to hear that her homeland would be leveled within two days - her "old world" was thus completely destroyed. After that, she spent a long time alone, often accompanied by her sick second daughter, and more often by an old TV and a deck of cards. When the wind blows, she dreams of the sunset, sheep, green grass, and curling smoke in her hometown. Every year, I go back with a camera to record her homesickness that has nowhere to go, listen to her reminiscences, and also take pictures of my childhood hometown that has also disappeared.

My Grandmother

NR 2022
The Sound of Shanshiping

There is a village with a clear founding date: 1953. Its residents share a common identity: they are all leprosy patients. This village was built for the isolation of leprosy patients, backed by deep mountains and facing the Pian River. How did they experience a life of isolation from the world for half a century since they entered the hospital in their teens? Many people grew up with the village and left it one after another. Years later, their descendants continued to live here, no different from thousands of other villages. The burial of the last batch of elderly residents marked the rebirth of the village.

The Sound of Shanshiping

NR 2022
Bye Bye Barrier!

One early morning in November 2022, Guangzhou announced the unblocking of the east and west corners of Haizhu District, and the middle blocked area was surrounded by water-filled barriers and tin walls overnight - which was called "one district, two regulations" by citizens. Hanlu, who lived in west Haizhu District, asked her friends if they needed her supplies before she leaving Guangzhou, and Wan Qing, who lived in middle Haizhu, claimed some of the ingredients. The two made an appointment to meet at the water-filled barriers at the blocked border and filmed along the way. After the editing of their own perspectives, they combined them to form this two-screen video.

Bye Bye Barrier!

NR 2022
The Eternal Jinshan Temple

Jinshan Temple is the only Buddhist temple built on water in China, which dates back to the Southern Song Dynasty (1127-1279), almost a thousand years in the past. Observant Buddhist believers often converge here to perform a rite known as "fangsheng", or "life release", which refers to the practice of saving animals from captivity and releasing them into the water. The film tries to form a slice of the history of this eternal artificial architecture through ecology, geography and folklore. A Gopro camera was tied to a turtle that was released in the river to inspect the underwater space of the temple.

The Eternal Jinshan Temple

NR 2022
Ride on the Wind

This film is about the story of an old man who insistently took care of his wife, a paralytic old woman. As her illness increasingly aggravated, finally she couldn’t walk at all. One day, the old woman saw a butterfly flying over their yard. She yearned for freedom while she was helpless. The old man found that and in order to make his wife happy, he decided to make a butterfly shaped kite and fly the kite with her in a special way. This film is full of warmth and hope for all those who yearn for freedom.

Ride on the Wind

NR 2022
DOKU the Self

As the first narrative film, DOKU the Self, which premiered at this year’s Venice Biennale, introduces six virtual reincarnations of LuYang. Reminiscent of superheroes, gaming and anime characters, as well as deities and demons, these avatars embody different aspects of LuYang’s self. At the same time, each represents one of the six realms of samsara—the karmic wheel of life—and refers to the eternal cycle of birth, death, and rebirth. In LuYang’s work, Samsara takes on different forms: virtual landscapes that resemble worlds of experience in video games, or a kind of gigantic reincarnation roulette that can be controlled by the player with a video game console.

DOKU the Self

NR 2022
Bamboo in the Water

This Super 8 film captures the first sunshine after the rain, the reflection of bamboo in the water, and the dance of shadows of the bamboo in the wind. There seems to be an inherent mysterious connection between wind, water, sunlight, and bamboo shadows. Bamboo is one of the symbols of ancient Chinese culture. There are many traditional paintings about bamboo. This film uses Super 8mm film to shoot bamboo, looking at "Bamboo" with a contemporary eye and medium. It seems to be a dynamic Chinese ink sketch on film, with a poetic meaning. Shot and edited by Gao Wei on her rooftop garden. She plants bamboo by herself.

Bamboo in the Water

NR 2022
A Monologue About Home

After the outbreak of the war in Ukraine, I reached out for a Ukrainian who studies in Beijing. Born in Russia, his father was Russian and his mother is Ukrainian. As the war escalates, his hometown was also bombarded, and his family breaks apart while his mom seeks for asylum in Bulgaria and his stepdad staying at home. He is about to leave China, feeling lost about his next destination. Gradually Mark and I have more resonance. And the pain caused by war started to strike me too.

A Monologue About Home

NR 2022
Long Live the Soul

Mr. Guan is a “grassroots director” who shoots short videos to sell products in Yiwu. “Besides showing you the source of the products, I will also introduce you to the spiritual world of the small characters in China through the products,” he said. Unlike the mainstream model and short-video shooting style of “9.9 yuan, free postage” in Yiwu, he had a dream of becoming “Stephen Chow of Tik Tok in China”. He was determined to show the spiritual world of the small characters in China through short videos. However, as time went on, his ideal blueprint became elusive after the invasion of capitalists. Being lost, he tried to find another way out. To pursue a spiritual world or monetize traffic and gain wealth, which will be his next step?

Long Live the Soul

10.0 2022
Reading Virus

Looking back at the fear and isolation that began in 2020, bodies were absent, scenes were distorted, and individuals were scattered in nameless places on the map.   Students, teachers, freelancers, bookstore clerks, social workers, farmers, retirees... they are participants in the Civil Memory Project, witnesses to the epidemic, and survivors of history's ups and downs. 5, 10, 20 people... they gather online, from individual witnesses to rebuilding the collective. From returning to the ‘scene of the virus’ to learning to co-exist with the ‘New Crown’, they attempted to transform the memories and experiences of ordinary individuals into an expression and response to the times.

Reading Virus

NR 2022