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Proposition 1: Hands

"Proposition 1: Hands" aims to transform a banal children’s game into a futuristic therapeutic exercise that meanwhile studies relational flows between anxiety and the uncertainty of the future in order to overcome the anxious-self. The children's game utilized in this project is called "Make Electricity on Hands", which is frequently played among children in South Korea. This project converts the game’s underlying conception and arisen sensation into a form of massage therapy. During each participation, participants will be asked to transfer the warmth to each other and to remain bonded at least during this massage session.

Proposition 1: Hands

NR 2020
The Coldest Day of the Year

"The Coldest Day of the Year" takes place in a future where a cataclysmic event has made tracing a coherent meaning of the past and recounting a narrative of the present impossible. The narrator believes she has seen another being in this destroyed landscape. She attempts to find this figure and recounts a journey that traces the shadows of her presence. Using temporary sets, props and collaged images, "The Coldest Day of the Year" recounts an attempt to understand an ever shifting horizon and possibility of dwelling.

The Coldest Day of the Year

NR 2020
Feast

When he won his Giller Award, Saint Lucia poet/playwright Derek Walcott couldn’t make it, so Michael Ondaatje stood in his place and read Love After Love, the most beautiful poem I had ever heard. It remains a haunting and a promise. I learned it “by heart,” as the saying goes, and finally made this movie, which is only a way of keeping it with me as memento and keepsake. Using subtle repeats and rest stops for reflection, the poem’s fifteen lines are a narration of self-care, an invitation to do the deep dig of meeting that most unwanted of all visitors. The film is framed by a writer/stand-in who is in search, waiting in the pause between faces. Her writing brings her to a temporary oasis where she can reboot and refresh, invite her many personalities to arrive, and allow old encounters with friends and familiars to flow through her, to become again a living memory.

Feast

NR 2020
Lulu Faustine

A miracle happened: summer came prematurely. Being in love with an image was worse than being in love with a ghost. (I feel like my eardrum is breaking). Almost everything, in fact, has an explanation. (The atmospheric pressure is increasing ...). The remaining chapters will have no surprises (... and I feel like my eardrum is breaking). Being on an island inhabited by artificial ghosts was the most excruciating nightmare. (12.30 sharp, breathing is extraordinarily difficult.) I have given you a pleasant eternity! Only me for you and you only for me. (I am intoxicated with gasoline.) It will be an act of pity.

Lulu Faustine

NR 2020
FLORALIA I

Inspired by the writings of Donna J. Haraway, Ursula K. Le Guin, and Greg Egan, the work plunges us into a speculative future, where samples of then extinct plant species are preserved and displayed in a virtual archive room. Through editing and visual strategies, this archive room is sporadically transformed under the effect of interference caused by the memory emanating from the listed plants, revealing traces of a past that continues to haunt the place. Floralia is a simulation of ecosystems born from the fusion of technology and organic matter, where past and future coexist in a perpetual tension of the present.

FLORALIA I

NR 2020
Elephant Sheets

A short film that follows the life of Leni, a resilient queer woman living abroad in 1990. As Leni attempts to establish her new life in Toronto, she is stirred by a transformative relationship that challenges her innermost insecurities and emotions. Leni discovers that through moving her physical body she is able to unleash and uncover the emotional trauma she left behind in Ireland. Ultimately revealing that in order to let go of the past she must find acceptance and forgiveness within herself.

Elephant Sheets

NR 2020
Melt

Glaciers are not simply isolated in the mountains, they are at the heart of British Columbia. They provide us drinking water, electricity, and they are vital to the ecosystems that have lived here for thousands of years. With climate change expected to destroy up to 80% of our glaciers by 2100, this issue cannot be ignored. This groundbreaking film deals with climate change on a personal level. Three just-graduated boys take the road to learn first-hand what we can do to save our glaciers. Working closely with glaciologists and community members across BC, Melt is truly a film powered by the people of this province. Re-discover the beauty of BC through an inspiring story about hope, community, and being a young person in this world.

Melt

NR 2020
To: you, to night

Wandering around the cold, quiet landscape of Vancouver past midnight, the film is a recollection of personal thoughts on immigration, intergenerational trauma, gentrification, and what it means to seek refuge on stolen land. Locating itself amidst dissonances of language and translation, between what is (not) seen and what is (not) heard, the film is a self-reflexive act of resistance, a quiet morn for the perpetuating dreams of generations of Vietnamese immigrants who lived and left their lives in between the mist of nights. Made in response and dedicated to 39 Vietnamese immigrants who passed away in the container on their way coming into England in November 2019.

To: you, to night

NR 2020