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Kodo: Heartbeat Drummers of Japan

Kodo—the Japanese word for heartbeat—is the name of a group of musicians and dancers whose exhilarating performances of traditional and contemporary Japanese drumming has captivated audiences worldwide since its 1981 debut in Berlin. Produced and directed by filmmaker Jacques Holender, this is the original 1983 KODO documentary, which explores their commitment to a unique aesthetic and collective ideal. Filmed on location in Japan at their communal home on Sado Island, and in Tokyo. Soon after this documentary was filmed in January 1984, the young performers of Kodo set out on a new journey under the banner of “One Earth Tour.” By taking the sound of taiko to all corners of the globe, Kodo hoped their music and message would resonate with myriad cultures and ways of life, reminding people of our common bonds as human beings. In 2024, this film was digitized and made available for distribution to commemorate the 40th anniversary of the beginning of Kodo’s ongoing “One Earth Tour."

Kodo: Heartbeat Drummers of Japan

9.0 1984
The Trolls and the Christmas Express

The Trolls and the Christmas Express is an animated classic about six roguish trolls who are determined to sabotage Christmas by infiltrating Santa's village disguised as elves. After a week of wreaking havoc but still not completely ruining Christmas, they are about to give up when they get a devilishly clever idea. On the day before Christmas Eve they get the reindeer dancing and singing songs all night long. The poor reindeer are so tired the next day that they cannot find the energy to pull Santa's sleigh. Christmas looks like it has finally been ruined - but everyone knows you can't stop Christmas! The elves quickly devise a plan to link the train from Santa's village with tracks that travel all over the world. Santa can deliver the toys using the Christmas Express.

The Trolls and the Christmas Express

7.0 1981
Pelts: Politics of the Fur Trade

The fur trade is Canada's oldest industry, but today some people challenge the morality of killing animals for their fur. This film examines the public relations war raging between the industry and its opponents and takes an objective look at the ethical, environmental and economic issues raised by the debate. The struggle to win over public opinion has been joined by Indigenous peoples in Canada who fear that their way of life will be jeopardized if the fur industry is destroyed. The cycle of the industry is followed from the trapper's bush camp and the fur ranch to the final sale of a coat in the furrier's salon. Throughout the film, the conflicting opinions of fur industry representatives, animal rights activists and Indigenous people challenge the viewer to consider all aspects of this complex debate. —NFB

Pelts: Politics of the Fur Trade

8.0 1989
Sylvie's Story

This short film recreates the experience of Sylvie, a battered woman who seeks shelter in a Montréal transition house. Faced with the threat of violence, loneliness, the lack of financial resources or information about services, the victim is often understandably reluctant to seek help. Emphasizing the importance for women of speaking out, the film also points out the role of the transition house in putting victims of abuse in touch with appropriate legal and social services.

Sylvie's Story

10.0 1986
This Borrowed Land

The Peace River Valley in British Columbia is an area of rich farmland threatened by the construction of a hydro-electric dam. This Borrowed Land gives the women who farm the Peace the chance to voice their growing concern over the conversion of farmland to uses not related to the production of food. They ask: "Will we leave our children enough land to grow food on?" They are firmly committed to their lifestyle despite the difficulties, both concrete and imponderable. A film about agriculture, ecology, land misuse, and stout-willed farmers who happen to be women.

This Borrowed Land

NR 1984
Home Feeling: Struggle for a Community

This feature documentary takes us to the heart of the Jane-Finch "Corridor" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.

Home Feeling: Struggle for a Community

7.0 1983
I Like to See the Wheels Turn

To anyone outside the Atlantic provinces, K. C. Irving is virtually unknown. Yet he is reputed to be the richest man in Canada, patriarch of a New Brunswick-based industrial empire involving oil, transportation, newspapers, lumber and much more. This one-hour documentary marks the first time a filmmaker has gained access to the legendary Irving, whose business career began in 1924 with the purchase of an oil truck. It is an absorbing look at a man who amassed great wealth as a by-product of his main objective: "to see wheels turn."

I Like to See the Wheels Turn

9.0 1981
From Inuk Point of View

In 1985, Zacharias Kunuk broke the race barrier at Canada Council for the Arts when his Inuktitut-language video, From Inuk Point of View, was the first work by an Inuit or Aboriginal artist deemed eligible to apply for a professional artist's grant. Kunuk was the video's director and producer; Norman Cohn cameraman; Paul Apak Angilirq editor; and elder Pauloosie Qulitalik as narrator. By 1990, the four partners had formed Igloolik Isuma Productions Inc. to produce independent video art from an Inuit point of view. The video also features footage shot by Zacharias Kunuk, Paul Apak Angilirq and Simon Quassa, along with narration from three other well-respected Igloolik elders.

From Inuk Point of View

NR 1985
Today's Special: Live on Stage

In a special TV presentation of "Today's Special," Jodie, Muffy, and Sam prepare for a live theatre performance. However, Jeff faces a problem as his magic hat won't function outside the store, preventing him from joining them. Undeterred, he sneaks into the costume box bound for the theatre. Upon arrival, Muffy is late, prompting Jodie and Sam to begin the show without her. Meanwhile, Jeff, trapped in the box, finds himself turned into a mannequin without his magic working. With Waldo the Magnificent as their only hope, Jeff's fate hangs in the balance, hoping for a miraculous rescue.

Today's Special: Live on Stage

8.0 1985