On his 35th birthday, Marcus and his mother travel to the coast to find a place to scatter his father’s ashes. When his mother falls ill, he begins to feel that the salt of the sea — where his father rests — is slowly corroding his life.
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On his 35th birthday, Marcus and his mother travel to the coast to find a place to scatter his father’s ashes. When his mother falls ill, he begins to feel that the salt of the sea — where his father rests — is slowly corroding his life.
An unnamed person embarks on a car odyssey while recording dreams, nightmares, and past moments in their logbook, trying to find some meaning in them.
A person in constant torment begins to sense danger emanating from what is natural. In order to resolve all issues, the individual indulges in a drink capable of healing or killing; the only remaining question is which will be the outcome.
Juana's parents are getting a divorce. She doesn't know it, but deep down, she does. Amidst absences and small moments, Juana tries to reclaim the love and lightness of her family life. Which is difficult, because her parents are never together. Most of the times, her father just isn't there. Until he is. "Five, Six, Seven, Eight" is a film about love that, even when it seems to no longer be there, never truly ceases to exist.
On the second-to-last floor of a nearly empty building, a lonely man begins to suspect his new neighbor. When he decides to act, it may be too late to realize what the real danger is.
KAGUYA is a film that shows how society started to act after encounters with Japanese folclore became part of our mundane life.
Something strange is happening. A man by the side of the road encounters a woman and decides to ask her for a ride.
As mining projects excavate and extract, new landscapes and third mountains are formed. Part of an ongoing series based on 35mm slides given to Tetsuya Maruyama by the Brazilian mining company MBR (Minerações Brasileiras Reunidas), the film reconciles the awesomeness of these sites with their inherently destructive and enduring impact.
Every year, the most important folk festival in Brazil takes place on the island of Parintins, in the heart of the Amazon rainforest. As the celebration is prepared, faith, ritual and religious syncretism begin to reveal themselves as the invisible forces shaping the spectacle. Blending observation and myth, the film unfolds as a fairytale documentary, where reality gradually takes on the texture of legend. At its center is the mythical figure of the Bumbá Ox, a symbol born from the deep coexistence of different peoples – Indigenous communities, Black Africans and Europeans – whose traditions merge in the Amazon to form a unique Brazilian cosmology.
Lia, a twenty-six-year-old woman with a rising professional career, finds herself in one of the most classic situations there is: an unplanned pregnancy. From that moment on, doubts arise about whether or not she wants to go on carrying this embryo inside her.
A film that boldly ventures into realms of intimacy that cinema rarely addresses so directly. Its creator, Dr. Diego Semerene – a non-binary Brazilian filmmaker and scholar of queer media at the University of Amsterdam – made a film essay twenty years ago as a deeply personal conversation with his father about growing up, sexuality and the search for masculinity. Their father had never seen this until now, watching it for the first time as a 71-year-old man. The film returns to that material, confronting the past with the present through an extraordinarily honest dialogue between father and child. It is a story about a queer childhood in Brazil, about the emotional tension between the desire for acceptance and personal identity, and about how memory and family intertwine with our deepest longings. Hypnotic, demanding and remarkably brave cinema that invites a conversation about the boundaries of intimacy.
In a retromodern retelling of the classical tale, Hansel and Gretel live a difficult life in a house with parents who don't love them, and that one day decide to abandon their children so they can relive their glory days as bank robbers freely.
In this independent (and unofficial) documentary from the Ala Secreta channel, Aline Lauxen dives deep into the creation of one of the greatest horror monsters of all time: the xenomorph, going through all the movies and major productions to understand how it still is a sci-fi icon 47 years after its gruesome birth. 'Xenomorph: The Biomechanical Nightmare' is a must-see for die-hard fans of the Alien franchise.
Newborn ibeji Ayomi and Zola receive their first ebó of words — an offering of protection, faith, and ancestry.
A feature-length musical documentary about the history of the celebrated musician couple Flora Purim and Airto Moreira, who helped shape the global music scene from the 1970s onward as pioneers of jazz fusion. Set against a present-day recording session, the film interweaves the artists’ personal and professional lives, past and present.
Three archaeologists from the Landscapes in White/ArqueoAntar project (LEACH–UFMG) scan archaeological sites left by 19th-century marine mammal hunters at Elephant Point, Antarctica. During the expedition, they are struck by an unexpectedly green landscape, contrasting with research records from a decade earlier, while TerrAntar scientists collect fungi increasingly present in the polar environment. Soon, successive storms erase the green, revealing a landscape in unstable transformation.
A film about human relationships and the passage of time, about memory, and family archives.
A boy is disturbed by an evil entity while he sleeps.
An intimate portrait of a composer reflecting on the birth of music, suspended between intuition and the meticulous work of shaping sounds, timbres, and rhythms. Drawing from childhood memories, marked by a home filled with music, Birkett revisits his relationship with the guitar and with free creation, both before and after theory.
Death stole her father; cinema gave her voice. Between silences and fabulations, a daughter dances with the shadows of memory, transforming paternal absence into a visual poem against forgetting.
An observational study of a long stretch of land where pipelines are buried.
A continuation of Tetsuya Maruyama’s ongoing research into contemporary mining activities in Brazil and beyond. Multiple 35mm slide projectors cycle through images captured by a Brazilian mining company while being manipulated live by a roving aperture machine made by the artist himself.
A boy sends a message.
Plot TBA. Based on the popular comic book series.