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Underground

A documentary about the Weathermen, founded as a militant faction of the Students for a Democratic Society (SDS), who fought to overthrow the U.S. government during the 1960s and 1970s. The film consists of interviews with members of the group after they went underground and footage of the anti-war and civil rights protests of the time. It was directed by Emile de Antonio, Haskell Wexler and Mary Lampson, later subpoenaed by the Federal Bureau of Investigation in an attempt to confiscate the film footage in order to gain information that would help them arrest the Weathermen.

Underground

7.3 1976
Emil Gilels Recital

Emil Gilels is well known as a Beethoven interpreter. His approach is characterized by a full bodied sound throughout a wide dynamic range, complete virtuosity and a structural sense that gives clarity to both local and global musical events. His tempo choices make sense within a complete movement or entire sonata (he doesn't need to slow down dramatically for the second subject in Op.53's first movement) and he will mostly maintain a tempo with only slight fluctuations.

Emil Gilels Recital

NR 1971
A Day at the White House

he US President launches an all-out “war” on obscenity. Working with the director of the investigative bureau, under the code name “Operation Bow-Wow”, the President’s dedicated staff swings into action. Lori Saunders, willing to do anything to help her imprisoned dad, is recruited as a “Bow-Wow” agent, and sent to Los Angeles to bring down the porn industry but instead falls in love with the well-endowed founder of the city's only rental house for animal sex performers.

A Day at the White House

1.0 1972
Speaking Directly

Speaking Directly is an essay-film making for a kind of State of the Nation address, from the perspective of someone other than the President of the United States, circa 1973-5. This film addresses both the political and cultural situation of the US at the height of the Viet Nam war, Watergate and its aftermath, and likewise addresses the personal life, in this context, of the filmmaker, at that time thirty years of age, recently out of two plus years in federal prison for refusal to accept military service.

Speaking Directly

8.7 1973
Yes: The Gates of Q.P.R.

Yes, live in 1975 (May 10), from the Relayer tour. Played in Queens Park Rangers stadium in London, England, UK with Seals & Crofts, Gryphon, and Ace. The shot is pro, the audio is soundboard, but apparently not a multi-track. This was originally a bootleg, and then later re-leased on DVD by former band manager Brian Lane without band involvement or blessing. Generally considered the best concert video of the tour. Disc One: Introduction - Igor Stravinsky: Firebird Suite Sound Chaser Close to the Edge I. "The Solid TIme of Change" II. "Total Mass Retain" III. "I Get Up, I Get Down" IV. "Seasons of Man" To Be Over The Gates of Delirium I've Seen All Good People: Your Move Mood for a Day Long Distance Runaround (acoustic) Cachaça Clap Disc Two: And You and I I. "Cord of Life" II. "Eclipse" III. "The Preacher, The Teacher" IV. "Apocalypse" Ritual (Nous Sommes du Soleil) Roundabout Sweet Dreams Yours is No Disgrace

Yes: The Gates of Q.P.R.

7.0 1975
Double Pisces, Scorpio Rising

One of the human trio is Dick Fontaine, the director, a thin, long-haired youth who has put together this highly personal exercise on something or other that runs, mercifully, for 58 minutes and comes from an English group of movie folk called the Tattooists. The second visitor to the animal abattoir is a pretty girl. The third is a porky, middle-aged man addicted to the expression, "Ya know?" The two men carry on a running argument about whether they should make a picture about pigs. "Are we making a movie, ya know?" says Fatso. "Where is it, ya know?" Then a bit later: "I'm making a movie about pigs, ya know?"

Double Pisces, Scorpio Rising

NR 1970
The Doors vs Led Zeppelin

Both The Doors and Led Zeppelin were influential bands in their own right, and their impact on music history is significant. The Doors, with their poetic lyrics and unique sound, are often credited with helping to define the psychedelic rock genre. Led Zeppelin, on the other hand, is known for their powerful, blues-influenced hard rock and heavy metal music. Both bands have left a lasting legacy and have a large and dedicated fan base. Ultimately, determining which band was "better" is subjective and depends on individual musical preferences. Some may prefer the introspective and poetic style of The Doors, while others may favor the raw energy and virtuoso musicianship of Led Zeppelin.

The Doors vs Led Zeppelin

NR 1973
Friday Night in the Coliseum

Friday Night in the Coliseum is a short film featuring wrestling performances recorded at the Sam Houston Coliseum, in Houston, Texas, along with interviews with audience members and wrestling promoter Paul Boesch. The film features many wrestlers who were well-known in Houston, including The Crusher, Nick Kozak, Red Bastien, Dory Funk, Stan Stasiak, Johnny Valentine, Thunderbolt Patterson and Wild Bull Curry. The creation of this film was supported by a grant from the Corporation for Public Broadcasting, however, the film never aired on television.

Friday Night in the Coliseum

NR 1972
For Twenty Cents A Day

A film documenting work shortages during the Depression of the 1930s and the attempts to deal with the unemployed, in particular young men. The film discusses the establishment of relief camps and projects, where men were paid twenty cents per day; the founding of organizations such as the Co-operative Commonwealth Federation (CCF), Workers' Unity League, and Relief Camp Workers' Union; general unionization and protest of the unemployed, including the On To Ottawa Trek, Regina Riot, sit-in strike from May to June 1938 at the Vancouver Main Post Office, Vancouver Art Gallery and Hotel Georgia, and the resulting Bloody Sunday of June 19.

For Twenty Cents A Day

NR 1979
Altar of Fire

This film records a 12 day ritual performed by Mambudiri Brahmins in Kerala, southwest India, in April 1975. This event was possibly the last performance of the Agnicayana, a Vedic ritual of sacrifice dating back 3,000 years and probably the oldest surviving human ritual. Long considered extinct and never witnessed by outsiders, the ceremonies require the participation of seventeen priests, involve libations of Soma juice and oblations of other substances, all preceded by several months of preparation and rehearsals. They include the construction, from a thousand bricks, of a fire altar in the shape of a bird.

Altar of Fire

7.0 1976