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Faulty Pronoun Reference, Comparison and Punctuation of the Restrictive or Non-Restrictive Element

“I made several films while still in high school, one of which was called Faulty Pronoun Reference, Comparison and Punctuation of the Participle Phrase* (or something like that) and was about grammar. More specifically, it compared three commonly made grammatical mistakes with three people who were making them.The soundtrack was a dirty poem (what else?) and I made my own concrète sound. * ... Punctuation of the Restrictive and Non-Restrictive Element (?)” (George Landow, letter to Sheldon Renan, 1967) (Lost?)

Faulty Pronoun Reference, Comparison and Punctuation of the Restrictive or Non-Restrictive Element

NR 1961
Dog Star Man: Part II

A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope.

Dog Star Man: Part II

6.4 1964
Red & Green

“By this time we had a Filmmakers' Cinema here in Sydney. I made the film on the spur of the moment...to go over a band. Red and green leader was very cheap—you got it for a cent a foot or something. Scratching and 'injuring' the flat colour of the leader . . . I interspliced it with old 16mm footage, breaking up and creating tension between the shots...you know, a native in Papua New Guinea was shooting an arrow, and just as the arrow leaves, the film cuts back into red and green 'travelling' lines (the scratching on the leader). For quite some time this line is running, then the next minute it stops and you see the arrow actually hitting a target. So it gives the impression the arrow is travelling for a long time, on red leader toward the target. The film was shown with different bands, and each time the film looked different.” (Paul Winkler)

Red & Green

NR 1968
The Mirrors

Kamran Shirdel's 1964 diploma film at the Centro Sperimentale di Cinematografia of Rome unfolds in an urban apartment with a despondent man, who appears to be an artist or a writer, contemplating his existence through mirrors set about the room. Featuring the music of Anton Webern's Six Pieces for Orchestra Opus 6, the film has no dialogue. Gli Specchi, also known as The Mirrors, was made in the same period that saw Shirdel working as an assistant director for John Huston on The Bible and it went on to win the diploma of honor in the World Cinema School Film Festival in Tokyo in 1965.

The Mirrors

NR 1964
In His Steps

This professionally produced dramatic motion picture filmed in black and white from 1964 effectively captures the intent of the highly acclaimed book. It tells the story of Rachel Paige, an aspiring young actress, and Ed Norman, publisher of a small newspaper. They were going to church every week and living their lives like most normal Christians. But on one particular Sunday, something happened. As a result of that event, both of their lives were drastically changed and a life of truly following Jesus Christ as Lord and Savior took on a whole new reality.

In His Steps

9.0 1964
Aftermath

Established in 1949 to support Palestinian refugees, United Nations Relief and Works Agency for Palestine Refugees in the Near East (UNRWA) has produced numerous films over the years. Aftermath documents UNRWA’s response to the Six Day War in 1967, where Palestinian people were displaced and dispossessed yet again nearly 20 years after the Nakba in 1948. Aftermath reflects on the exodus as seen from Jordan, where refugees fled to. Though directed by Palestinian filmmaker Samir Hissen, it is notable that the film was written and produced by Myrtle Winter, a UN diplomat who worked in the Department of Public Information at UNRWA. Aftermath documents an emergency camp set up by the government of the Hashemite Kingdom of Jordan, which, with the scale of displaced people, was continually short of tents. A recurring feature of relief agency films is that we do not hear Palestinian voices.

Aftermath

1.0 1967