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L'ultima stazione

The story is set in Romania, in the years following the fall of Nicolae Ceaușescu. Young Nelu lives in a remote peasant village. The death of his grandfather marks the end of his youth. The day after his grandfather's funeral (a ceremony preceded, a few hours earlier and in the same church, by his sister's wedding), Nelu travels to Bucharest, the Romanian capital that after the fall of Ceaușescu is going through a tumultuous period of economic development, to find work.

L'ultima stazione

7.7 1999
'Till Death Do Us Part

In Estaque, a northern suburb of Marseilles, stuck between oil refinery smokestacks and the Mediterranean sea, a handful of die-hards has taken refuge in a cabaret. There is José, the owner, a big-hearted gypsy who loves cars and women's bodies; Joséfa, his wife, the establishment's stripper despite her advanced years and Marie-Sol who climbs the hill every day to visit Notre-Dame de la Garde and beseech Virgin Mary to give her a child. There is Patrick, her husband who has been unemployed for ages but who is kind despite appearances and their friend Jaco who is having a hard time. His wife and daughters hate him for not keeping up on the mortgage repayments. Last but not least is Papa Carlossa who believes that Franco still rules Spain and fantasizes about bumping him off.

'Till Death Do Us Part

6.0 1995
Metamorphic

It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.

Metamorphic

6.0 1991
I Was a Doctor Who Monster!

To coincide with a new era for Doctor Who we take a nostalgic look back at the glory days of the programme in a tribute to its unsigned heroes. Ever wondered what it’s like inside a Dalek? How, exactly, of you portray a Fish Person? What was it like recording Doctor Who during its 26 year run? And just how do you get to be a Doctor Who monster? Now you can find out as, for the very first time, we speak to the men and women who ensured we spend out Saturday nights behind the sofa. Their stories are funny, moving, unbelievable and sometimes tragic. Presented by the seventh Doctor, Sylvester McCoy, and containing unique film and newly discovered photographs, this all adds up to an entertaining trip down memory lane – go on treat yourself to a slice of nostalgia!

I Was a Doctor Who Monster!

8.0 1996
Les fleurs du mal

Charles Baudelaire was one of the giants of 19th-century French poetry, and he earned his position among that nation's luminaries through the poems in one slim volume, entitled Les Fleurs du Mal (Flowers of Evil). A perfectionist to the extreme, he struggled with every word of those few poems for many years before he consented to see them published. When he did, six of them were condemned by the state censors as obscene. It was surely a powerful blow to him to have such a significant part of his life's work so rudely suppressed. This courtroom drama follows him at the 1857 trial at which he defended his works. The filmmaker has chosen to symbolically re-enact certain poems about the love of a woman as they are being read for the court. It is easy to imagine that, as was certainly the case for the trial of Oscar Wilde in England, this courtroom trial was a form of punishment for his publicly dissolute lifestyle.

Les fleurs du mal

9.0 1991
The Haven

Police detective Jacques Laniel's life becomes a nightmare the day drive-by shootists gun down his partner Thomas Colin. His colleagues make matters worse by blaming him for the death, and after his wife leaves him, Laniel decides to quit the force and launch a private investigation into Colin's murder. Soon afterward, Laniel finds the bullet-riddled body of famed author and literature professor Zachary Osborne tied to his car hood. The professor's wife hires Laniel to solve the murder, but what the detective finds is ugly: Osborne was a part of a lucrative land-speculation deal that involved the sale of a crumbling old rectory that had been turned into a halfway house called the Haven of the Monsters. The name is apt, for all the residents are convicted killers who were given inordinately light sentences. When Lanier starts questioning the Haven's tenants and their crimes are revealed via flashback, it takes on the character of a David Lynch production.

The Haven

4.7 1997
Society's Finest

When Fritz returns from his studies in the United States he wants to walk on pink clouds with Maxie, a TV journalist, but they come upon a gun-running operation in which Fritz's father is involved. Fritz is caught between his loyalty to his family and his love for Maxie, who also can't decide what's more important, a career as a journalist or Fritz. They both are caught unaware by the enormous amount of individuals involved in the scandal and their unscrupulous reactions. Finally they both attempt to gather proof of the activities of this Hydra-headed organization in spite of the risks involved and independently of each other. A pandemonium of fragments of the Noricum, Bundeswuerde and Lucona scandals. The evil spirit of the late eighties in Austria.

Society's Finest

8.0 1990
Stolen Moments

1947, in Patagonia, in a little village on the seaside. An abandoned house on the beach shelters Letty's dreams, her loneliness that only Miguel, a very young pianist, may share with her. Tomas, her husband, loves Letty and eagerly defends her against all the village, while she keeps playing her part of a 'femme fatale' with a romantic past and a very adventurous file. But on a windy day, a handsome and strange foreigner appears, coming from the sea, a man just as those Bette Davis used to fall in love with. For Letty, reality begins to look like the most incredible dreams of her. But this will call the police inspector's attention. With that mysterious spy, Letty will be involved in a story that will end as those stories she was so fond of when she was going to the movie theater of her little willage.

Stolen Moments

9.0 1998