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Batu Durhaka

Omar Rojik’s ‘Batu Durhaka’ tells the story of Wira and his ultimate fate of committing disloyalty and sin towards his mother and family. His nemesis is Perkasa, a vicious and lustful tyrant in the village community who has kidnapped his younger sister Indah. The kidnap was witnessed by Wira’s handicapped brother Mala, who could do nothing other than watch and be rapped by Perkasa’s followers. When Wira confronts Perkasa, he is defeated and put away on a boat to nowhere. After drifting afloat for a long distance, he is rescued by Mahaguru Bentara who brings him to a cave to recuperate. Under the tutelage of the Mahaguru, who is a martial arts exponent, Wira becomes one of his leading disciples and falls in love with his daughter Desawati. He betrays Desawati's love and their consummation when he decides to return to his village, to seek vengeance against Perkasa.

Batu Durhaka

NR 1962
Festival

Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.

Festival

6.0 1967
Return to Oz

Rather than adapt a later or create a new Oz story, this production has Dorothy still in posession of the shoes, and she clings to an apple tree during a tornado which takes her back to Oz. The Scarecrow, Tin Woodman, and Lion (using the names created for the nearly-abstract television series, Tales of the Wizard of Oz, from which this was derived) have had their MGM gifts destroyed by the restored Wicked Witch, and the four proceed to the Wizard for help, who is ineffectual as usual.

Return to Oz

2.0 1964
Entre Terre et Ciel

This is Gaston Rebuffat's fourth film, in which, with several close friends, he discovers the sublime landscapes of the Alps. “Mont-Blanc is beautiful. I climbed it several times depending on the time, the color of the sky and the shape of the cornices and ridges. Because of the weather and also because of this feeling of altitude, Mont-Blanc provides great pleasure. For the guide, Mont Blanc is his garden, but the garden becomes more beautiful when shown to a friend. Personally, I really like the bivouacs; only there one penetrates a little the mystery of the altitude. That's why I immediately accepted when Tazieff expressed the desire to spend the night at the top of Mont Blanc in an igloo. The film won the Grand Prix at the Trento Film Festival in 1961.

Entre Terre et Ciel

10.0 1961
Jean-Luc Persécuté

Jean-Luc, mountain farmer, married Christine. She accepted this marriage because the man she loved, Augustin, left. Jean-Luc knows this but he hopes that the birth of a child will allow them to live together possible. Unfortunately, daily life between work in the fields and Sunday mass destroys their understanding. After Augustin's return, Christine becomes his mistress and Jean-Luc discovers it. He chases Christine away and remains alone with their child but the latter drowns shortly after in a pond. Refusing to believe in the death of his son, Jean-Luc descends into madness. When a few years later, he sees Christine again with Augustin's child, out of jealousy, he kills the mother and the child, before killing himself.

Jean-Luc Persécuté

6.0 1966
Police Precinct Part 21

A burnt corpse of a man was found in Okutama. As a result of the investigation, it turns out that the criminal strangled the victim with a bandage, smashed his face with an oil canister and burned the body, trying to hide the identity of the victim. But the investigation establishes that the victim is a former criminal named Hisashi Sayama. According to Sayama's daughter-in-law, a man named Kitamura got him a job, so he left home with a copy of the family register. Trying to find the killer, the First Investigation Department is investigating all over the country, including Akita, Yokkaichi and Okinawa.

Police Precinct Part 21

NR 1963
The Limbo Line

The Limbo Line tells a story of Cold War double-crossing with British secret agent Manston trying to break up a group of Russian agents who return defectors to Moscow for brainwashing. When a Russian ballerina defects to Germany, Manston goes after the head of The Limbo Line in an effort to stop the group from kidnapping the defectors. Acting against the orders of his boss, Manston is faced with killing the communist leader of the movement in Germany or allowing the dancer to be turned over for interrogation and reprisals for her political beliefs. Matters are further complicated when Manston finds himself falling for the ballerina…

The Limbo Line

6.0 1969
The Female Prince

The husband-and-wife team of Ivy Ling Po and Chin Han returned to another Huangmei Opera classic after Lady General Hua Mu-Lan. Helmed by Chow Sze-loke and written by Chang Cheh, the story revolved around two intellectual siblings, Ching Feng-sheng (Chin Feng) and Ching Feng-hsiao (Ivy Ling Po), who were constantly abused by their stepmother Hsia (Kao Pao-shu). Feng-hsiao was engaged to Li Ru-lung (Chin Han) since birth, but the greedy Hsia forced him to forfeit the marriage. When Ru-lung refused, Hsia framed him for thievery and put him behind bars. To rescue her lover, Feng-hsiao dressed as a young man and went to the capital. She then used Ru-lung's name to enter the national exam and was ranked first place. Impressed by Feng-hsiao, the Emperor decided to let her wed the Princess (Fang Ying). On the wedding night, Feng-hsiao revealed the truth to the Princess...

The Female Prince

6.5 1964
The Party Is Over

This routine drama set in Argentina during the 1930s draws parallels between a family patriarch and a political despot who stoops to any corrupt means to increase his power and wealth. The parallels are easy to make because the man is the same in both cases. The grandfather in the family has a rigid, tight-fisted control over his grandchildren, who eventually begin to rebel against his authoritarian and ironically puritanical behavior. At first, there is no real awareness of his opposite, criminal behavior outside the home. But as one of the grandsons begins to mature in his political savvy, the grandfather comes under well-deserved fire at last.

The Party Is Over

6.8 1960