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Amor de madre

The love that a mother feels justifies everything, a mother is capable of murder because of her child, she kills, she steals, she works the corner or any other thing that keeps her child alive; the love that a mother feels, brings up the better and the worst in every woman. Ursula (Ana Polvorosa) is a mother and she is living two tragedies at the same time, a zombie invasion and the fact that her husband left home with their son, Nicolas. To Ursula, the zombie invasion is just “an anecdote” because she, as a mother and as a woman, only cares about her missing child, helpless and alone in a world surrounded by green and crazy beings.

Amor de madre

7.0 2012
The House Among the Cactuses

The island of Gran Canaria. At the end of the 70s. Rosa and Emilio live with their five daughters, isolated from the world in the middle of a valley. In this wild place, they lead an alternative, harmonious life, until the appearance of a lost hiker, who they agree to help. This occurrence, very much out of the ordinary for the family, will lead to an extreme and hostile situation and will reveal the suffocating, dark nature of the house among the cactuses and its inhabitants.

The House Among the Cactuses

6.4 2022
Lute: Forge On or Die

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

Lute: Forge On or Die

5.7 1987
Álvaro Retana. Salir del armario de la historia

A documentary about the erotic writer, costume designer, theater decorator, and composer of several very popular cuplés. It is part of RTVE’s special programming for Pride 2025 and pays tribute to one of the pioneers in advocating for sexual diversity. Álvaro Retana’s family has opened their personal archive to recover the figure of their grandfather, a creator as essential as he is currently unknown. In addition, extensive research was conducted in the files of numerous archives and museums. All this work brings to the present a world of color, freedom, revolutionary frivolity, and compulsive creativity, which he left behind in a legacy of over a hundred novels, more than 1,000 cuplés (perhaps the most well-known being Las tardes del Ritz, Ven y ven, La pulga...), hundreds of costume designs, drawings, and more.

Álvaro Retana. Salir del armario de la historia

7.0 2025
With Sea Views

After consolidating itself as a tourist destination in the mid-1960s, this small coastal village has become the dormitory town for the workers of a Nuclear Power Plant. With the liberal promise of prosperity and socioeconomic wellfare, many workers left their homes to move to the small city and started working at the new Nuclear Power Plant. The collective unrest and the silence, cut off by the great gusts of wind, articulate the landscape of the village that is now under the aid of the Nuclear Power Plant.

With Sea Views

NR 2021
When They Left

When the colourful ice-cream van rides through the deserted streets of the village, there are no children trailing behind it. In Plazuela, a peaceful hamlet lost in a mountainous region of Ecuador, only a handful of old ladies remain, who are all widows. In the gloom of their houses, photos of those who are gone hang on walls: husbands who have passed away a few years earlier, children gone to work in the big cities or abroad, and grandchildren who have grown up far away from them.

When They Left

NR 2019
La conquista de Albania

King Carlos II of Spain (r. 1665-1700) once sent his brother Luis to lead a military expedition into Albania and conquer that land for the Spaniards. Since Albania was a part of the dowry of Luis' wife, it seemed like a reasonable idea at the time. While that expedition and its final battle is the subject of this historical film, the scale involved can hardly do justice to the concept. The protagonists talk incessantly, and by the time they get down to the final grand battle, it turns out to be a skirmish between several dozen men.

La conquista de Albania

5.2 1983