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Impoverished Britain

The loss of minimum wage in Britain has resulted in the gap between the rich and the poor growing hugely. Newtown just outside Birmingham is looking dirty, rundown and old. 50 % of its citizens are unemployed, living in grey towerblocks overlooking the urban devastation. The flats are poorly equipped with basic furnishings. All people can do is watch television. As the rich people get richer, the poor get poorer. Chris Pond from the Low Pay Unit blames poverty and hardship on the Conservative Government's free market economy and their opt-out from the social chapter. Journeyman Pictures investigates the harsh reality of 1990s Britain.

Impoverished Britain

NR 1996
Wasp: The Port Arthur Massacre

On the 28th of April, 1996, the picturesque, historical tourist site of Port Arthur, Tasmania, became the scene of one of the worst mass shooting sprees in world history, when a gunman opened fire with high powered assault rifles, killing thirty five men, women and children and injuring twenty seven more. Twenty two years later, forty eight year old Martin Bryant, the man convicted of the crime, rots away in prison, never to be released. But many unanswered questions remain surrounding the massacre. Did he act alone? Was justice really served and was he guilty beyond reasonable doubt? WASP will rip away the silence that surrounds that black day in Australia's history, delving into the people, the places and the crime that changed a nation forever.

Wasp: The Port Arthur Massacre

NR N/A
Experiment One: Lost

A boy runs barefoot across a beach into a broken bottle. A woman suffers a panic attack on the street. The mundane life of a fireman is overlaid by the fragmented remnants of a burnt-out house. A deformed man's face fluctuates between broken and unbroken as a traffic accident occurs behind him. Electrical currents run through a boy's burnt legs. Something scurries through multi-coloured woods to the accompaniment of explosions. This is the world of British public information films, remixed and edited to create something new and experimental.

Experiment One: Lost

NR 2017
Billabong Challenge: The Mystery Left

Most professional surfing contests hold their final at a charity beach on a Sunday afternoon regardless of wave quality. The Billabong Challenge, a bold new direction in competition surfing, enticed 8 hot surfers from around the globe to battle a dangerous shark infested reef, at a secret location on the remote desert coast of Outback Australia. Held over a 14 day period, enduring harsh elements, till time and tide set perfect conditions for the ultimate challenge.

Billabong Challenge: The Mystery Left

9.0 1995
Spaghetti Ramen

Originally completed in 2018, the film was largely self-funded, Mr Yen Ooi worked on the script, refining the vision of the film for over a decade, with multiple iterations of the story under names such as 'Beetle Ramen', in which the completed draft of this screenplay was finalised in 2005, this would become the basis of inspiration and 13 years later the final production "Spaghetti Ramen" would be completed. It was then distributed to different indie and international film festivals. Unfortunately due to the passing of the director in the same year, the final processes were incomplete and the film did not get screened anywhere due to not getting the rights clearance. In 2023 however, the film was cleared to screen at WORM, Camera Japan in Rotterdam. This allowed for the first and only screening of the film in the world.

Spaghetti Ramen

10.0 2023
Scars

“The destruction of trees in Sydney...chainsaws, the trees really screaming out. Rapid zooming, often close up shooting. In Edgecliff and Paddington, near where I lived, I'd travel around with the council workers as they lopped established trees, made way for progress...power lines, new buildings. On the Cahill Expressway, across from the Art Gallery of New South Wales, huge old Moreton Bay Figs were being butchered. As they were ripping and cutting into the trees, I was ripping into them…very physically, rapid zooming. I wanted a very strong message. It was way over the top, really…screeching chainsaws and woodchip machines. There was no real Green Movement in those days. When I showed the film, people came up to me and said I’d made them feel guilty for lopping down trees in their own yard. The aggression of the film still causes people trouble.” (Paul Winkler)

Scars

NR 1971
Neurosis

“I now knew that I'd found a style to interpret an emotional event filmicly. The unabating atrocities of the Vietnam War, the growing protest movement in Australia, and the ghastly images we witnessed each day in newspapers and on TV formed my material. I wanted to get into the minds of the protesters, into their (my) anger. Protest rallies and the horror of the press were captured with a frantic camera and very fast zooming. The power of sound and image was heightened with often-rapid (sometimes single-frame) montage.” (Paul Winkler)

Neurosis

NR 1970