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Another Time: Another Voice

"Regardless of country of origin, classification, or labels, one characteristic seems to pervade the creative film expression of our time. That is a growing awareness that the film medium has a formal as well as a representational aspect. That it can best communicate vision and realty when it organically exploits its own plastic means and mode of composition. And that for a film to move people deeply, the filmmaker needs not only a special way of seeing experience, but a specific way of filming it. This film tells the story of a man who has a rendezvous with memory and desire; a man who can neither escape from his present nor his past. Moving on two levels–the objective and subjective–the film shifts back and forth from vision to reality: from memory to desire; from the prison of obsessions to the metaphors of regression."–L.J.

Another Time: Another Voice

NR 1964
A Rough Sketch for a Proposed Film Dealing with the Powers of Ten and the Relative Size of Things in the Universe

A Rough Sketch features a linear view of our universe from the human scale to the sea of galaxies, then directly down to the nucleus of a carbon atom. With images, narration, and a dashboard, it gives a clue to the relative size of things and what it means to add another zero to any number. The 1977 film, Powers of Ten, was an expanded and updated version of this 1968 study film. Charles and Ray often gave projects long titles to indicate that they were still exploring their ideas—that the presentation was a model or a type of “sketch.”

A Rough Sketch for a Proposed Film Dealing with the Powers of Ten and the Relative Size of Things in the Universe

7.3 1968
Webster Groves Revisited

On February 25, 1966, an installment of CBS's critically acclaimed documentary series, CBS Reports, focused on the daily lives and dreams of teenagers growing up in Webster Groves, an affluent suburb south of St. Louis, Missouri. 16 in Webster Groves was followed, seven weeks later, by Webster Groves Revisited, an unprecedented though carefully planned defense of the contents and conclusion presented in the original telecast that incorporated the responses of Webster Groves' residents to their earlier portrayal and their rebuttal to the image of their community presented to the nation-at-large.

Webster Groves Revisited

NR 1966
Susan Starr

Susan Starr is a talented young concert pianist preparing for the biggest competition of her life. She also happens to have a terrible cold that keeps her in bed and an omnipresent mother. Battling against 34 of the most talented pianists in the world at the Metropolitan Opera House in New York, Susan hopes to win not only prize money in the Dimitri Mitropoulos International Piano Competition, but also the recognition that could launch the musical career for which she has been working since she was three years old. Following Susan through the hectic days leading up to the event and through the competition itself, the film captures the intense reality of an aspiring young artist facing the challenge of her life.

Susan Starr

NR 1962
The Girl Grabbers

Nick and Louie are two degenerates who assault a young woman in her Greenwich Village apartment. The woman's boyfriend, Paul, embarks on a quest to find and get revenge against the two thugs which leads him to the seedy underbelly of New York's red light district from a strip club to a local brothel where Paul meets and has sexual encounters with a few women to learn the identity of the two 'girl grabbers' leading to a drug deal between the two thugs and a powerful gangster.

The Girl Grabbers

4.4 1968
Drugs Are Like That

[…] Though the highs and lows of human experience are all here, it's often the gimcrack set design and fashion chops in these vintage clunkers that really wow – the pot-holder sweater vests, ponytails decorated with yarn, hippies with crumb-catching moustaches, banana-seat bikes and a hard rain of Quaaludes and amphetamines to illustrate the dangers of drug addiction. It is hard to believe anyone would buy the goofball cause-and-effect of that pill-popper's weather pattern in "Drugs Are Like That". Co-produced by the Miami Junior League and narrated by Anita Bryant in this cheery little hand-slapper, a kid stealing cookies from a cookie jar is implied to be headed down a bad road to Bowery bum rolls and LSD parties. (from: http://clatl.com/atlanta/av-geeks-greatest-hits-lessons-learned/Content?oid=1268313)

Drugs Are Like That

2.7 1969
Doppler Effect Version II

A sequel of his previous 1967 homonymous experiment, Doppler Effect II moves one step forward in the mission of organising seemingly random stock footage along a rhythmical axis. By using found footage of diverse origin - political announcements, animal life, porn - and intertwining it with images recorded by Agnew himself-- cityscapes, abstract light essays-- the film abandons any attempt of evoking meaning of any sort and focuses on a strictly formal exercise centred on time intervals and micro-relations between small sets of images. The soundtrack, recorded by Duane Hitchings (known for his collaborations with Miles Davis and Hendrix, but also for his Flashdance OST) on a Moog synth, is an engaging exercise in abstract sonic dynamics and an essential part of the Doppler experiment in that it not only provides different aural settings for the diverse footage presented throughout the film, but also aptly sets the pace for the fast succession of synched images.

Doppler Effect Version II

6.0 1969