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The Words Women Spoke One Day

1962, at the end of the Algerian War, Algerian independence activists are released from Rennes prison. For one night, filmmaker Yann Le Masson films them. They tell him their vision for the future of Algeria and the place women must occupy in the new society to be built. Fifty years later, with the soundtrack missing, Raphaël Pillosio sets out to find these women. Two deaf people set about lip-reading the women filmed by Yann Le Masson, revealing snatches of sentences, words cut short by the camera's shifts. An investigative film in which the few activists still alive discover their old testimonies and tell us their silent story. The reconstruction of the lost soundtrack will remain in suspense; no happy ending will come to absorb the absence, to cancel the ferocious operation of time. An essay film about cinema that depicts their disappearance, and forever keeps them alive.

The Words Women Spoke One Day

9.0 2024
Hunks in Trunks

What sex education was available in the 1990s, pre-internet, for me, the gay teenager in Britain? At school, the default education was heterosexual sex but I wanted to know about homosexual sex between men, and not just sex but about homoerotic desire and love. Rooted in making use of what was available to me at the time (pre-Internet times of the early 1990s) and making things ‘queer’. It was about how others reacted to making things ‘queer’, by birthday cards with half-naked men aimed at a female audience.

Hunks in Trunks

NR 2024
C'est le spectacle de Jérôme Niel

Jérôme Niel, who gained recognition as a comedian on the Internet ("La Ferme Jérôme" or "Les Tutos") and is now making his mark in cinema ("Balle perdue 2," "Vermines," and "Daaaaaali!"), is trying his hand at the stage with his first one-man show. The comedian unfolds an absurd and offbeat universe in a unique visual and physical style, mastering the art of the unexpected, placing him on the border between American Jim Carrey and French Albert Dupontel. It's a show like no other; it's Jérôme Niel's show.

C'est le spectacle de Jérôme Niel

5.1 2024
Sunless Haven

“Woven into the film are attempts to understand the docklands as a meeting place between different ecologies, enclosures and epochs, as a point of entanglement of the city and world. The film looks at ways to describe and embody these enmeshed histories from the legacy of police persecution of seaman boarding houses and Indian dockworkers known as lascars to the traces of early Chinatown in Limehouse and the experiences of London by Ayahs and Amahs, predominantly Chinese or Indian nannies brought back from the colonies and abandoned in the city after the voyage.” (George Clark)

Sunless Haven

NR 2024
Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

Where the sandy beach of the Salton Sea, the biggest lake in California, begins to crunch harder, it does not even consist of sand any more: Millions of dead fish, plants and insects pile up on the shore to form a highly toxic substance. This is how Derek explains it, a member of a Cahuilla tribe that managed to escape an attempted genocide in the 19th century to the Salton Sea and now sees itself as a protective force for the once flourishing but increasingly deserted area and its outcasts.

Among the Palms the Bomb, or: Looking for reflections in the toxic field of plenty

NR 2024
The treasures of Mr. Perichon

How at the beginning of 2022, while doing research in France on Henriette Lorimier and the women painters of the early 19th century, in a cellar in Bagneux Jonathan Bougard came across a bust signed Muta Mayola, the most important Congolese sculptor of the twentieth century, of which we thought all the works had disappeared. At the same time as on a set of works by his students and nephews Grégoire Massengo, Benoit Konongo and Edouard Malonga. The fathers of modern Congolese sculpture, main representatives of the Muta Mayola school.

The treasures of Mr. Perichon

NR 2024
Big Red

A mammoth animal, an ancient fishing tradition, meat that is coveted around the world. In Big Red, chef Ángel León will become a tuna and immerse himself in an adventure as fascinating as it is tasty, in which we will learn all the secrets of bluefin tuna from almadraba fishing and discover its relationship with humans, its current capture system, its use in Barbate cuisine, and the cultural and gastronomic exchange between the West and Japan, ending with a genuine seafood barbecue.

Big Red

NR 2024
PBF #01, Madrid

The first of PocketBookFilm's open cinematic project. A collection of books and filmed portraits. A group of people gather in the Retiro Park in Madrid with their favorite paperback books. The camera records and interacts with the covers, the words, the gestures and the faces of the participants on a spring afternoon. Participants: Zuriñe Lafón, Álvaro Feldman, Magdalena Orellana, Daniela Delgado, Martha Helga, Elisabeth Tascón, Ramón de Fontecha, Pablo Marín, Luis Lechosa, Nicole Remy, Guille Hormigo, Jorge Calvo Ibar, Julio César Martín, Biviana Chauchi, Gaby Feldman and Sofía Tudela.

PBF #01, Madrid

NR 2024