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Immer Ärger mit den Paukern

Peter Hartung, a student at the technical college, just wanted to take his little brother Paul to boarding school. On the way there, his friend Hans Werner tries to persuade him to swap roles. Peter wouldn't dream of going to school for Hans, but only changes his mind when he makes the acquaintance of Christa, who works at the neighboring fashion school. He has no idea that Christa has just broken off her engagement to Dr. Werner, his future literature teacher. The lessons with his jealous ex-fiancé turn into a gauntlet, but this does nothing to dampen the general good mood. Brother Paul also causes a lot of excitement. Not a day goes by without him plotting a prank. Within the sacred school walls, the wildest boarding school comedy since the introduction of compulsory education unfolds - explosions, police action and fire alarms - but principal Dr. Schwabmann takes it all in his stride.

Immer Ärger mit den Paukern

6.6 1968
Gino

One day, Gino, a 16-year-old guest worker boy, is hired by his boss, a well-respected owner of a quarry, to keep an eye on his divorced wife. The boy gets involved and one day takes a liking to the much older lady, who successfully tries her hand at writing novels. The affection is soon reciprocated, and yet the writing ex-wife realizes that no blessing can rest on this relationship, the two worlds are too different and the resulting possibility of joint communication is too different. Gino dreams of a sports car, so one day she allows him to get behind the wheel of her expensive car. Eventually there is a serious accident in which Gino dies.

Gino

8.0 1960
In Deep Water

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

In Deep Water

NR 1964
Yo he visto a la muerte

Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.

Yo he visto a la muerte

5.7 1967
Freispruch mangels Beweises

The democratic Munich journalist and editor-in-chief of the "Südkurier" newspaper, Alexander Steinhorst, has reached the pinnacle of social reputation and private wealth. He can rent a theater for his son and women are at his feet. He then takes the liberty of publishing a newspaper with revelations about the dubious sources of the CSU election fund. CSU lawyer Dr. Fabricius sets a photographer on Steinhorst's private life to bring him down. He is charged with "fornication with addicts", but is acquitted due to a lack of evidence. Steinhorst, however, is ruined socially. Friends and colleagues turn their backs on him out of fear for their own careers and his assets are confiscated. Steinhorst commits suicide.

Freispruch mangels Beweises

8.0 1962
A Modern Coed

Eric Rohmer directs this short documentary that narrates the presence of women in French universities as of the time of its release -- 1966. During the film's short run, the narrator continues to point out that during the advent of World War II, only 21,000 women attended college and made only a 30 % of the student body, a number that by the 1964-1965 school year had passed the 120,000 mark. Instead of opting to live according to what was expected of them, now they were joining the work force, trading in aprons for lab jackets and becoming professionals even after getting married.

A Modern Coed

5.6 1966
Amour, autocar et boîtes de nuit

A young girl, Christiane, leaves her family to join friends with whom she intends to "make a life". Two boys, Jo and Paul, look after the heroine, whose relations seem rather shady. Jo, a guide in a tourist agency specializing in nightlife in Paris, has a "shadow" of his own in the scatterbrained Annette, who is determined to marry him. While touring the capital's cabarets, Jo meets a model, Jacynthe, and her photographer, Daniel, as well as a star, Jackie, and her manager, Helios. The latter organizes a mock jewel robbery for publicity purposes, with Jackie as the victim. But contrary to expectations, the robbery takes place.

Amour, autocar et boîtes de nuit

8.0 1960
SKMP2

An “ironic visual reportage” of four artist projects at the L’Attico gallery in Rome, 1968. Patella infuses the work of the artists from the arte povera movement with touches of surrealism, as tinted monochromatic footage of these exhibitions/actions lends them a silent film aesthetic. The title refers to the last names of the main players: gallery owner Fabio Sargentini and artists Jannis Kounellis, Eliseo Mattiacci, Pino Pascali and Luca Maria Patella himself. Kounellis is shown using the gallery as a studio, dying bits of cloth among live animals; Mattiacci engages passerby in a happening on the city streets; Patella and Rosa Foschi are shown in a similar scenario to Terra Animata, with a flag performance in a landscape; and Pascali executes a bizarre ritual on the beach, covered to his neck in sand and later planting whole loaves of bread.

SKMP2

NR 1968
Das ausgefüllte Leben des Alexander Dubronski

The municipal gasworks are equipped with ultra-modern electronic booking machines. Lothar Krake, a small employee, is working on such a monster and makes a typo. He doesn't dare admit the mistake for fear of losing his position. With the wrong name, he creates a new customer named Alexander Dubronski, for whom over time Krake manufactures a life of unimagined proportions. Krake lets him live with him, gets him an extra gas meter and one day even writes his memoirs. Money rolls in, but Krake is overwhelmed by the inevitable complications. (via 3sat)

Das ausgefüllte Leben des Alexander Dubronski

8.0 1967