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7'21"

8mm film work from 1980 by the Film Studies Department of Bunkyō University. One sunny and gentle day, as I was dozing off by the riverside, I saw a strange dream in which everything in the world began to flow backwards. No that’s not right. This isn’t a dream at all! I have to find the cause behind this! And then I realized: it is I myself, sleeping now by the riverbank, who is creating this distorted world! The title “7’21”” seems to represent the actual running time of the film. (In reality, it is a little shorter.) It was intentionally created as a silent work, effectively using the absence of sound, appealing solely to visual perception, and thereby leading the viewer into a mysterious and extraordinary world they could never experience in everyday life.

7'21"

NR 1980
教訓 I

One day at a high school, the headteacher suddenly announces that a draft is to be imposed at the morning assembly. The headteacher suddenly announces that there will be a draft. The idea that a school is like a nation and that one must have the military power to protect one's own school could be a satire for the sake of satire, but as in the episode where the principal is a Chiba native, the term Chiba native is used as if it were a racial term. The film maintains the quality of the gags that generate laughter, as in the episode where the school principal uses the word "Chiba-kenjin" as if it were a racial slur, making it an excellent comedy.

教訓 I

NR 1980
Little Big Man

Despite of his father Tae-Min the ex-boxer's recommendation, Se-Il declares not to be a boxer and keeps away from boxing when he meet Young-Ah who likes boxing. Meanwhile, Tae-Min falls to sickbed because of heavy drinking in sadness when his son does not understand him and Young-Ah too leaves Se-Il. Enraged at it, Se-Il challenges to the four-cornered ring. On the day when he is about to fight on the ring, his mother who's been thought as dead comes and asks him to complete his father's dream. The way to the champion is long and difficult journey.

Little Big Man

NR 1986
a violet-colored breeze

When I turn the pages of an album, there she is, running toward me through a violet-colored breeze. A memory from a distant day. I wonder what she is doing now. Even now, I still love her so much, and yet all I can do is speak to the version of her preserved in these album pages… Set to the classic Off Course song “Ai wo Tomenaide” (Don’t Stop the Love), this film unfolds in a retrospective, memory-driven style, resembling a music video. The extensive use of soft-focus cinematography throughout almost the entire film lends the work an especially lyrical and poetic atmosphere.

a violet-colored breeze

NR 1981
A Little Love Letter: Mariko And The Children Of The Silk Tree

A follow-up to the same studio's Helen Keller anime, A Little Love Letter kept the handicapped theme but focused on a wholly Japanese story. During the 1970s, actress Mariko Miyagi became heavily involved in the Silk Tree Academy (Nemunoki Gakuen), a rehabilitation center for disabled children. She appeared in several live-action films to promote the project, including The Silk Tree Ballad, Mariko-Mother, and Children Drawing Rainbows. This anime charts the 14-year period of Miyagi's stewardship of the academy and her relationships with several of the children. Divided into four seasonal chapters, the film uses highly realistic character designs based on the actual people involved and features storyboarding from versatile Battle Spaceship Yamato director Noboru Ishiguro.

A Little Love Letter: Mariko And The Children Of The Silk Tree

NR 1981
EXIT

This film depicts from the inside the murderous intent of a street thug who attacks a passing pregnant woman. One day, after cutting a maggot to death, the man's previously dormant madness overflows like a dam and floods him with the next carnage. A maggot, a cockroach, a small dog and a pregnant woman. The film uses black-and-white and colour to depict the mental state of the protagonist as he slowly builds up to the murder. In the last scene, the inner world of the man is symbolically expressed, and the urgency with which he searches for an answer is overwhelming. This is a highly accomplished film, both visually and thematically.

EXIT

NR 1989