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The New York School

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

The New York School

NR 1972
Leatherlip

A super-model begins to question her glitzy, frenetic lifestyle when she awakes after a all night party to find a strange man in her bed. She sees a surfer riding the waves below, follows him to his tented camp on the banks of a river. 'Leatherlip' earns a living making leather goods and roaming around on an extraordinary 'trike' with his worldly goods and surfboard strapped on an overhead rack. They fall in love and she abandons her previous life. Then inexplicably she disappears. Leatherlip sets off on a cross-country odyssey to find her, knowing only that her father lives on a boat on the West Coast...

Leatherlip

4.0 1972
The Conquered Dream

A documentary history of the exciting, sometimes ill-fated exploration of Canada's Arctic, produced jointly by the British Broadcasting Corporation and the National Film Board of Canada. The film shows the challenge and the rewards of the far north and, from rare film footage, some of the exploits of the first and last men to run the gauntlet of the cold: Byrd's flight; Stefansson's sled journey; Captain Bernier's explorations; and finally, the voyage of the U.S.S. Manhattan.

The Conquered Dream

7.5 1971
Earth Pulse

A humanoid form strikes its body while making primal guttural sounds. At times the form is “stopped” and “started” using the pause of a reel-to-reel video player—a frozen line of noise (an asynchronous frame) cuts through the image reinforcing the sense of physicality. The sounding form is eventually set in an electronically generated landscape with temple-like forms of undulating feedback. Further processing of the voice and additional rhythmic electronic sounds are suggestive of ritual.

Earth Pulse

NR 1975
Step Style

Alan Lomax and his associates, beginning in the late 1950s undertook a monumental study of the relationship between style in song and dance cross-culturally. It began with Cantometrics which developed a common language description for the many variables in performance style in the diverse cultures of the world and measured how those variables clustered geographically and in relation to means of subsistence and aspects of social organization. Choreometrics continued this investigation into dance and movement. A continuation of Alan Lomax & Forrestine Paulay's Choreometrics project, this film examines the use of the foot in dance cross culturally. Though this film comes from later in the project, below is an interesting article written by Lomax about the methodology he was developing for this sort of film.

Step Style

NR 1977
Montage II: Ephemeral Blue

Wayne Sourbeer deftly combines visual forms, the original poetry of Kansas-born poet Charles Plymell and an original music score by David Levinson, who was at the time, associate conductor of the Wichita Symphony. Montage II: Ephemeral Blue is the quintessential example of what continental film critics have called “non-verbal communication.” Sourbeer’s images are the foundation for Plymell’s verbal abstractions and Levinson’s brilliant musical score.

Montage II: Ephemeral Blue

NR 1972
Uncle Ben

Nancy is about to receive her college degree and she has a special request for Dr. McFarland about the commencement proceedings, where parents are always given special honor. She starts to reminisce about what has led to her successful graduation, and that of her two brothers Jim and Tommy before her, despite having lost both parents long ago. After being widowed when Nancy is only two years old, her mother Laura works hard night and day to support her young family. Their only relative is Laura's brother, and Uncle Ben is a favorite of the children with his story-telling ability and easy charm. However, his own life is dominated by alcoholism, and he finds it difficult to hold a job and be a responsible member of the community. When Laura suddenly passes away, the children beg Uncle Ben to take care of them. He wishes to do so, and fights to gain custody of his young niece and nephews, but his addiction is standing in the way of his fulfilling the role of a parent.

Uncle Ben

8.5 1978
Selling Out

Selling Out is a 1972 Canadian short film for cinema and TV directed by Tadeusz Jaworski, and written and produced by Jack Winter. The film is a dramatization of a farmer’s last day on his ancestral farm on Prince Edward Island as he is faced with the Public Auction of his family home and possessions. On the one hand, it is a simple, poignant tale of personal loss, alienation and the displacement of the old at the end of life. On the other, it is a political statement about the loss of Canadian Heritage, land and economy to foreign capital. It was nominated for an Academy Award (Short Subject) in 1972. It was named Best Documentary at the 24th Canadian Film Awards.

Selling Out

8.0 1972