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Gökotta

After a "dream" about a guardian of the forest, Samuel, a 25-year-old boy unmotivated by adulthood, recalls the story he experienced as a child: One day, he found a small gnome village in the middle of the forest. He always went to play there to try to spot some creature, until one of the times he returned, he found it destroyed. He salvaged a few remaining pieces, and his mother stored them in a trunk in the basement. That morning, after so many years, he decided to go down to the basement in search of the trunk. With it under his arm, he set off on a hike back into the forest to see the ruins of the village, hoping to find at least some sign of a creature living there. When he gave up on everything, he found a door in the trunk of an old tree. Behind it, the rebuilt village appeared, and the lights began to turn on.

Gökotta

NR 2025
Fragments of

Fragments of orders pieces of 16 mm home movies that have been orphaned from their original reels. The film composes a puzzle or collage of images that invites reflection on memory and the documentary value of images through fragmentation and the alternation of black spaces and images. The film, made without a camera, integrates a set of discarded images into a new audiovisual piece, highlighting the materiality of the film itself through different elements and using sound as part of it.

Fragments of

NR 2025
Ucrania: OBLIGADOS A SOBREVIVIR

The war in Ukraine continues to leave indelible scars, but beyond military strategies and political speeches, there are stories that are rarely told: those of people who survive day by day amid the conflict. In an effort to document the human reality of war, Rubén Díez (Lethal Crysis), one of the most influential Spanish-speaking travel and exploration content creators, and Ignacio Marín, a renowned photojournalist specializing in war zones, traveled to the heart of the conflict in December 2024 to capture the experiences of those who resist in the shadows. For two weeks, they visited trenches, evacuation points, rehabilitation centers, and front lines, meeting soldiers, doctors, civilians, and refugees who shared their daily lives in a world where normalcy has been destroyed. Through intimate encounters and raw testimonies, this feature-length documentary offers an honest, unfiltered look at the human capacity to adapt, resist, and carry on—even in the darkest of settings.

Ucrania: OBLIGADOS A SOBREVIVIR

NR 2025
Gracias Pablo

A ready-made work constructed from a 70mm film reel of unknown origin. Fragments of an action film — helicopters, chase sequences, rollercoaster trajectories — are reassembled into a continuous field of motion. Through re-projection and rhythmic bursts of light, the original footage is reactivated, displacing narrative in favour of spatial and kinetic intensity. The image unfolds as a dynamic structure of movement, where locomotion, repetition, and scale produce an immersive experience of disorientation and propulsion.

Gracias Pablo

NR 2025
A Shared (Hi)story

In February 2023 a group of adopted young people from China born between 1999 and 2002 meet in Barcelona. There they pool their experiencies with the family and the environment that have fostered them: the funny anecdotes, the difficult ones, the hegemonic story of adoption... The meeting is organized and recorded by Àlex M. Llorens, also adopted from China, who writes a full-length film about the transition into adult life of people like them and she shares with them her discoveries.

A Shared (Hi)story

NR 2025