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Ayrton Senna: Chequered Flag to Green Light

No rest for the elite of Grand Prix racing. Cutting edge R&D is the norm for Formula One teams and their drivers between the end of one season and the beginning of the next. In this groundbreaking documentary we follow the F1 McLaren team and its star driver Ayrton Senna from the Chequered Flag at end of the last race in 1990 in Adelaide for the Australian GP - to the Green Light start of the first race of 1991 in Phoenix, Arizona for the US Grand Prix. A unique behind-the-scenes look at F1, this video shows the state-of-the-art McLaren headquarters in Woking, England, rigorous testing in Estoril, Portugal, followed by Barcelona, Spain and finally Suzuka, Japan. Bonus footage includes a close up and personal look at Senna during his offseason in his homeland, Brazil, and finally to the US for the start of the new Grand Prix season.

Ayrton Senna: Chequered Flag to Green Light

NR 1991
Willi Sitte

Painter and government official – the two sides of Willi Sitte which made him the most important yet most controversial East German artist. Portraying the working class, defying imperialism or revealing intimate togetherness, he became the leading figure of Socialist Realism. His career in the Association of Fine Artists (VBK) and the Central Committee (ZK) of the SED elevated his status to that of ‘Prince of East German Painting’. Reiner Moritz met the controversial, first-rate draughtsman in his studio after the fall of the Berlin Wall. Through his life and work, he traces the story of Sitte’s artistic development in the service of socialist ideology.

Willi Sitte

NR 1991
Dark Desires: Vera

At the end of the motor season, Mark Benton, which has just been voted the best driver of the year, rightfully celebrates his victory in the company of all his friends. During the evening, anxious not to see him back his wife Sally, he starts looking for him in the parking lot and down. There he discovers his wife struggling with two hooded men. Mark comes heroically, but is killed during the fight. Sally is thrilled: everything went as planned. Indeed, she had organized the ambush with her lover, Jack and Tom, the rival driver Mark. Later, at the funeral where she played the grieving widow, Sally met Vera, the twin sister of Mark, which she did not know until then the existence ...

Dark Desires: Vera

4.0 1997
Harems

Harems is a love story between a screen-writer and a gogo-boy, the latter being typically representative of the image of seduction in the 80's. The screenwriter leaves on a journey and asks the gogo-boy to accompany him. A scandal breaks out and the gogo-boy's antics lead to both men's meeting with the narrator. She introduces the spectator to the psychological state of the screen-writer - who is in the process of inventing a mythic character based on his lover - and befriends and helps the gogo-boy in his quest for happiness. The narrator relates the story taking place between the two men and questions the relationship between fantasy and the reality of love.

Harems

NR 1991
The Black Swallow

The stories of three men get tangled up in the life of the young Gipsy called Magdalena - that of the Bulgarian Lilyanin, who starts off as a fighter for brotherhood but turns into a persecutor of the Gypsies; the story of the savage Halibryamov, who knows the language of animals, but does not speak any human tongue; the story of a rich Gypsy called Kanyo who wants but does not dare to break with the lot of his kin, and story of a Frenchman in a wheelchair who comes to realize that money cannot buy everything. Magic alone can unravel this knot of destinies... And then, there is the Gypsy tale of the black swallow and how it came to be.

The Black Swallow

8.0 1997
Night of Destiny

Mr. Slimami is an Algerian retiree living in Paris who witnesses a murder while taking a walk one evening. He's spotted by the assailant, but Slimami manages to slip away before being caught. The victim turned out to be a prominent businessman, and police are soon searching for the witness as well as the killers. Slimami does not want to step forward, both as a matter of personal safety and because he prefers to let the French police handle their own affairs. His son Alilou, a budding journalist, openly decries the failure of the witness to come forward as a black mark on the Muslim community in Paris, unaware that the man in question is his father.

Night of Destiny

7.0 1999