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A Winter in Mallorca

The cigar-smoking French writer, George Sand (Lucia Bose) and her lover, the composer-pianist Chopin (Christopher Sandford) have rented a former monastery in Mallorca as a winter retreat. They have even shipped a piano to the site, so that Chopin can continue his work. However, what promised to be a warm, sunny vacation turns sour as the locals disapprove of Sand, the servants are surly and mysterious, and the monastery is cold. She has her revenge, however. She wrote the book A Winter in Mallorca about her miserable winter retreat. This film follows that book closely, with concern for historical accuracy, which did not increase the Spanish filmmakers' popularity with their countrymen.

A Winter in Mallorca

6.0 1969
Love's Presentation

'Love's Presentation' may be a time capsule of a rising art-world star, but it also pokes fun at the perspective of a celebrity profile. In its opening sequence, an antsy-looking Hockney squirms as a narrator reads aloud critic Jasia Reichardt’s introduction to his star persona. Scott’s portrait of Hockney is more expansive, spurning the growing popular image of the artist in favor of following him at work; He’s described the film as a “how-to” documentary. Filmed in April '66 in Hockney’s ground-floor apartment and studio, Hockney himself improvised the narration while watching the film. We watch the artist carve delicate lines into the plates, submerge them in an acid bath outside his window, then wipe his hands on the window curtains... A rare, relaxed close-up on Hockney’s creative process.

Love's Presentation

6.5 1968
Bel Ami

Paris at the end of the 19th century: Former soldier Georges Duroy is practically penniless after leaving the army when his old comrade Charles Forestier helps him get a job as a reporter for the newspaper "La Vie Française." Duroy's career takes off, but he owes his success not only to his writing skills, but above all to his charm with the ladies. He unscrupulously exploits his numerous female acquaintances. Through strategic marriages, "Bel Ami" rises to the top of Parisian society.

Bel Ami

10.0 1968
Prohibido suicidarse en primavera

Doctor Ariel comes from a family that for several generations, once they reach old age, have decided to commit suicide because they lose the will to live. This situation affects the doctor greatly and therefore he decides to study the psychology of the fatalistic subject and invest the monetary fortune he has to create a clinic called "El Hogar del Suicida" with the purpose of providing help and rehabilitation to those who need it and, in case of failure, provide the individual with the necessary means to fulfill its purpose. With the passage of time, the home is home to sorrowful characters with a vocation to end their lives.

Prohibido suicidarse en primavera

NR 1967
Golden Horn

La Corne d'or is mostly concerned with religious ritual, examining the mosque (and former cathedral) discussed in Byzance. As a contrast against Istanbul's status as a center of historical religious conflict, Pialat — drawing here on texts by the French poet Gérard de Nerval — also describes the city as a place of strange ethnic and religious harmony, with representatives of various cultures and religions living in close contact. He emphasizes the city's hybrid culture, its blend of Southern European and Arab influences, reflected in both its people and its very construction.

Golden Horn

6.1 1964
Monsieur M, 1968

A voice says: in the house next door, there was a lonely old man. When he died, diaries were found in which, probably throughout his life, he had recorded the various events of his daily life. A hand opens the one for 1968. A fine, manic handwriting lists: things seen on TV - talking about technical progress and happy tomorrows - a long walk with "Mère" through the streets of Montreuil, little anecdotes from the cartography workshop at the Institut Géographique National (where Monsieur M works), the fridge breaking down... Surprises too, like the first time he gives a coin to a beggar, or when "Père" brings the forgotten snack to work. And at regular intervals: "I wash myself thoroughly"... A well-adjusted life, in short, until early May, when echoes of the world in turmoil make their way into the notebook: riots, general strike...

Monsieur M, 1968

NR 1968