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Reminiscence: remembrance of what the soul contemplated in a previous life, when, beside thegods, he had a direct vision of ideas. Through the reminiscences of a 74-year-old woman, who became blind as a child, we see the world.
Reminiscência
Macieira
Couple sees the sale of takeout as an option to help with costs. But they realize it’s not enough. So, despite their good relationship, the two start looking for secret “extra earnings”.
Takeouts
Insânia de uma consciência ou: A fútil história de um fantasma
Mulher Amante
Elected major of the small city of Sucupira, after unfortunate situation, Odorico must open the city cemitery and face acusations of being corrupt, to end his term on good terms with the people.
The Well Beloved One
A typical criminal. A typical taxi driver. A typical route through the night of Porto Alegre, from the bus station to a deserted street. But at the time of the crime, the driver doesn’t react as he should. Meanwhile, on TV, Brazilian Minister of Justice make a speech against violence.
Passengers
Filmmaker Paula Gaitán and Richard Peña, a professor at Columbia University and former director of film programming at Lincoln Center, delve into the manifestos of Glauber Rocha, revisiting the Aesthetics of Hunger and the Aesthetics of Dreams to reflect on the revolutionary power of cinema.
Da Fome ao Sonho
Corpo de Bombeiros do Distrito Federal
A killer in search of his next victim ends up distracting himself on the way with kittens and video games.
The Incredibly Distracted Killer
Carreira
In 1873 in Rio Grande do Sul, a group of peasants come together to form a community of brothers, arousing the enmity of the rest of the population. They are immigrants from the German region and develop a communitary social model, having the Bible as a code of morals, faith and conduct. The group's economic independence ends up irritating the locals to the point of provoking successive aggressions that culminate in a bloody massacre.
Os Mucker
After being released from prison, Dr. Nise da Silveira is back at work in a psychiatric hospital on the outskirts of Rio de Janeiro where she refuses to employ the new and violent electroshock in the treatment of schizophrenics. Ridiculed by doctors, she is forced to take on the abandoned Sector for Occupational Therapy, where she would start a revolution through paintings, animals and love.
Nise: The Heart of Madness
Kid Abelha 30 Anos - Multishow Ao Vivo
Photographs, documents, and keepsakes. The silence in Carlos's house exposes the arrival of an unwelcome visitor: death. The inevitable presence of the end invites him to reflect on the cycle of life as he revisits the memories of a restless life.
O morto-vivo
The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.
Mango Yellow
After an aspiring writer moves into a new house with her boyfriend she finds herself unhappy. Through writing, she travels to the past in the body of an unknown woman, finding many similarities and conflicts between the past and the present.
Paronomásia
Diários de um Slasher Canoense
Marcatti
As the international press pours into Havana, Cuba to report on the death of Fidel Castro, a little girl proudly holds a large cardboard sign over her head on the Plaza de la Revolución. In a fascinating shot lasting almost 12 minutes, we watch this girl-braids, red dress, white knee socks, fighting against the wind-as she experiences her moment in the spotlight. We can't see what's written on the sign because she's being filmed from behind. Armed with cameras and cell phones, the people around her are taking countless photos and uninvited selfies with her. As the minutes tick by, our unease grows. Placed in the role of an ignorant spectator, we have time to contemplate the omnipresence of the camera-and we become desperate to know what's written on that sign.
I am
Purgatório Axiomático
A farmer starts to question his reality. Shot partially in Red Dead Redemption II and partially on a cellphone.
Há Algo Além do Horizonte
Professor Singer can be assessed as an enlightenment: he was also an educator, even (or above all) when he made politics. A major character in the intellectual life of São Paulo in the last seventy years, he narrates his trajectory, from his arrival in Brazil in 1940, escaping the Second World War, in 2016, in the leadership of solidarity economy movements. The film tries to show the beauty of a man thinking.
Paul Singer, Uma Utopia Militante
A man commits a serious crime and flees the scene, then a mysterious figure appears to collect the debt.
Debt
In the underworld of "Boca do Lixo" in São Paulo, a heterogeneous group of prostitutes turns an alley into a meeting point where customers are attracted. They are women who sell themselves to men of all classes. Surrounded by drunks, addicts, bandits, drug dealers and pimps, together they form a gallery of characters put together by affliction and disappointment. Cora, an older woman who works to support her paralytic son. Beth, kind of a leader, who had to prostitute herself at an early age after leaving her small country town. Sônia, the most intelligent of the group, who lets herself be exploited by a ruffian. Brigite, daughter of factory workers. Vera, who just started in the profession. In addition to the drama of these women, there are many others who give themselves daily to customers who ignore their fate
Damas do Prazer
The janitor Zayrom finds radioactive waste in the Vila Luxor building.
The Plague of Green Waste
Pináculo da Miséria
Members of a secret society have a falling out. It is up to the highest ranking member to adjust the score. Cinema of cruelty, silence and freedom.
Sociedade dos Amigos do Crime
Claudia Maccari, an Italian doctor who has a Brazilian adopted son suffering from leukemia, goes to Rio de Janeiro to find the child's biological mother for a transplant. She is reluctantly helped by a Detective.
Favorite Son
Paraty - Impressões
Ditadura Reservada
Six animals live in a forest, they will have to prevent the witch from destroying their habitat.
A Floresta Feliz
"People on the street will not end in anything." How many times have you heard this phrase? Even so, at each protest, you took to the streets, invited people, mobilized. Why? What was the strange stubbornness that made you strive without the slightest idea if it would work? This is the story we want to tell. Not only MBL's history, but yours. You saw, lived and won. And now you can remember how it all started…
Não Vai Ter Golpe!
A middle-aged man builds a summer house in Cabo Frio, Rio de Janeiro. Married to a beautiful woman, father of two and with a successful career, the house is a symbol of his personal achievements. But as the wind, the salt and the sand threaten to invade the breaches of the house, their marriage begins to crumble. And, like a bad omen, a mysterious murder takes place in the vicinity.
Before, the Summer
Two young men decide to go to the cinema. However, since their tastes are very strict, they end up in a quarrel.
Documentário
Sofia goes to her cousin Matheus's house to take care of his two children, Júlia and Lucas, while he goes to a party. She finds a magical book, which transports them to the Magic Forest, where they meet fairytale characters such as Pinocchio and Little Red Riding Hood. But their presence starts interfering with the original stories, and so Matheus tries to bring them back to the real world.
Xuxa Abracadabra
Joaquim
Young Indian Naia falls in love with the moon after listening to the story on how the stars in the sky came to be.
Naiá e a Lua
Ordinária
Upon arriving home, a gamer is pursued by a strange creature.
Just Another Round
An audiovisual Haikai in homage to Queer Cinema made with fragments of important films to the movement.
HAIKAI: HAIGAY
Luccas Neto em: Acampamento de Férias 2
Two seventeen-year-olds go out at night looking for a good time in the streets of São Paulo and end up discovering a lot about them selves and their hidden feelings.
Something Like That
Mr. Godoy teaches math at a Private High School's senior year. Stubborn and severe, Godoy lives a dull life defined by rules, but something is about to change.
Professor Godoy
Ana Carolina: Estampado - Um Instante Que Não Pára
Camelôs
Live at Maracanã is the third live album by the Brazilian duo Sandy & Junior, released on December 20, 2002. It is also the first double album of the brothers: one of the versions was sold along with CD Internacional Extras. The show was directed by Paulo Silvestrini and featured twelve dancers, twelve musicians and two backing vocals. For the show that gave rise to the CD and DVD, the stage counts with 19m of mouth, 15m of depth and 11m of height. On the sides, were placed two screens of 6m x 5m.
Sandy & Junior: Ao Vivo no Maracanã
A forgotten lasagna mutates into a monster.
A Lasanha Assassina
IMAGINAÇÃO. (Parte 2)
Entre Espaços
Berenice
Between a experimental journey in the subconscious, a woman go through her introspective layers and bettle one of her powerfuls and misterious feelings.
Nucleus
'#babynymph' is the definitive portrait of this generation, who believes that happiness only exists if it is shared on the web.
Baby Nymph
People of Moon, People of Blood: Yanomami document 1972-1982
Stories of love and longing based on the testimonies of five widows of great strongholds of Rio samba who, in an invisible work, became guardians of a fundamental part of Brazilian musical history.
De Você Fiz Meu Samba
A short movie inspired by the song of the same name from the brazilian duo Anavitória.
Calendário
Vidigal, Rio de Janeiro. A woman is left desperate and hopeless after she is evicted from her house with her disabled son.
Pé Sem Chão
A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.
Killed the Family and Went to the Movies
The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.