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Nightbooks

Nightbooks, an old Lebanese lyric TV program, produced by Lebanon Television in 1971, presented by "Mrs. Fayrouz" on Lebanon TV screen with a group of leading Lebanese artists, composed and composed by "Rahbani Brothers". Presented by: Mrs. Fayrouz, Nasri Shams El Din, Hoda Haddad, Joseph Nassif, Elie Choueiri, Georgette Sayegh, Melhem Barakat, Antoine or Marwan Mahfouz, Nawal El-Kuk, Salah Tizani (Abu Salim), Abdullah Homsi (Asaad), Mahmoud Mabsut ( Fahman), Muhammad al-Sarraj, and the Lebanese Popular Group. It is directed by Antoine C. Remi.

Nightbooks

NR 1971
The Fifth Facade: The Making of the Sydney Opera House

On 20 October 1973, the Sydney Opera House was officially opened by Queen Elizabeth II. From conception to completion, it had taken more than 15 years and over $100 million dollars. In the years since its completion, the Sydney Opera House has become one of the most identifiable of Australia’s icons - ranking with the Sydney Harbour Bridge, Uluru, the koala and kangaroo - and is considered by many to be among the world's great architectural masterpieces.

The Fifth Facade: The Making of the Sydney Opera House

NR 1973
Snapshots

This experimental film, a self-described mix of reality and fiction shot in Greenwich Village and a Vermont commune, captures past and present moments from the life of Mel Howard, the film’s co-writer & co-narrator. Scenes chronicling Howard’s doomed romance with Scandinavian girl friend Turid Aarsted are interwoven with scenes detailing Howard’s relationship with his parents and with a former girl friend, as well as his failed attempts at moviemaking. One sequence depicts Aarsted leaving the thirty-seven-year-old Howard for the film’s cameraman, Paul Goldsmith, and includes a sex scene between the new lovers. In off-screen commentary, producer Kenneth E. Schwartz expresses concern about the film’s content. He reveals that he raised $50,000 for the project, complains to the viewer that the film was not supposed to be a “diary of freaky people.” Eventually he and Howard come to terms about the film’s direction and allow the film’s story to unfold unobstructed.

Snapshots

9.0 1973
Everything You Know Is Wrong

"Dogs flew space ships! The Aztecs invented the vacation! Men and Women are the same sex! Our forefathers took drugs! Your brain is not the boss!". Great news! Famed dare-demon Reebus Cannibus is going to perform his greatest stunt ever! A leap down the bottomless comet pit to the center of the Earth! Join the fabulous Firesign Theatre for another of their mind-bending journeys as they explore the alien uprising in our midst! Dr. Happy Harry Cox is our guide under the watchful eye of mild-mannered trailer park manager, and member of the Funny Name Club of America, Art Wholeflaffer, as he presents all seekers (one born every minute!) with the key evidence proving the thesis that Everything You Know is Wrong!

Everything You Know Is Wrong

7.5 1975
African Carving: A Dogon Kanaga Mask

The Kanaga mask is used in deeply sacred rituals by the Dogon people of Mali. Carving this mask is as important a ritual as the ceremonies in which the mask is used. The carver, a blacksmith, finds the proper tree and, in a secret cave outside the village, he shapes the mask with gestures which repeat the movement of the dancers who will wear it. When a dancer wears the Kanaga mask he becomes the Creator symbolically. He touches the ground with his mask and directs a soul to Heaven. Although these dances are now frequently performed for the public, the meaning of Kanaga is retained by the Dogon who fear, respect and depend on the power of the mask.

African Carving: A Dogon Kanaga Mask

NR 1974
The Tapestry

A television drama directed by Maya Angelou. In 1975, the accomplished writer became the first African American woman to join the Directors Guild of America in the director’s category. Produced by trailblazing TV executive Barbara Schultz, Visions often focused on complex themes including social justice, feminism, race and sexuality. Executive Producer: Barbara Schultz. Director: Maya Angelou. Writer: Alexis DeVeaux. With: Gloria Jones Schultz, Glynn Turman, Ebony Wright.

The Tapestry

6.0 1976
Traffic: Live at Santa Monica

Traffic left behind precious few concert videos in any form, so this show, from the Santa Monica Civic Auditorium, is an intrinsically valuable document of the band, even though it does feature a later lineup: Steve Winwood, Jim Capaldi, Chris Wood, Rebop Kwakubaah, Roger Hawkins, and David Hood. Chronologically, the show comes roughly a year later than the Welcome to the Canteen album. There are some many wonderful shots of the band members from varied angles and all kinds of different lighting, even within the same song, courtesy of video producer Taylor Hackford (White Nights, Against All Odds) but, in fact, this wasn't the ideal version of the group to capture on stage: Winwood had suffered a serious illness the year before, the group was always in a state of flux as far as its line-up was concerned, and they were entering the period of decline that would coincide with the recording of Shootout at the Fantasy Factory.

Traffic: Live at Santa Monica

8.8 1972
Mao: Seize the Day, Seize the Hour

Mao Zedong was not only a revolutionary leader and thinker, he was also a poet. In poems written in the classic calligraphic tradition he expresses his experiences and visions. In this film, 8 of Mao's poems are sung, recited and interpreted: 'Changsha' (1925), 'Jinggang Mountains' (1928), 'The Long March' (1935), 'Snow' (1936), 'The People's Liberation Army Captures Nanjing' (1949), 'Swimming' (1956), 'Reply to Comrade Guo Moruo' (1961) and 'Reascending Jinggang Mountains' (1965). Through these poems we get a picture of the Chinese revolution from its first beginning in 1921 until the Cultural Revolution. The poems of Mao Zedong have been published in more than 57 million copies

Mao: Seize the Day, Seize the Hour

NR 1972
Theatre Girls

In her final piece at film school, Longinotto and her partner take us into the "Theatre Girls Club" in Soho, London–a hostel for elderly and destitute women and the only shelter in London that would take in any woman at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic. This stunning film debut earned awards at several European festivals and screened to acclaim in the US and Asia.

Theatre Girls

NR 1978
The Secretary

A contemporary comedy-drama set against the background of rich southern elegance and the permissive swinging singles society of today. A successful young stockbroker, whose business is financed by his father-in-law, is frustrated by his wife's coldness. When an old friend from college, who teaches tennis to attractive young women and bored housewives, suggests that the stockbroker seek solace outside his marriage, the stockbroker begins an affair with his secretary. Meanwhile, the stockbroker's wife has an affair with her husband's old college friend.

The Secretary

10.0 1972
Corn

A fixed camera companion to FOG LINE. Bright green leaves stripped from ears of corn, and later, the vibrant yellow ears placed steaming in the waiting bowl. Each of these actions inaugurates a period in which one contemplates an image whose steady transformation is barely perceptible–the delicate slow movement of light and shadow, the evolution of subtle steam into the film grain. A meditation on the fragile moments of corn's passage from living sun-nourished plant to food to light image. The mind attempts to grasp duration itself, to distinguish its own creating from its perceiving, but distictions blur in the wholeness of times's and consciousness' flow.

Corn

7.0 1970