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February 1939. Overwhelmed by the flood of Republicans fleeing Franco's dictatorship, the French government's solution consists in confining the Spanish refugees in concentration camps where they have no other choice than to build their own shelters, feed off the horses which have carried them out of their country, and die by the hundred for lack of hygiene and water... In one of these camps, two men, separated by barbwire, will become friends. One is a guard the other is Josep Bartoli (Barcelona 1910 - New York 1995), a cartoonist who fights against the Franco regime.

Ernania is hospitalized in a psychiatric hospital in Mozambique. She dreams about her little son, Hanic, and her husband, Pak, who is a soldier of the war. In the meantime, a quirky musical instrument plays: her own bed. Ernania’s musical virtuosity, attracts the attention of the hospital nurses. One day, her song is played in a radio program and Rosa, an evangelical priest of “Rádio Moçambique”, goes to the hospital to listen to Ernania’s song. Ernania takes the priest’s visit as an opportunity to run away from the hospital.

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

Hardly freed from a French prison, Kamel is deported in his native state, Algeria, and discovers a country split between modernity and tradition.

Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.

Before the Battle is the English-language title of this espionage melodrama. The first half of the film takes place aboard a French cruising ship, steaming through dangerous waters during WWI. Among the passengers is heroine Jeanne (Annabella), who was once in love with first-officer D'Artelles (Robert Vidalin) but he now seems strangely preoccupied. It turns out that the ship is on a secret mission, which ultimately dooms the vessel to a Lusitania-like death. After the sinking, Captain De Corlaix (Victor Francen) faces a court-martial, and it is at this point that the film clarifies several baffling plot points. Despite its complexity, the story is fairly believable, with the exception of the grafted-on romantic subplot.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Lili lives near the port of Le Havre. She is mourning her lover Pablo, who died leaving unfinished a video game he was developing for a Japanese trust. A young boy decides to take over the project, while Lili, guided by a mysterious figure called Doctor Digitalis, struggles with her grief and searches for meaning in his absence. The film blends reality and dreamlike visions against the backdrop of the docks and port landscapes.

Félix Mandel, an internationally renowned astrophysicist, is married with a four-year-old son and often has his head in the clouds.

Police Inspector Staniland is investigating the death of a pianist. While conducting his investigation and looking through the victim's apartment, he meets Barbara, the mistress of the murder victim. Barbara confesses to the crime, but Staniland, based on his observations and experience, does not believe her. He then sets out to find the truth.

“You buy a book. You don’t really know why. It lies around, and then one day you open it, almost absentmindedly. And there you are, facing your own innermost secrets.” So begins Stan Neumann’s cinematic adaptation of W.G. Sebald’s award-winning novel, Austerlitz. The vaulted and majestic space of the railway station in Antwerp is where our journey really starts with actor Denis Lavant (Holy Motors) addressing the camera directly, and musing on the curious nature of railway stations. This bravura opening is startling, charming, and like the unnamed narrator of the book, you surrender to the proceedings and perambulate alongside Lavant, as he journeys through the great buildings of Europe, faded and shuttered hotels and grand colonnades with broken windows.

The children of a small European mountain village end up being its only residents, soon after the adults cannot take their behavior any longer.

It's Julie's birthday but she seems to be the only one who remembers... Until Marco, the man she secretly loves, calls her and tells her he's going to drop off her son because the babysitter had a setback. Julie is devastated, everyone considers her to be a maid. Alone with this particularly obnoxious little boy, Julie decides to tell him the story of Cinderella... well, almost.

Bold and sultry Françoise gets hired by a magazine to lead investigations in the mysterious world of sex. Until she gets caught in the web of sadistic Dr. Vilard, who runs a very strange mental institution.

Showing room at the military prison at Rennes in which Dreyfus the accused is confined. He is visited by his counsel, Maître Labori and Demange, with whom he is seen in animated conversation. A visit from his wife is announced, who enters. The meeting of the husband and wife is most pathetic and emotional.

A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.

Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!

Cathy is a sous-chef wanting to open a restaurant. With financial difficulties, Cathy accepts a job at a shelter for young migrants. At first she hates the job then her passion for cuisine starts to change children's lives.

Naturally optimistic and mischievous, Jérôme Aubin crossed the time of his adolescence, around 1945, with ease and good humor. The years passed. He married the pretty Françoise, a little neighbor he had known since the age of eight, and soon found himself a secondary school teacher, a little anxious at the thought of facing for the first time students he had been told were particularly turbulent. How will he master this new difficulty? Better than you'd think, thanks to a delicious optimism: boldly going against the grain of conventional methods, he surprises his young audience, thwarting the plans of the dissipated gossips and turning their most tendentious attitudes to his advantage. All this provokes astonishment and concern among the college's leaders. But Jérôme Aubin is no pushover, and even the dreaded general supervisor finds himself obliged to give in to his most audacious initiatives...

The story of a serial killer but bears little resemblance to a slasher movie. We know almost at once who the killer is and the emphasis is not on the murders but on his psychology as he falls in love with one of his prospective victims - a weakness which, of course, will be his downfall.

Towards the end of the 19th century, the Duke of Gerolstein traveled to Paris. Sixteen years earlier he had a daughter who was taken from him by her mother who was chased out of the palace. After many dramatic adventures, the Duke finds his daughter in the person of Fleur de Marie, martyred throughout her childhood by the Owl and the schoolmaster.

After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.

Oscar Mongoût, a gourmet cannibal, burns with love for a neighbor in his building, the very vegetal Miss Carrot. But this passion seems destined to fail: she is vegetarian, while he has a severe case of vegetable phobia. Things take a drastic turn the evening she invites him to dinner.

A woman enters a room with a man. She creates a duplicate of him and changes his personality by throwing his clothes from one man to the next.

Philippe, a young man who is actually blessed with luck and a pretty girlfriend, meets the seductive nurse Sarah and succumbs to her charms. From then on he repeatedly gets involved in sexual escapades with her. He risks his professional career, his real love and even his health for the beautiful black woman because he underestimated the dangers of an uncontrollable erotic obsession.

A group of crooks takes advantage of a rich old lady's naivete: they pretend they are to sail to Africa to fight... the sleeping sickness. They are only interested in gold.

In Berck hospital, a man no longer eats. Not even the piroshkis cooked by his wife. Alerted by their mother, the dying man's children kidnap him and try to turn this day into a race towards lost harmony.

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Once upon a time, a girl and her brother fled their past to live their love freely. To do so, they had to cross the river.

In Morocco, new excavations on the site of Jebel Irhoud upset the generally accepted view of the dating of the appearance of man.

Sophie left her homeland, the United States, after a secret tragedy. In Paris, she divides her time between an opera house, where she is the dresser for a great Swedish singer, and amateur theater. David, her director, pushes her to her limits: she cannot refuse, so stubbornly, to live and love again. Little by little, Sophie lets herself be disturbed by her speech, and moved by the amorous games and the sensual atmosphere of the opera on which she is working, "Le Chevalier a la rose" by Richard Strauss. After each performance, Sophie sees a silent young man, Valentin. She is convinced that he is coming for the beautiful singer. But one day, he speaks to her, and Sophie finally becomes an actress of her own story.

When Marc, with the help of a juvenile court judge, is old enough to leave thewelfare system, he leaves mainland France for French Guiana to try and find the only relative he knows, his grandfather, who was deported to the penal colony of this French overseas territory. During his odyssey, he meets Françoise, a young woman with whom he falls in love, and experiences many adventures.

A fifteen-year-old child and his dog Spirale travel with a group of travelers. Winter approaches and life for the group and in the fields becomes more difficult. Either you adapt or have to leave.

Inspired by a true story, "As bestas", the sixth feature film by Rodrigo Sorogoyen ("Los años nuevos"), enjoyed unexpected box-office success upon its release. The story behind a hit, where thriller elements blend with rural life to reflect contemporary anxieties.

Bernie, a 30 years old orphan, decides to leave his orphanage and find his parents. After an investigation, he meets Marion, a young heroin addict and falls in love with her. He believes that his family was victim of a plot and this is why they deserted him.

A César award nominated short drama.

In spite of his failures as a peddler, Casimir guaranteed his fiance that this time the vacuum cleaners will work for good. But he's still unsuccessful until he go to the appartment of Paul-Andre, a painter who was engaged by correspondence to a rich south-American woman. That's exactly when she arrive armed with a gun infuriated after she had received a rupture letter from the man she had never seen. She mistakenly took Casimir as her painter lover. Casimir his ready to flee until he learned she owned many hotels, a thousand rooms in fact. "A thousand rooms, a thousand vacuum cleaners", he suddenly think.

Best known for his roles in Belle de jour, Sweet Movie, and many more, Pierre Clementi was also the architect behind a transgressive, high-minded, and disorienting cinema. Like an acid-soaked freefall, Visa de censure n° X is a rush of nudity and color from one of France’s most seductively watchable actors, set to an album's worth of psychedelic prog rock (performed by the Delired Cameleon Family, a group featuring members of French band Clearlight).

Longtime friends, Mehdi and Hamid, work for a collection agency. They crisscross the villages of southern Morocco in their old car and share double rooms in shabby hotels. They are exactly the same size, and wear the same suits and ties, as well as the same shoes. Paid nearly nothing, they try to play hard to make good figures. One day, in a gas station planted in the middle of the desert, a motorcycle parks in front of them. A man is handcuffed to the luggage rack, threatening. It’s the Evader. Their meeting marks the beginning of an unforeseen and mystical journey.

When a romance between a widow and a notorious libertine takes an unexpected turn, Mademoiselle de Joncquières becomes instrumental to one lover’s plans for revenge.

Shot in Paris in December 1958, La Sorcière (The Witch) is Żuławski’s student film and directorial debut. The story is based on a short story by Anton Chekhov.

At the beginning of World War I in a village in the country of La Marne, two families are against the marriage of their children. The war changes the positions.

Grandma is starting to lose her eyesight and lives alone in her isolated house in Normandy. The arrival of a new little neighbor will turn her daily life upside down.

At the front, Bébé meets two Russian soldiers.

A man discovers the qualities of his wife's friends, whom he had always hated.

The featherless nightingale sings in the forest. His birdsong soothes the little bear who is having trouble sleeping, calms the squabbling squirrels and entertains the pair of swans swimming in the pond.

Just before taking an irrevocable and tragic step, Caroline talks to Claire, her lycée friend. Later, Claire gathers five other school friends, and tells them Caroline's secret. The six agree to wage a guerrilla war against their philosophy teacher, the sarcastic and belittling M. Terrien, the cause of Caroline's despair. After seeking advice from Mayard, the school's guidance counselor and a leftist with a police record, the six look for evidence that could get Terrien fired. They strike gold, and then raise the stakes. Sarah, one of the six, hatches a deadly plan.

During the 1950s, in Portuguese Mozambique, small-time American hustler, ex-soldier, ex-boxer and adventurer Johnny Jordan is looking for a new gig. His opportunity comes in the form of a local shipping tycoon and importer Moreno who offers Johnny a job after Johnny saves Moreno from an armed mugger on the waterfront.

Paris, 1992. Julien, a science thesis student, learns of the death of Christophe, a young suburban hairdresser he had met a few months earlier on a gay phone line. He sets off on a journey to retrace their history and try to understand and forgive.

Patrica is the wife of Alain de Saulieu, a handsome engineer. She unfortunately loses her husband, who is killed in action during a battle of the First World War. At least, this is only the official truth, for Alain is not dead. Patricia indeed recognizes him one day. But the inverse does not work the other way around: Alain has become amnesiac and he does not remember her. And worst of all, he lives in a conjugal relationship with Germaine, his dedicated nurse, who is now pregnant by him. What has the future in store then for the three (not to say four) of them?