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Gazta

A journey around the universe of Idiazabal cheese in the company of exceptional characters like Eli Arrillaga who, widowed at the age of 24 years, had to choose between following her husband’s trade of shepherding, or returning to her urban environment in Zarautz. Eli continued to work as a shepherd and is today one of the most important producers of this cheese. Exceptional characters like Juan Mari and Elena Arzak, Eneko Atxa, Joan Roca, Martín Berasategui, Pedro Subijana and Andoni Luis Aduriz, who have absolutely no doubts as to the importance of an artisan, high quality produce that fits perfectly into their demanding culinary procedure. On the Urbía, Aralar and Gorbea mountain ranges, in the highlands of Navarre, the shepherds lavish care on their herds, their prized latxa sheep, with a view to obtaining a product of fine quality, capable of winning the annual cheese competition in Ordizia.

Gazta

NR 2019
The Algerian Novel

Starting from a small kiosk of old postcards as a derisory memorial of Algerian history, the visual artist questions the role of images - or the absence of images - in the representation of the colonial heritage of Algeria, of decolonization and the dark years… in short, in the construction of his national novel. In three separate chapters, Katia Kameli delivers a reflection on the making of images or symbols (the flag!). In the enlightened company of the philosopher Marie-José Mondzain and extracts from films by Assia Djebar, she begins a critique that goes beyond the Algerian framework on our relationship to the stories, ideologies and images that shape them.

The Algerian Novel

NR 2019
Half Moon

In Half Moon, Travis Scott’s “Sicko Mode” is paired with footage of the artist’s Vietnamese father walking in an Asian restaurant, the music transforming his nervous march into a hip catwalk stride. Meanwhile, sluggish, eerie electronic beats often accompany angled shots of apartment interiors, accentuating a certain ghostly nature of such spaces. Music haunts, yet this state of being haunted has nothing to do with horror; it is more hypnagogic and ethereal. Amidst the hauntingly disorienting music, the sense of space is as distracting as the temporal experience.

Half Moon

NR 2019
Luther Blissett - Learn, Believe, Die

1994. A band of faceless artists make a fool of national newspapers... and they all go by the name Luther. In the shadows of the city of Bologna in the 90s, emerges the fake persona of Luther Blissett, sharing his name with the AC Milan striker, but it's a pseudonym. Most of all, Luther Blissett is a space that welcomes experimentations, spreading freedom in a wide network of artists and saboteurs, it is performance, demonstrations, publications, radio shows and, most of all, what today we refer to as "fake news". This irresistible documentary tells the story of the collective from which the contemporary Wu Ming was born: a visionary cultural movement who's aim was to unveil the media's hypocrisy. And that managed to do it.

Luther Blissett - Learn, Believe, Die

NR 2019
Chinchilla Arsehole, eyey

In Rimini Protokoll’s new production, Christian Hempel steps onto the stage for the first time, together with musician and geriatric nurse Benjamin Jürgens and politician Bijan Kaffenberger. They also have Tourette. Collectively with musician Barbara Morgenstern, they put theatre to the test: to what degree can theatre tolerate an absence of intent? How much protection can theatre offer? And after the applause is over, it may become clear that this piece isn’t really about Tourette. It is actually about the audience, about theatre and about the fear of losing control.

Chinchilla Arsehole, eyey

NR 2019
Notes from CARA

A short documentary that tells, through everyday life paintings, the CARA Mineo: the largest center for asylum seekers in Europe, stuck between the warm and clay valleys of Sicilian Calatino. Near the camp fence we meet Mohammad, who wants to run away; Aqib and Malik who dream of reaching Milan and joining its LGBTQI scene; Ibrahim, the hypnotic musician waiting for his documents; Dieudonne “le prophète” who harshly denounces the poor condition of the asylum seekers.

Notes from CARA

NR 2019