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Le voyage

The emotional interplay between an arguing couple, in love but not happy with their relationship, is meant to be the sustaining force in this crime drama with little other action. Thomas (Christophe Malavoy) has been blackmailed into carrying a shipment of explosives in his Peugeot to Egypt, where the devices will be forwarded to guerrillas on Cyprus. He brings his lover Veronique (Victoria Abril) along for the dangerous ride from Switzerland to the south, knowing the explosives can be easily detonated by accident and enemy agents as well as government agents are out to capture him. Both protagonists have a short fuse themselves, and as they separate and then come back together, their final destination looms ever closer in more ways than one.

Le voyage

7.0 1984
Lohengrin

Wagner’s Romantic opera demands singing actors who can truly inhabit their parts, and that’s just what we have here. Is it possible for a Knight of the Holy Grail to look more enticing than Peter Hofmann? No wonder Elsa (Eva Marton) falls in love at first sight. Marton’s heroine is innocent, but she is also a passionate, real-life young woman—which is good, because Leonie Rysanek is positively demented as Ortrud, the sorceress who accuses Elsa and Lohengrin of using magic. With James Levine’s superb conducting, the orchestra and chorus are similarly magical.

Lohengrin

NR 1986
Die letzte Rolle

The ageing actor Peter Poller, whose name still has traction, is engaged as a guest at a provincial theater. They are performing a play by Molière. Poller is an alcoholic and his physical collapse is only a matter of time. His colleagues are watching him: the fear that the performance could fail through his fault is coupled with envy of his star role, which he also plays in his private life. His old "friend" and rival, the actor Karl Tietz, lurks unsuspectingly for the opportunity to stand in for him. Only the young Dagmar Möller seems to trust her great colleague. She makes every effort to help Poller overcome his problem and mediate between him and Tietz. But the battle continues - one wants to destroy the other. In the end, it is Dagmar who is broken by this game of intrigue, which she does not want to play and which she is not up to. However, the two old ladies are back on stage together - in a role that, like so many others, will "irrevocably" be their "last"...

Die letzte Rolle

3.7 1986
Point mort

A man is shot down in a provincial airport. Despite his wounds he manages to drag himself to his plane bound for Italy, unaware that the killers are already waiting for him at his destination. During the flight he reminisces about the events that led him there. His name is Matou and he was a Formula 1 champion before being banned from racing circuits for causing a fatal accident. Matou ran away in the company of Lena, his employer's girlfriend. But while they were in the open country they got shot at by mysterious pursuers, which was the beginning of a wild manhunt.

Point mort

NR 1984
Bankgeheimnisse

Horst Valfelt, deputy manager of a medium-sized bank branch in West Berlin, is passed over for promotion. A woman is put in front of him as branch manager. A serious blow to Valfelt's career. One day, his former fellow student Thomas Berthold appears at the bank. He has achieved everything Valfelt dreams of: a degree, a highly remunerated and influential position and an attractive wife. Berthold wants to start his own business and asks for a loan. Valfelt cockily promises to get him a loan on particularly favorable terms.

Bankgeheimnisse

7.0 1986