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Hong Kong movie

Set in the late 1950s, after Japan's devastating occupation in China, RED GRASS SAND is an involving look at one man's need for power. The film begins in 1941, when Commander Dor, of the Chinese Army, collects donations from his people and decides to keep the donations and burying them at Red Beach. He returns 15 years later with plans of returning to power, only to find its current inhabitants to be more than a little hostile.

Artificial light may have been one of mankind's greatest inventions, but it has also driven us apart from our families because it enables us to work longer and later hours. This drama tells three interconnected stories of people affected by light in different ways – A man forced to step away from work to take care of his injured mother in an apartment constantly lit by florescent billboards, the owner of a lighting shop whose products have suddenly stopped working, and a child who roams the streets stealing light bulbs.

Hong Kong movie

Film directed by Chia-hsiang Wu

Kwong Shan-siu as a playboy who sweet-talks Leong Suet-fei into a romance with him. She becomes pregnant but discovers that Kwong is nothing more than a cad who has already put her at the back of his mind.

The Prime Minister's daughter, Kong Yeuk-mui, is attracted by the private tutor, Chow Yuk-pui. However, the Prime Minister despises Pui's lowly background and banishes him. Kong disowns her father, hoping to marry Pui when he achieves honours in the imperial exam. Meanwhile, Mui's brother Tak-chu prepares for the exam under Pui's tutorship. Pui and Chu, take the money Mui gives them and head for the capital. Unfortunately, Pui has himself fallen ill. Considering that the examination day is approaching, he gives all the travel expenses to Chu and urges him to set off. Mui resides at Loquat Alley, longing for Pui's honourable return. One day, she comes across a beggar, when she recognises it is Pui, her heart breaks. Chu who has newly been appointed Top Scholar, arrives and tells her sister the whole story. Nevertheless, Pui's sister is chosen to be the imperial concubine. Benefiting from this bond, Pui becomes the Royal Brother and works as the court secretary and weds Mui.

Tells the story of people, ghosts and foxes between a poignant love story.

Part 1 In-suk, a former professional ballerina is a professor at the department of dance and having a normal marriage life. However, she feels bored of the present peaceful life, she happened to encounter Jun-ho at the parking lot. She came back to her normal life despite being attracted by Jun-ho’s young and tough charms. He turned out to be a boyfriend of In-suk’s student. In-suk became more attracted to Jun-ho without consciousness and at last she began to shadow him… Part 2 Jin-woo is a pro-gamer and a playboy. He knows nothing but playing and flirting with other chicks. One day, as he was staggering in an alley while drunk as usual, he found an old joystick and brought it home tying to operate it. As time went by, Hitomi, the heroine of a game, whom he felt in love with appeared to him in person and they started spending every day, making love vehemently. But he began to feel something weird…

Horror movie from Lan Kwong Film Company.

A film by the Nanyang Film Company

One of Ann Hui's most admired works for the small screen, The Bridge examines a complex web of bureaucracy, vested interests, disillusionment and grass-roots campaigning. The title refers to a footbridge closed for demolition by the government, effectively cutting the main route to and from a roadside shantytown and triggering further local issues.

A film by famed director Tit Lee.

Based on the legend of Lady Meng Jiang.

Hong Kong comedy.

Forced to wear dresses and behave in a certain way against her will at her stepfather’s dinners, 13-year-old Ling meets Kitty, a rebellious 17-year-old, and is fascinated by the older girl who seems unfettered by any rule. As the two girls become close, Ling experiences a sexual awakening and wants to play the role of Kitty’s keeper. But things get complicated when Kitty’s former boyfriend appears on the scene. Full of angst, this coming-of-age story traverses the painful rites of passage of adolescent loneliness and sexual longing. The black sheep hark back to all the pure yet misunderstood selves we used to be.

Motion creation, energy transmission and kinetic combustion. An audiovisual collaboration.

Alan Tam and Hacken Lee are back with their latest crowd-pleasing shows! The pop superstar duo reunited after their popular concert series in 2003 and 2004, holding 12 concerts at the Hong Kong Coliseum in February 2009. The first pop music artists to take to the Coliseum stage after the venue's recent renovation, Alan & Hacken greeted audiences with their infectious cheerfulness and a buoyant, bombastic, and bewitching performance. During the show, they delivered dozens of their unstoppable hits, including several medleys of Alan & Hacken classics, the concert theme song "Don't Panic", the 2009 East Asian Games theme song You are the Legend, and three bonus tracks, one of which featuring the newlywed Kelly Chen as a guest performer. Capturing the show in its full glory in 1920x1080 HD, the 3-DVD Karaoke release includes an extra 26-minute making-of.

Hong Kong movie

Shot over an eight-year period (2007-2015), this documentary film aims to present women’s struggle in the private and public spheres, both in China and Hong Kong. It offers a view into the lives of female factory workers, artists, rights activists, and intellectuals – whom deal with political violence, sexual harassment, online bullying, long-term separation from family, arbitrary treatment by transnational factory management, and/or poverty in their home villages.

In order to avoid young women being selected to enter the imperial palace, the parents hastily arrange marriages for their unmarried daughters with men they deemed suitable.

Between 2009 and 2015, Wen Hai followed the lives of workers and worker activists in southern China, the world’s factory. His astonishing film gives nameless workers a face, shows their vital sense of justice and resistance to owners who are only interested in profits – and how they escape the role of victim.

Upon becoming Prince Regent, the bellicose Lord Biu of Wu sends commander-general Si Ching-wan to rage wars between the Zhao and Chen Kingdoms. A small state that is long on literary excellence but short on military might, Chen is defenceless against the invading forces. The compassionate general answers the pleading of the Chen princess, Fung-ming, to sign a treaty of peace. In his speech to the lord, Deputy General Lau Mo-yeung accuses Si of treason so as to lay claim to Chen. The lord dispatches the valiant fighter Lui Chen-sing to Chen on an assassination mission, but the assassin is vanquished. Si prevails on Lui of his patriotism. Lord Biu fights Chen. In a dire attempt to redeem Chen, Si surrenders to the Wu camp. Lui pretends to have blinded Si to extricate him. The duo ally with a band of chivalrous fighters to overturn the corrupt regime. Dispossessed of his throne, Biu commits suicide. Si returns to his land to serve as an aide to the young king and marry Fung-ming.

City life is repetitious and all about work. It always comes with night life and a lot of drinking after work, because people always try to escape from the stress at work, or even from family and relationships. What we call "happy hour" here is the hours we have fun after work - night life. Therefore, if "HAPPY hour" is our night life, then what are those "UNHAPPY hours"?

A private detective investigating a missing person case becomes trapped in a hypnotic noir labyrinth, where he discovers that every exit leads back inside.

Ryu is travelling by car but suddenly he enters a black hole and is taken to the future of Neo Macao.

Grandpa Chan, 73 and Grandpa Wong, 82, run into the mist of teargas and try to protect the young protesters from any harm. With all the dangers and hardships they have been through, to them retreat is never an option.

Kong is a screenwriter in crisis, who’s trying to meet a deadline. He is nervous, he has to get out of the current stalemate by hook or by crook. He tries but finds himself trapped in something new and unfamiliar.

Hong Kong movie

The conflicts between two generations, between the urban and the rural are intensively examined. When a grandfather and his grandchild experience loss concurrently, they realize the older generation’s protection of the ancestral land and the youth’s defense of the city are cut from the same cloth. Decades have passed, but the people of Hong Kong still do not have an answer for their rootlessness.

Hong Kong movie

Hong Kong comedy film.

Director Roger Garcia drew inspiration from Close to Our Hearts, a script he wrote after returning to Hong Kong from the United Kingdom in 1977. Although the project never materialised because of a lack of funding and resources, Garcia adapted its elements—character lines, location shots, references to other films, portraits of a harpist—for this essay film, which traces a disintegrating relationship between a Chinese musician and his English wife, a photographer. Ruminating on the liminal space between text and image, Garcia seeks new ways of looking at a ceaselessly evolving city.

Hong Kong movie

A whimsical journey of a young autistic girl kayaking in Hong Kong water in search of perfect blue water for her pet Clownfish. Facing incredible odds and dangers, she finds the unexpected in her heart.

Life and death are decreed by fate, so the wisdom goes—but who really controls our first and last breath? When we are vulnerable, is the omniscient and omnipotent Heavenly Father the only refuge? The pastor’s wife is terminally ill. By her death bed is the devoted younger son who wishes to minimize her suffering by withholding life support so that she can leave in peace. The pastor, however, insists on obeying the doctrines and God’s will. As signs of impending death approach, is the pastor simply waiting for a miracle? A difficult debate ensues when love for the family conflicts with religious obligations.

Iris looks in the mirror every night to voice her frustrations, as if telling a close friend or family member her grievances, but something strange begins to happen. Iris discovers that someone is quietly solving her problems at work, which earns her praise from her coworkers and superiors, but this mysterious person is gradually invading her life—and her love life—forcing her to seek out the truth.

Hong Kong and Taiwan are 2 islands inextricably linked by their huge neighbour. Modern metropolises full of eastern traditions, they're forging forward in the 21st century as China's little dragons. Traveller Megan McCormick begins her journey in Hong Kong, looking out at the incredible skyline from Victoria Peak. She then takes in the contrasts of the city before taking the ferry visit Tap Mum Chau and Lantau Island. After a flight to Taiwan she explores the capital Taipei, ending her trip with a visit to its most remote outpost - Orchid Island.

In the beginning of the year 1997, an ex-emigre man returns to Hong Kong, his city of birth and looks for a job. Unable to find one, he offers his services as an immigration consultant, and meets many people, including a lady with no past. A street Cleaner finds life with his pregnant wife and streets full of rubbish suffocating, and seeks new hope from the immigration consultant.

Hung Sin Nui plays a mother of three who is burning with desires to serve society. Working as a journalist, she stays out for long hours, resulting in negligence of her children and her husband’s suspicions of infidelity. The twist, at once ironic and realistic, is that her unsupportive husband had actually written in his youth a book on gender equality. On the verge of divorce, the couple reconciles after the husband’s mother, sympathetic to the difficulties faced by women, rises to the occasion with timely and prudent advice. Hung’s character, a woman stuck between cultures of old and new, was tailor-made for the star by screenwriter Chu Hak. Director Li Pingqian portrays her struggles with realist and humanistic touches, extending gentle critiques of social prejudices without fanning the ire of resentment.

hong kong film

Cao Cao is the intelligent, powerful and ambitious prime minister of Han Dynasty who controls the child emperor. However, he is teased by a civilian called Zuo Ci...

This is the third sequel of the original film

Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.

A melodrama from director Kim Chun that revolves around a circus troupe.

A beautiful and talented accountant has not adapted well to the domestic life after marriage. Both she and her husband feel that married life is nowhere near as interesting as being single. Their fights lead her to move to a women’s dormitory.

A short documentary commissioned by a Hong Kong local fashion brand Bread n Butter.

Horror / vampire movie involving a haunted house.

In the 1970s, the boat people of Un Chau Chai in Tai Po lived in wooden huts in extremely cramped and horrible conditions. "Ode To Un Chau Chai" tells the story of boatman Dai-Shing, a gambling addict whose wife works her fingers to the bone to support their large family and whose father helps out by selling dried seaweed.

The plot is about a bloodthirsty lord called Pi Hao who have young girls kidnapped to satisfy his lusty desires. He orders the killing of Shao Shao, one of the young girls, and his henchmen burry her body in the forest. Her sister Sho Kown goes after her and - as the two sister were very much look-alike - Pi Hao send his men to check the place where the body is buried. But the grave is empty and all the men who were sent to burry it are found dead...

Hong Kong romance film.

Wan-yu goes on a farewell trip with her close friend Jack, seeing him off to the airport. During the drive, they ruminate on the departure and the resulting ruptured relationship. Before leaving, Jack entrusts his car to Wan-yu. Underneath Wan-yu’s calm and almost indifferent façade lies a hidden anxiety and confusion, for other than the car, she has to deal with another more complicated problem of her own. Shot as a conversation in a car, the short’s claustrophobic atmosphere heightens the helplessness of the characters. From director Wong Fei, winner of the 15th Fresh Wave Award, comes a quiet and contemplative piece about making difficult decisions amid drastic changes in life.