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Benedicte, a woman in search of absolute love, arrives in Polynesia, when a mysterious sailboat appears in the lagoon. Is it chance, coincidence or destiny?

A staging of Florian Zeller's play "The Father" by Ladislas Chollat.

Beginning with Guernica and the Chinese cities of Chongqing and Shanghai in 1937 and ending with the bombing of Hiroshima and Nagasaki in August 1945, World War Two saw a new art of warfare in the form of extensive, worldwide bombing campaigns.

A steep ski season with Vivian Bruchez.

A discussion of Williams' iconic work and new material for The Force Awakens.

French astronaut Thomas Pesquet recently returned from his expedition to the ISS space station - a veritable laboratory of the future where researchers from all over the world work together. During scientific experiments in space, he investigated how long-term missions, such as to Mars, could become possible.

In a detached tone, Mustapha El Atrassi takes stock of our society without any filter.

Sometimes a monologue turns into a dialogue, but with Serge Papagalli, the philosophic–comic–lyrical flights are always infused with a down-to-earth Dauphinois common sense, shaken up by the exuberance of his Genoese roots.

During the night, a desktop computer, a young woman's phone and a discounted electronic tablet wake up and plan their domination of the world.

The film begins with a volcanic eruption that stranded the director, Pauline Julier, in a foreign city, among strangers. In turns, these strangers evoke legends about the formation of the continents, the blooming of the tectonic plates or the explosion of ash that provoked summers without sun.

An in-depth analysis of The Reckless Moment (1949) by Lutz Bacher, author of Max Ophuls in the Hollywood Studios.

The 3 lives of Agnès Varda: photographer, filmmaker and visual artist.

Jacotte, thirteen, decides to celebrate the seven years of her brother Bastien in their usual corner of the forest, with Mathieu, Alex and little Chacha, their lifelong friends. Everything goes as planned until they discover an abandoned car carcass.

In a ruined house, four men and two women find a nun. All these people have deserted an anonymous war.

"Compression de À travers l'univers" is the reduction of my film À travers l'univers from 1 hour to 18 minutes into a 4-minute movie. The film is "compressed" like a work by Arman or Caesar. But unlike the work of these artists who compressed usual objects, this self-compression reduces a purely artistic object. The tour de force and the bet of Compression de À travers l'universe was to make a total compression: in this film, there is no lack of a single shot of the original film!

Memorable sketches and parodies by Les Inconnus.

Summer 1955. The sun shines brightly on a bucolic landscape sprinkled with poppies. A young beautiful and mysterious woman lays in this sparkling field of blood-red. The sunbeams caress her smiling face. A moment of happiness that nothing seems to be disturbing.

Made in 1981, before Dialogues de Rome , her last cinematic work, L'Homme Atlantique is Marguerite Duras's penultimate film (Les Enfants, filmed in 1983 and often wrongly attributed to her, is a film she merely supervised and which is credited to her son Jean Mascolo and Jean-Marc Turine). L'Homme Atlantique is the most radical film by the author of Hiroshima Mon Amour . It is partly composed of outtakes from Agatha , her previous film, and primarily of black images. The soundtrack is a reading by Marguerite Duras herself of her text L'Homme Atlantique, which was published in 1982 by Les Éditions de Minuit. I had discovered this film at the Hyères International Young Cinema Festival and I had the opportunity to dedicate a column to it for the magazine Cinéma 82, in issue 277, dated January 1982. Marguerite Duras's L'Homme Atlantique by Gérard Courant is a filming of this text on a title bench, interspersed with black images. (G.C.)

Angelique arrives in the family house without being expected for the weekend. Her brother is there with his new girl friend. Immediately there is a tension between the two girls.

Rebecca is a cop in the Juvenile Division. One day, Mathieu Francoeur comes to the station, saying his son, Joachim, has been kidnapped by his mother Christelle, with whom he's separated. However Rebecca had seven years earlier witnessed the man being extremely abusive to his ex-wife and child...

The writer Aurélien is in hospital and learns that his parents have died in a car accident. The loner reluctantly travels to Brittany to arrange the sale of his parents' house. He can't help the memories that the small town evokes in him. Is Aurélien really the black sheep of the family? On the coast in Saint-Lunaire, Mado, an old family friend, upsets his certainties. His former best friend Hervé, a real estate agent in charge of selling the house, surprises him with a discovery.

Tokusatsu monsters roam and fight in Tokyo, leaving the crowd indifferent.

A completely off-the-wall and hilarious remake of the French film "La vie d'Adèle," signed La Chocha.

The major 20th century struggles formed a thread running through the life of Willy Ronis, whose social and political commitments remain little-known. Born in Paris in 1910, son of exiled Jews, he grew up overshadowed by his adored father, photo retoucher, and recorded the working-class world from the 1930s onwards.

The journey of 11 women while they go on a pilgrimage from Bragança to Fatima.

They hold a "travel permit" instead of an identity card; they are free, poignant and brotherly. They are the "Brothers of the Wind" as filmed by Bruno Le Jean in a music documentary: Angelo Debarre, Ninine Garcia, Tchavolo Schmitt and Moreno. Django-style swing permanently caresses their guitars. It is not so much the concerts that Bruno Le Jean has captured but rather the soul of his heroes. He does so using images and a sense of composition and movement that has everything: emotion, humour and poetry. Crafted with tact and sensitivity by a "gadjo" who truly understands gypsy culture, Les Fils du vent is an indisputable success.

Le Cinéma selon Luc Moullet is an audio interview with Luc Moullet recorded on 29 January 1979 by Gérard Courant for the magazine Cinéma 79.

A man, a woman. About thirty. Attractive and dreamy. Single. They cross each other a billion times without meeting. They are nevertheless made for each other.

In this world of media, where you can film someone's private life or the worst acts of violence, 'No Pain No Shame' breaks through the boundaries between reporting and cinema. Issa, a young French man originating from Africa, just got out of prison. His father decided to send him back to Ivory Coast in order to drive him away from bad company. To immortalize his last 24 hours in his suburbs, Issa decides to film everything with his video camera. Where will the exhilaration and euphoria of this departure lead this group of friends?

"Le Départ de la 3ème étape Lagnieu-Oyonnax du Tour de l'Ain 2017" is an episode of the Carnets filmés by Gérard Courant that the filmmaker shot in Lagnieu, in the starting village of the Tour de l’Ain cyclist, where around a hundred professional riders come together from all over the world.

A widow of a billionaire, Marie-France Dubreuil-Joris is also a renowned pianist. Trying to manage her fortune as well as possible, she entrusts most of it to her banker, whom she particularly appreciates. But his butler also has after his money.

In the village of Liezen, power is hereditary. One day, the leader is found dead, drowned in the lake below the village. His young brother has to take over. Unconsciously, he tries to escape it by entering the red house that appears to him, in front of the lake.

What do Abba, the Bee Gees and the Carpenters have in common? More than 800 million albums sold, non-stop hits. Despite this, the music press initially wrote disparagingly about them: Compared to rock, their sound was considered too slick, their outfits uncool. 40 years later, they are celebrated superstars. This two-part documentary, structured like a before-and-after report, tells the story of three bands who were initially despised for their music and performances, but today, decades later, are more than a cult.

To finish his script, Jonas is ordered by his producer to work with a talented Parisian scriptwriter, whose arrival at his home effects his life in unimaginable ways.