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Alyse et Chloé

Alyse, a successful cover girl, has had an affair with Luc Bordier, an advertising photographer, for one year now. But although Luc loves her truly, he tends to neglect her as he is too busy with his work. Chloé, who runs an advertising agency, takes advantage of these off-days to seduce Alyse. Alyse tries to hide the situation from Luc but the latter realizes what is happening. He urges Alyse to go with him on a trip to the West Indies but she refuses and joins Chloé, not without suffering from being separated from Luc...

Alyse et Chloé

2.8 1970
Dwarf Nose

Jakob, the son of a market woman, helps an old woman carry the groceries home one day. But the old woman turns out to be a herb witch. She enchants Jakob into a dwarf with a huge nose. He enters her service and is trained to become an excellent cook. Only years later does he return to his parents as an enchanted dwarf nose. Not even they recognize him. Disappointed, he offers his services to the duke's kitchen as a master of his trade. As a successful cook, he is nevertheless put to the test. For he does not know the herb "sneeze-with-lust". Fortunately for him, his new friend, the equally enchanted goose Mimi, whose life he has saved, does.

Dwarf Nose

4.0 1978
Dimmi che fai tutto per me

Francesco Salmarani, a well-known doctor from Treviso, suddenly finds himself with an overdraft bank account as his wife's father has come from America demanding the purchase of a large Palladian villa. Tired of his wife, Francesco consoles himself with Paola and then lets himself be ensnared by the very young and beautiful Mary, who has come as housekeeper and father-in-law's lover. The need to fill the administrative gaps and the dream of running away with Mary lead the doctor to organize a coup against his father-in-law who, linked to the mafia, managed to transfer a large dollar patrimony, stolen from the gang, to the villa. The presence of the boy allows the commissioner to exonerate his son-in-law, Mary and Felegatti, of the death of the old mafioso. However, everyone will be left without the dreamed treasure which will fall to Mary and the son of the Salmarani who flee together.

Dimmi che fai tutto per me

7.2 1976
Léon Degrelle, Autoportrait d'un fasciste

On the sidelines of history, some characters, often ignored of the greater public have, in the shadows, had a decisive weight on the most important events of our century. We are presenting you there «unknows». A two-part documentary, which is a two-and-a-half-hour interview with Léon Degrelle himself, was produced for FR3 in 1978 by Jean-Michel Charlier, as part of the series "LES DOSSIERS NOIRS" (The Obscure Records).The first part, "LÉON DEGRELLE: CHEF DE 'REX'" and the second part, "LE 'VOLKSFÜHRER' LÉON DEGRELLE".

Léon Degrelle, Autoportrait d'un fasciste

NR 1978
Kinder sind keine Rinder

The film documents the work of an anti-authoritarian and self-organized school store in Witzlebenstraße in Berlin-Charlottenburg, which emerged as a critique of the development of children's stores. The film shows how the teachers discuss the conversion of open spaces into playgrounds with the children and how the children jointly prepare the publication of their newspaper "Radau". The concept of the children's stores was developed by the Action Council for the Liberation of Women, which emerged from the Socialist German Student Union (SDS), at the Free University of Berlin (FU) and was organized as self-help from January 1968. Helke Sander was one of the co-founders of the Action Council.

Kinder sind keine Rinder

NR 1970
Baltazar

A child plays on the beach; we are in home-movie territory. For years I thought I had made a film-poem, without knowing how to explain it, until Gilles Deleuze created the concept of "perception-image": A character acts on the screen and it is assumed to see the world in a certain way. But simultaneously the camera sees him, and sees his world from another point of view which thinks, reflects, and transforms the viewpoint of the character [...]. In short, perception-image finds its status, as free indirect subjective, from the moment that it reflects its content in a camera-consiousness which has become autonomous ('cinema of poetry'). (Gilles Deleuze, Cinema I: The Movement-Image).

Baltazar

NR 1975
Love School

Disguising himself as a geisha and introducing himself as Madame Mufiko, a certain Max Fox opens a school in Paris where he proposes to teach the Japanese art of love. He recruits a few students, boys and girls, to whom he teaches to imitate the positions represented on old prints. The young people set themselves to it with such ardor that soon the girls are pregnant. In addition, the school is put under police surveillance and the false Mufiko sees her true identity revealed.

Love School

NR 1973
Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima

Doctor Gaudenzi, a real Sicilian manly man living in Rome, Italy, married the daughter of a wealthy industrialist. One day, his wife is about to die, and being very religious, she asks for a cardinal to perform the last rites and further demands that her husband pledges not to marry or be with other women after she dies. Constrained by the cardinal's presence, Gaudenzi promises, and she promptly dies. Later, as soon as he is about to fall in temptation when looking at sexy girls, strange things happen, finally convincing him that his jealous wife is watching from "out there". Gaudenzi decides to give up on his lusty life: he's returning to his Sicily home and, to be on the sure side, he asks to be injected with female hormones. That's when he meets a sexy woman no man can resist...

Le inibizioni del dottor Gaudenzi, vedovo col complesso della buonanima

6.3 1971
My Brother Anastasia

Don Salvatore Anastasia, a priest in a seminary in Tropea, Calabria (Italy), gets a ticket to visit his brother in New York. He has never known him, because the brother emigrated illegally in the U.S.A. years before. Upon his arrival in America, he is greeted with much respect, as well as his brother, also from the Italian-American community of Little Italy. Enthusiastic of that, he decided to stay on as assistant pastor in the church of Saint Lucia and bring it to a new shine. Accompanied in New York, his last name, Anastasia, commands respect and, above all, opens the door hitherto locked: his brother, really, is the infamous mob boss Albert Anastasia.

My Brother Anastasia

7.2 1973
İnsanları Seveceksin

Halil is a teenage boy, son of a poor porter, and sees him dying when serving a man without compassion. Halil keeps on with father's work, to pay for his younger brother and their old mother food and shelter in a slum. Then, the horse that pulled the chariot dies, and Khalil goes on, taking the animal's place. A rich man tries to kill another, and pays Halil to pick up the revolver, and take the blame - going to prison instead of him. Halil accepts, and takes the money to his mother. In prison, Halil grows up as a rowdy man. Later, fate will bring the two brothers together, but in opposite sides of the law: Halil is a paid assassin, and his brother is a public prosecutor. When the Mafia pays Halil to kill his own brother, he refuses - and the Mafia retaliates by killing his wife. Halil vows to revenge her.

İnsanları Seveceksin

4.7 1979
The Light on the Gallows

Europe in 1793. For years, England and France have been at war with each other. Now, France sends three men to the British colony of Jamaica to organize a slave revolt. The envoys are Debuisson, the grandson of a Jamaican rum manufacturer, who knows the island very well, his old friend Sasportas, and the sailor Galloudec. After having established contact with the fragmented rebel groups, they receive the surprising news of Napoleon′s takeover in France. Whereas Debuisson, who by now has gotten used to his role as a rich heir, wants to wait for new instructions from home, his companions are determined to press ahead with the revolt. When a slave kills a British guard, the situation escalates.

The Light on the Gallows

6.5 1976