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La vedovella

Susy, a call girl from Milan, receives a castle as a gift from one of her old clients, Baron Colletta di Sant'Omero. When she arrives, she is mistaken for the widow of the deceased squire and is immediately surrounded by the mayor, members of the town council, and other people who all aspire to take over the dilapidated property for little money, whose future is guaranteed by the industrial expansion of the Calabrian village. Susy realizes the situation and astutely takes advantage of it. She manages to obtain the unanimous vote of the city council against the expropriation of her land, and, having duped all her suitors, she devotes herself to Corrado, a technician at some important factories in the area.

La vedovella

9.0 1965
Sexy Gang

Tired of serving a lengthy prison sentence, Michelle manages to escape from the women's detention center. On the run, she meets a painter with a true artistic temperament, with whom she falls passionately in love. But, without really understanding how, Michelle finds herself involved in a murky murder case. Her harrowing run becomes increasingly perilous. Despite her determination, the young woman is eventually caught by the police, after receiving a surprising proposal of marriage. Touched, she nevertheless feels it's too late to devote herself to love...

Sexy Gang

3.7 1967
Immortalità

Three phases of the life of guerrilla priest Camilo Torres (the initial caption explains well how Camilo's mother distanced herself from the film, which falsifies in her opinion her son's life and ideology), told in such a way that it is difficult to read the same person in them; also because the protagonist of the first segment, a young bourgeois university student who is seduced by revolutionary ideals dying during a student revolt, is blessed on the lawn at the moment of his death by the very protagonist of the second episode, this one more obviously inspired by the Camilo Torres who felt his vocation and gave himself to the priesthood.

Immortalità

7.0 1969
Self Shots

Self shots are the optical Biographie of an unorthodox film producer. Director, cameraman and actor in a person, he directs the camera against itself. It plays with her, throws her into air, races over the meadows, films its movements, his face and his hands and demonstrates thereby its adventurous relationship to a 16 mm camera. Not an action thus, but filming becomes the action. The Godard' Bonmot of filming as ' truth 24 times in the second ' made Mommartz in his films conscious like hardly another. (Wilfried Reichart Kölner Stadtanz 4.1.68)

Self Shots

8.3 1967
Kuttel

Young Kuttel belongs to a group of working-class children who live in Berlin at the beginning of the 1930s. In the big summer holidays in 1931, the children want to make a race with their model boats and choose as a venue for the small artificial water in the park of their neighborhood. All children in the area are invited to participate in the competition. But there is a traitor among them, who tells the company to the local police officers, who in any case look with arrogance on the "Reds"...

Kuttel

8.0 1961
It Was Good to Love You

Andrea, a young man from the provinces, leaves his home, his friends and his girlfriend to go to the city in search of new intellectual satisfactions that he believes he can no longer find in his small world. The young idealist meets Eleonora, a beautiful woman romantically linked to Luca, a rich and unscrupulous businessman, and becomes his lover. In order to live forever next to Andrea, Eleonora does not hesitate to abandon Luca and the luxurious life that he allowed her. The death of Eleonora in a car accident, however, abruptly cuts off Andrea's dreams of happiness, who returns to his provincial town, where he finds his fiancée waiting for him and comforting him.

It Was Good to Love You

7.0 1968
Raid Into Tibet

In May 1964, three British filmmakers traveled with the Khampa guerrillas over a 20,000-foot pass into occupied Tibet from the remote Tsum region of Nepal and captured dramatic footage of an ambush on a Chinese military convoy. The footage was smuggled out and edited two years later in London, and officially released in 1966 to critical acclaim. Shot by Oscar-winning cinematographer Chris Menges (THE READER, LOCAL HERO, THE KILLING FIELDS), this documentary short is an important historical artifact, representing the only known footage of armed Tibetan resistance fighters in combat with the Chinese.

Raid Into Tibet

6.0 1966