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Dean Quarry - with eyes that are not seen are quickly forgotten

A collaborative film experiment that attempts to engage the viewer with the materiality of filmmaking and glimpses of an abandoned industrial site on the Lizard Peninsula in Cornwall, UK. The film was shot on Super8 and hand processed, however, an accidental misloading of the film led to much of it becoming stuck together, obscuring the exposed images underneath the film material. The music is written in response to the material quality of the film form, with tones and melody revealing themselves as identifiable images appear and are lost.

Dean Quarry - with eyes that are not seen are quickly forgotten

NR 2021
Penn-ar-Bed

Penn-ar-Bed, a moving image piece, is based on the loss of culture that comes with the loss of language. Focusing on the insular Celtic language Breton, the work is a reflection of the deprivation of heritage that happens when an orally transmitted culture is heavily discouraged, almost to the point of extinction, by the government. In part a fictional collective memory, in part an attempt to reconnect with my family history, the film is Brittany as I have come to know it as an adult.

Penn-ar-Bed

NR 2021
And gently flows the Rhine

The last evening before her gender reassignment surgery: Caroline thinks she is finally on the side of happiness. As the hospital settles down for the night, she says goodbye to her old self and feels happy for the first time in her life. Weeks later, her father is dying. Caroline looks paralyzed from a balcony parapet of her high-rise in Leipzig and talks about the first abuse on Christmas Eve in her childhood. Very soon she realizes that without coming to terms with her trauma, she has no chance of building a future and arriving in the new gender. With the help of a therapist, Caroline goes back into her past - with an uncertain outcome.

And gently flows the Rhine

1.0 2021
Heimat

Halfway between a documentary and an artistic installation, Heimat, starting from the creative fragmentation of the Last Letters from Stalingrad, a collection of letters written in December 1942 by German soldiers besieged in the Stalingrad sack, is a sensorial and universal investigation of that very mysterious object that is the memory of Home: a mysterious, elusive object, always on the verge of fading. In Heimat, the paste of old family films, brushstrokes of color and chemical residues of decomposing film coexist. A reality that becomes oneiric, almost hallucinatory.

Heimat

NR 2021
Permaculture en France, un Art de vivre pour demain

A new trendy word that appeared recently, a fashion, a technique, a trade, an offshoot of organic, a current of thought? In the midst of this ecological questioning that challenges us today more than ever, in the end, no one really knows. Yet behind that word lies an inexhaustible hat full of wonders, all of a beauty that could be called naturally simple. This documentary will take you to meet a family who practices permaculture on a daily basis and will make you discover, through their testimony and images of the four seasons, how today permaculture is much more than what we could imagine. A true art of living for tomorrow.

Permaculture en France, un Art de vivre pour demain

2.0 2021
From the 84 Days

In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.

From the 84 Days

NR 2021