Eva walks through the forest when she suddenly comes face to face with her father’s warnings about the road and becomes paralyzed by fear. The only way to escape is by waking up.
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Eva walks through the forest when she suddenly comes face to face with her father’s warnings about the road and becomes paralyzed by fear. The only way to escape is by waking up.
A New Year’s Eve party in Martinique with friends and champagne leads to an innocent game with unexpected consequences.
Zaka embarks on a journey from France to Ecuador to attend the 16th edition of the LGBT Film Festival Place Without Limits. Once in Quito, while struggling with the altitude and climate of the city, Zaka meets with Christine Rougemont, a trans rights activist with more than 20 years of experience, who shares with him her life experiences and the special relationship that had kept all her life with South America, and especially Ecuador.
Slowing down time, the film takes us on a journey through an ever-changing landscape of shapes in motion. An abstract contemplation on a piece of music by Nils Frahm.
Gabrielle lives in a stone house, like a ghost, caught in the immensity of the place - the place of her childhood, of her mother, who passed away. A young man has taken possession of the garden. Gabrielle's solitude is troubled.
Michael Heindl is always ready for an intervention. He does not require lengthy preparation. He ‘hits’ his mark without warning, like the heads he strikes of nine statues representing famous men and women for his video ‘Hard-Headed Harmony’.
Parts 4 to 6.
Birds of paradise, displaying their most beautiful plumage, sing and intrigue in the middle of tropical forests. One of them takes us into their world. Their songs and dances lead to a parade, offering a genuine spectacle. But the forest takes on another tone, human hands disturb this harmony and richness. Brutality settles in before giving over to silence.
Engagement Rate Formula is a video in which Melis proposes a serial production of social media 'Like' icons made out of plaster material. Once the 500 Likes have been reached, they are packed in boxes to be sent by post to the Moira refugee camp on the island of Lesbos, Greece.
The product of two years of conversations, poems, monologues and performances recorded at his home, studio, or during our strolls through the Old Managua or his native, Pearl Lagoon, in Nicaragua’s South Caribbean. An attempt to capture and recover the unique discourse of this creator of words, sounds and concepts. Delving into Rigby’s poetry, reveals to us the wondrous voice of someone who, we feel, must be known and remembered for making his life a poetic existence.
«Thin as a hair, wide as dawn» (R. Q.) A single afternoon depression. Intervals of a film yet to be made.
In a bar on the outskirts of Grenoble, the Italian community gathers to watch Juventus Turin matches. Different generations of Italian immigrants come together in front of giant screens broadcasting the game, while the faces of the spectators contort...
An adaptation of Chekhov's Three Sisters, in which only two of the sisters seem to remain, these women in the snow; but another voice is heard, as if coming from elsewhere.
“You can’t always get what you want...” sang the Rolling Stones once upon a time, though they consistently proved the opposite. A young woman wants a whole lot too. Being heard would be pretty nice for starters.
A journey through light, color, textures and chaos.
Overseas In diptych with Florian Maricourt. The overseas is diurnal, coastal, it advances on the rocks, in front of the sea, it hurts the eyes, it is all in sun, all in waves, all in sand. The Little Night glides offshore and the water is deep, colossal, the curtain flutters softly in the wind, the cat gets wet.
When Helena and Julia attend their fifth anniversary, the consequences of the celebration will call their relationship into question.
Sitting at the table, mother and daughter talk, more than one another, although the silences of one of them say much more than the words of the other. Text and subtext are intertwined and turn towards an outcome that, sooner or later, is doomed to occur. But only five minutes are enough to find the burden and the release of an unsustainable situation by its own weight, corseted and encysted by an empty relationship of content, strange only in one sense.
A young actor wants to the tell the story of their neighbour who migrated because of homophobia – but will the rest of the company accept?
Marcela spends a day with her dog, Chip, and tries to keep his light on.
What would you do if you had a pill that gave you extendable arms? Bring a whole new world within your reach.
The movie musical occupies an interesting position in the film industry. On one hand, like action movies, its dance scenes are all about bodies in motion: dynamism, choreography. Yet, with notable exceptions such as Busby Berkeley, those responsible for putting star hoofers on-screen tended to let them strut their considerable stuff uninterrupted. It’s not to say that the camera always remained static; but you could imagine the likes of Fred Astaire and Ginger Rogers, or the gravity-defying Nicholas Brothers, taking it as a personal affront if they weren’t shown full screen, to fully appreciate their elegance, their athleticism.
The maker writes of Non c'è nessuna Dark Side: "I could never say it's a film of mine (maybe not even a film); it's a space of chaos torn from the duration, from our being here to our fear of oblivion." Erik Negro's project started in 2007 as a kind of machine to stop time. What the machine has produced are unstable fragments as the interim phase of a historical and personal process of solidification. Out of the chaos of existence, this UFO has emerged, twelve years later. During this period, cinema and music offered some footholds for a boy from the Italian provinces who had just finished secondary school and was open to life (which among other things regularly brought him to the Rotterdam and Berlin film festivals). The footage was shot (and edited) a long time ago now, back when the film still had a form fixed in advance – over the years, this has been lost.
At the luxury hotel "Panorama" in Oberhof, over 1,000 people are celebrating a lavish New Year's Eve party in 1978/79. Suddenly, the power goes out. At the same time, one of the most spectacular spy thrillers in the GDR is unfolding in the hotel.
A young boy buries precious items that belonged to his mother at the base of a wind turbine having been beaten by his foster parents.
A video about the joy of crafts and painting.
For the previous three years I’ve been interviewing heroic ZX Spectrum figures, be they programmers, designers, artists, musicians and publishers. It’s been a blast, an amazing rollercoaster ride of privilege and enjoyment! However, I filmed a lot. A LOT. I’ve got ninety minutes just on Jim Bagley. Seventy minutes on Rick Dickinson. All the lovely people interviewed just gave and gave, with wonderful anecdotes, stories about the industry, narratives and comedy moments - enough to make ten films... After watching Jackass (sorry!) recently, I noted they created a 2.5 and 3.5 – an extension of the original film including lots of previously unseen footage. I thought, “I wonder if I should do that?” so posed the question to the Spectrum community, and was flooded by positivity and urges to “do it”. “Are you Spectrummed out?” I asked. “You can never be Spectrummed out!” came the reply! So, here I present SPECTRUM ADDICT: THE LOST TAPES.
Lookout is a film about a way of perceiving life beyond our common senses through an intimate portrait of the daily life of Pablo, blind since age three, who lives by himself on a wild area close to Montevideo, Uruguay, where he makes liquors and records poems.
Every weekend through the winter, a group of middle-aged men, who dub themselves the East German Ladies Swimming Team, plunge into the freezing waters of a pond in central London. 'The Home for Broken Toys' follows the team through one season to explore their motivations for braving the extreme cold each week, a decision which seems alien to the filmmaker. The reasons she discovers are by turns comedic, poignant, and profound.
Martín is the son of a fisherman who, in the morning, helps his father in fishing and, at night, is a dancer in nightclubs of the city, one day he meets an enigmatic man who will help him heal a trauma from the past.
Nine Asturian filmmakers reflect aloud, alone in a hotel room, on the existence, the main characteristics, and the current situation of the cinema made in Asturias.
This story of two trans people – an ex-soldier and a theatre actress – shows the different dimensions that gender transition means.
Ancient History Documentary