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Sterne

What’s a star in a movie? A black dot in the film negative. In the nineteen eighties I enjoyed painting on 35mm blank film and painted a negative. That means every frame was painted in reverse color - black became white, blueish green became red, yellow was to be sort of blue. The result: all colors are on black background - like in the windows in old cathedrals. The music was improvised after the film was finished by Jasper van’t Hof, vocals by Eva Mattes. The film was premiered in competition at the Berlinale 1985.

Sterne

NR 1984
Reunion in Travers

The time is the French Revolution; the place is the village of Travers, ensconsed in neutral Switzerland. Prussian aesthete Herman Beyer is on the verge of divorcing wife Corinna Harfouch. Radical writer Uwe Kokisch, Corinna's lover, hopes to find a way of smoothing out animosities. What follows, however, is a nonstop drinking binge. The film subliminally addresses the then-prevalent issue of a divided Germany. Whether or not it succeeds is unimportant; Treffen in Travers (Reunion in Travers) has proven to be a crowd pleaser wherever it has been shown.

Reunion in Travers

8.0 1989
Hilde, das Dienstmädchen

In 1938, a young woman leaves Germany to search for her love, Erich, in Reichenburg, Bohemia. Erich is secretly fighting the fascists, so Hilde ends up becoming a housemaid in the home of a German joiner in order to carry on their relationship. The joiner's son notices the passionate love shared between Hilde and Erich. To him, the young lady embodies the feminine ideal. When Hilde receives news of Erich's death, she descends into an uninhibited lifestyle in an attempt to forget.

Hilde, das Dienstmädchen

9.0 1986
Ecoutez vos murs

It is the poetic chronicle of a city: Paris. A city critique, but a good natured one (the declaration of intention is bloody : Cities are illegal slaughterhouses). The experimental reality of everyday life is explored with insight and humour through improbable dialogues between pigeons, statues, and even a tap and a washbowl! There is on the one hand, the individual at home, grappling with its walls (which are fully fledged characters in this film) and on the other hand, we see the outside world composed of the rhythms and colours of daily urban activities. A mixture of special effects, animation, features reworked into montage, and realism consolidates the fantastic, bizarre and ironic style of the film. M. Mazé

Ecoutez vos murs

NR 1985
Exterior Night

Hoping to make a fresh start, Léo, a jazz musician, takes up temporary residence with his friend Bony, a young writer who is struggling to get his work published. One evening, Léo strikes up an acquaintance with a woman taxi driver, Cora; in spite of her impulsive and moody temperament, he cannot help being attracted to her. On the spur of the moment, Cora invites Léo to make love to her. When Bony meets Cora, he too finds her irresistible, but he lacks Léo’s self-confidence to make his move. Cora is not a woman that any man can possess readily. She is like a wild animal, a creature that revels in its freedom. Will either Léo or Bony be able to tame her...?

Exterior Night

5.1 1980
The Malady of Death

In the space of a short 65 minutes, a woman enters the luxury apartment of a wealthy man with an eccentric fascination for the female form and is paid both for her sexual favors and for lying there naked and letting him examine the aesthetics of her body. For most of the hour, as the concise narration of Marguerite Duras' novel on eroticism and aesthetics fills the aural gaps, actress Marie Colbin's form fills the visual gaps. But unless viewers consider the feminine eyeball or microscopic views of skin exotic and worth lingering over, the eroticism lies more in the imagination than on the screen. In fact, the female body lying on the bed, taken away from the spirit that animates it, is really just a corpse -- raising the question, exactly what is the "malady of death?"

The Malady of Death

NR 1985
Expeditions 1 – Signs of Empire

Produced while the Black Audio Film Collective were undergraduates, Expeditions 1 – Signs of Empire is the first of a two-part 35mm slide-tape text entitled Expeditions; part two is entitled Images of Nationality. The work toured England from November 1984 to March 1985, using a Kodak dissolve unit to sequence images into narrative. The soundtrack to Signs of Empire, which consisted of tape loops of musique concrete and political speeches, was amplified to create a powerful environment of dread.

Expeditions 1 – Signs of Empire

NR 1983